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91.
口一叶是日本明治时期一位传奇式女作家。其作品至今仍倍受欢迎。她及她的作品有一定的解读难度,评论界对其魅力所在亦是众说纷绘。本文从另一角度认为,一叶及其文学的思想性格和文学地位在本质上犹如处于两种或几种不同潮流之间的夹缝地带,具有中间性、过渡性、遥摆性。这也是其魅力所在。  相似文献   
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成图时间考证是传统舆图研究中最初步最重要的工作,本文利用“断限逼近法”重新考察两幅清代广州洪兵舆图的成图时间。通过对新发掘档案的梳理,判断将F.O.931/1079图的成图前限推至咸丰四年六月二十四日的结论尚不成立,而F.O.931/1892图的成图断限则可由原来的八月三十日至九月初五日进一步推断为九月十一日至十二日。  相似文献   
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Thematic maps facilitate spatial understanding of patterns and exceptions. Cognitive ability, spatial cognition, and emotional state are related, yet there is little research about map readers’ emotions. Feminist critiques of cartography recognize emotion and affect as legitimate experiences on par with quantitative ways of knowing. We conducted an online survey to measure users’ affective states before and after engaging with three thematic map types. The maps showed data from the United Nations Sustainable Development Goal to achieve gender equality, on the proportion of girls and women aged 15 to 49 who have undergone female genital mutilation/cutting. Participants viewed a choropleth, a cartogram, and a repeating icon tile map; completed map-related tasks; rated certain map qualities; rated their affective states before and after engaging with the maps; and answered open-ended questions. The maps piqued curiosity and evoked emotions for most users, while some users perceived the thematic maps as clinical or neutral despite the sensitive topic. After viewing the maps, female participants who were affected expressed deeper engagement in their open-ended comments than males. Traditionally, cartography construes the human experience as male experience and denies or trivializes women's experiences. Our findings corroborate feminist critiques of this disembodiment and entrenched rational rhetoric of maps.  相似文献   
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Abstract

River management in the province of Holland in the eighteenth century was co‐ordinated by a Hydraulic Department which worked closely with local, regional and other provincial authorities to maintain river beds and channels. To perform its function efficiently, all the Hydraulic Department's main river maps followed general precepts laid down as early as 1725 by the surveyor Nicolaas Cruquius (1678–1754). The basic principle was to create clear maps with uniform scale and design which contained only the topographical information relevant to the work of the department. Experiments with depth contours were made, and profiles and diagrams were included in order to portray as accurately as possible the invisible natural processes which influenced the river landscape. The cartographical model thus established was followed consistently throughout the eighteenth century.  相似文献   
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1814 is the ‘year of miracles’ in Norwegian history. The transition from Danish to Swedish rule was transformed into a union between a Norwegian kingdom and the Swedish one. Seen in a contemporary and regional perspective, the outcome of 1814 seems less of a Norwegian victory, but even less of a Danish tragedy or a Swedish triumph.

It was a geopolitical and geographical adjustment from one set of imagined ‘natural’ borders – in which Sweden/Finland were tied together by the Baltic Sea, and the Kattegat and the North Sea tied together the Danish composite state from the Danish islands and the Jutland peninsula to Norway and the North Atlantic islands – towards a new definition of ‘natural borders’, in which the Baltic and the Kattegat were the enemy areas. The Scandinavian state system became split between two peninsula states that turned their backs on one another.

Denmark was banished southwards; Sweden gravitated northwards. She was compensated with Norway in a twin union, explained as geographically ‘natural’, held together by the Scandinavian mountain range that had been nature’s own fortification wall for centuries.

The renegotiation processes of ‘natural’ borders in connection with the upheavals in 1814 shows the predominance of politics over nature in region formation. 1814 is, in the Scandinavian region-building history, a manifestation of the political changeability of constructed state borders.  相似文献   

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The late medieval illustrated Jerusalem travelogue by the Franciscan friar Paul Walther von Guglingen has heretofore received scant scholarly attention, perhaps owing to the unusual nature of some of its images. Guglingen charts decidedly Islamic spaces with his maps and plan, instead of the conventional sacred shrines of Christianity; these topographical features are interlaced with personal travelling experiences. Illustrations of flora and fauna encountered along the way are the result of careful observation, and meticulous recording. The author experiments with forms to visually represent his own lived experience. In all cases, text and image are closely intertwined and testify that non-religious aspects form a legitimate aspect of this pilgrimage account. Consideration of the illustrations in Guglingen’s Itinerarium, alongside, for example, those in the travelogue of his famous travel companion Bernhard von Breydenbach, allows us to illuminate more facets of the late medieval pilgrimage experience.  相似文献   
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