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71.
Ben M. Anderson 《Journal of Cultural Geography》2013,30(2):155-183
Between 1885 and the First World War, German and Austrian alpinists talked of “opening up” the Alps in Germany and the Austrian Empire with a vast network of huts and paths. This article argues that this effort to develop the Alps arose from a series of relationships between people, objects, representations and affects which linked urban spaces of middle-class conduct to the alpine environment. Alpinists utilised media such as landscape reliefs and panoramas not merely to represent the Alps, but to inculcate a particular affective response amongst Germany's urban middle-class, or Bürgertum. Instead of a Romantic ideal of mountains as unknowable symbols of nature's power, these alpinists promoted a modern gaze which would see all, from the safety of a controlled, governable landscape. In doing so, alpinists legitimised their intervention in the Eastern Alps, developing these once unknown landscapes as a bürgerlich [bourgeois, or middle-class] cultural resource. 相似文献
72.
This paper investigates the conceptual overlaps between transnational return migration and immigration by drawing on a qualitative study of Mainland Chinese return migration from Canada. The paper argues that reframing return migration as a distinct type of immigration draws attention to the citizenship vulnerabilities experienced by “middling” returnees who are not privy to the preferential treatment given to highly skilled returnees. They come to be considered as “foreigners” in their homeland because they have naturalised elsewhere. The paper also explores the double diasporic identifications of Mainland Chinese returnees from Canada; it highlights the tensions and fissures manifested in secondary diasporas, particularly in light of China’s growing prominence in international business, foreign diplomacy and cultural exchanges. The paper suggests that social encounters that marginalise such migrants in Canada are reproduced in China. The returnees navigate such encounters by mobilising their transnational affiliations to different national contexts. 相似文献
73.
Michael D. Pante 《亚洲研究评论》2014,38(2):253-273
Abstract:Early twentieth-century Manila saw the motorisation of its urban transport system. This was a significant transformation not only because of the technological changes it brought about but more importantly because of its role in shaping the highly gendered discourse of colonial modernity. Motorised vehicles, like the streetcar and the automobile, were trumpeted as masculine and modern machines by America’s civilising mission. This colonial discourse was continuously shaped and subverted by a collision of masculinities coming from different directions. This essay will focus on four different male groups in an effort to understand how transport motorisation influenced their sense of masculinity. White American colonisers imagined themselves as modern men destined to bring civilisation to the colony through technology. The native elites used the coloniser as their model by appropriating the symbols of masculine modernity. While the male workers of the modern transport sector gained knowledge of and access to the domains of those in power, those in the traditional sector became targets of vilification by the native and colonial elites. Instead of a duel between two sets of masculinity (coloniser vs. colonised) what emerged was a complex set of relationships influenced by the socioeconomic differences that separated these four groups. 相似文献
74.
Abstract: This article presents an ethnography of the evolution of Prometrópole, a slum upgrading project in the Brazilian city of Recife. The project aims to improve the urban infrastructure, eradicate slums and resettle the population. We focus on the project's first area of intervention, Jacarezinho. We analyze how, from lead‐up through implementation, the project gained shape and gradually became real. Participatory procedures were very important in shaping the project that for a long time did not materialize. We argue that the project manifested itself as a vehicle of modernity that evoked a dream of progress. The population, which never asked for the project, was attracted to this dream, but remained critical. We contend that, although the project partly delivered on its promises, for many slum dwellers it failed to entail a better life. We portray the project's genealogy, the compromise between different aims, and an echelon of post‐project frustrations. 相似文献
75.
William Cavert 《The Journal of Pacific history》2016,51(1):1-20
This paper examines colonial discourses on race, environment and global identity that arose during an outbreak of bubonic plague in the French Pacific settler colony of New Caledonia between December 1899 and April 1900. The outbreak of plague brought to the forefront colonial anxieties over living on the periphery of empire, definitions of what it meant to be white, the health menace posed by peoples the dominant colonial society categorised as non- white, and the danger the plague posed to the salubrious island environment that had just begun to attract free settlement after the end of the penal colony four years previously. These discourses were linked by the threat, real and imagined, posed by the bubonic plague, intersecting with the ambiguous place held by the outlying colony within the webs of a modern global commercial community and the Pacific world. 相似文献
76.
Arkadiusz Górnisiewicz 《History of European Ideas》2016,42(7):951-964
The aim of this paper is to make a case for the claim that Karl Löwith's thought is predominately preoccupied with one major philosophic–historical problem that may be broadly labelled existentialism. This notion is usually employed by Löwith in order to grasp the various phenomena and developments within the European (or Western) history in the modern age. I claim that the meaning assigned by Löwith to the notion of existentialism is inseparable from its political consequences. In other words, I attempt to reconstruct the notion of existentialism in Löwith's thought primarily as a political problem. By advancing this argument, I am inclined towards the view that Löwith’s ?uvre deserves more careful reception from political theorists than it has yet received. 相似文献
77.
Michael Dutton 《Postcolonial Studies》2018,21(3):317-337
In changing geographic locations, metaphorically or otherwise, perceptions change. Drawing inspiration from ancient Peking rather than Leo Strauss’ Athens and Jerusalem changes the compass points of political theory. This is because it moves the centre of gravity away from the tension of reason and revelation toward a city built upon another way of approaching the world, through the channelling and harnessing of vital energy flows, known as qi. Peking is designed, through fengshui, to channel the vital energy know as qi away from intensities and toward productive (harmonious) ends. How have we moderns channeled and harnessed such (political) intensities? This work traces the flow of energy as it takes on modern political forms, expressed through the built environment. Taking the nineteenth-century’s Crystal Palace and a Maoist Museum as contrasting examples, it illustrates the way in which the built environment channels and transforms energy. In terms of the political, it is the dissipation or intensification effect of these machines that becomes the defining characteristic of difference between these two different political worlds. As modern machine-technologies, these two examples also shine a light on the ways ‘modernity’ has encountered and dealt with the telluric. 相似文献
78.
Rose Marie Beck 《Postcolonial Studies》2018,21(2):231-253
Postcolonial linguistics has shown that African languages emerged from a complex figuration of missionary, scientific and colonial practices. The article interprets this emergence as the result of an existential onto-epistemological dislocation stabilised through the hegemonic project of colonialism. It rests on an apparatus of modernity that separated nature and culture/society and stabilised this new order with a particular notion of language as an autonomous object. In the nineteenth century, language enters a conjunction of territory and culture, which played out in Europe in the terms of a nationalist, hegemonic trajectory and in Africa as the fractionation of ethnic/linguistic groups and the pervasive linguo-ethnification of contemporary societies. Thus, language can be understood to be an apparatus productive of nationalism as well as ethnicity. In an attempt to demonstrate the plausibility of this conceptualisation, I show how today these trajectories have effects in that Afrikaans in South Africa as ethnified language loses and Swahili in Tanzania as national language gains ground at the respective universities. Both languages compete with global academic English, which despite its colonial heritage appears as a deterritorialised, culturally neutral language. 相似文献
79.
Heather Waldroup 《The Journal of Pacific history》2017,52(4):459-481
This essay examines a set of photographs created by Philip Delaporte, a German-American missionary working for the American Board of Commissioners for Foreign Missions on the island of Nauru in the early 20th century. At the time Nauru was a German colony, but the phosphate industry had brought a varied group of settlers and influences that added to a pre-existing series of inter-Pacific connections. The photographs were produced just prior to the full realization of the mining industry and the widespread ecological destruction it brought to the island. In many ways, Delaporte’s photographs are typical, recording the mission’s various projects and successes. However, Delaporte’s unique position as an ambiguous colonial figure on the eve of World War I, and Nauru’s own complex relationship with modernity, invite alternate readings of these images. Outside of Delaporte’s original intention, the photographs record other experiences: the workings of Indigenous modernity in the midst of a place increasingly subject to the inflows of global, colonial capital. 相似文献
80.
Michael E. Gardiner 《European Legacy》2017,22(2):163-184
This article examines recent scholarly work on boredom by drawing on Mikhail Bakhtin’s account of modernity, irony, and mass skepticism. In The Arcades Project, Walter Benjamin noted that, beginning in the 1840s, Western societies had been gripped by an “epidemic of boredom.” He was referring to a peculiarly modern form of mass boredom, associated with the “atrophy of experience” in a mechanized and urbanized social life—a boredom Elizabeth S. Goodstein has characterized as the “democratization of skepticism.” Although Bakhtin says little about “boredom” directly, he probes the sociocultural conditions that give rise to it. Bakhtin, for example, celebrates the liberatory and egalitarian promise of modern vernacular speech, which displays a healthy suspicion of “monotonic” qualities of elite genres, and which springs not from the pulpit or the palace, but from the street, the marketplace and the public square. Bakhtin is concerned about the nihilistic implications of this disenchantment of the world and the threats it poses—indifference, reification and alienation—to the “participative” mode of social life he favours. 相似文献