Mental maps,segregation, and everyday life in Dar es Salaam,Tanzania

Dar es Salaam, Tanzania, has a long history as a segregated city. Starting in 1891 the German and then later the British colonial government enacted a series of building ordinances that outlined the styles of construction allowed within different areas of the city. Although these policies applied only to the structures themselves, ultimately they served to divide the city into European/Expatriate, Asian, and African areas. In spite of official attempts to integrate the city, postcolonial Dar es Salaam remains a racially segregated place. This segregation extends beyond residence location and affects all aspects of everyday life such as shopping and recreation. This article uses mental maps drawn by some of Dar es Salaam's residents to illustrate the lingering effects of colonial segregation on the knowledge, perception, and experiences residents have in and of today's city. Expatriate, Asian, and African maps include vastly different locations within the city. Those places considered important enough to map demonstrate that colonialism has continued impacts on the spaces and realities of everyday life in contemporary Dar es Salaam.     

Der erste Europäische Straßenatlas

ABSTRACT

Imitations of famous Dutch wall maps originally produced in Amsterdam by F. de Wit and W. J. Blaeu have recently been rediscovered in Italy. In Bologna, in the archive of Opera Pia dei Poveri Vergognosi, is a set of Blaeu's four wall maps of the continents, engraved on new plates by Pietro Todeschi and published by Giuseppe Longhi. The value of the discovery lies in the completeness of the exemplars, which also bear the publisher's imprint and date of publication, hitherto unknown: Europe 1677; Africa 1678; Asia 1679; America 1679/1680(?). An undated version of de Wit's world wall map, also published by Longhi, has come to light in the same archive. A copy of the same map, this time published by Giovanni Giacomo de' Rossi in Rome in 1675, was then found in Modena in the Seminario Metropolitano. Comparison of the two copies has provided a date for Longhi's undated issue; Longhi's map came after de' Rossi's, that is after 1675.     

Übersicht der Tätigkeit internationaler Geographenkongresse auf dem Gebiete der Geschichte der Kartographie

Abstract

This paper surveys the career of Benedetto Bordon as a miniaturist, designer of woodcuts, and cartographer. Although from Padua, Bordon worked primarily in Venice where he illuminated religious and classical texts and official ducal documents destined for Venetian noblemen. The writer argues that Bordon designed woodcut illustrations for books printed by Aldus Manutius and others, in addition to the woodcut maps in his 1528 book on islands in the MediteiTanean, Atlantic, and Caribbean. Bordon's lost world map of 1508 is discussed in relation to the map‐making activities of Francesco Rosselli, the Florentine miniaturist and engraver who was in Venice in 1504 and 1508, and in relation to a circle of Venetian scholars and patricians interested in Ptolemy's Cosmographia and in the mapping of the New World.     

Henry Pelham's Lost Grand Jury Map of Kerry (c.1800): A Newly Found Derivative

The ‘South Division of the County of Kerry’ (GSI FS 1.2.001) is a copy of the southern half of a lost late eighteenth / early nineteenth century map of County Kerry, in southwestern Ireland. Geological annotations on the map are traced to specific episodes (c.1820, 1838 and 1844) in the unofficial geological survey of Ireland conducted by Richard (later Sir Richard) Griffith between 1811 and 1855. The Griffith provenance of the map is part of the evidence used to identify the ‘South Division of the County of Kerry’ as a derivative of the now lost Grand Jury map of Kerry made by the American émigré artist and cartographer Henry Pelham.     

W. W. deLacy's 1865 map of the territory of Montana

Abstract

The Topographical Survey of the Orange Free State, executed by the British War Office between 1905 and 1911, was not only one of the first but also one of the finest topographical surveys to be undertaken in British colonial Africa. The motivation for this undertaking stemmed from three sources: the personal interest of Sir David Gill (H.M. Astronomer at the Cape) in the measurement of the arc of the 30th meridian; Britain's imperialistic intervention in South Africa which resulted in the South African War (1899–1902) against the Boer Republics and which stressed the need for reliable military maps for warfare as well as for the general defence of the new colonies; and the need for accurate maps for purposes of colonial administration and land tenure. The survey took five and a half years to complete, and the 1: 125,000 series (G.S.G.S. 2230) that was compiled represented the only accurate maps of this part of the continent for almost seven decades.     

New books received for review

Abstract

Geological information was first printed in colour on a map in 1820 but serious efforts to print geological maps in multiple colours began in Europe only in the 1840s. Increased geological mapping activity created the need to print more maps by cheaper methods, while general advances in lithographic colour printing provided the means. Better colour registration, transparency, range, permanence and distinctiveness were attained in the 1840s and 1850s by technical innovations and also by new design strategies. Consequently, as printed colour replaced hand colour as the norm, it also influenced the look of the geological map.     

Controlling the Waters of Granducal Florence: A New Look at Stefano Bonsignori's View of the City (1584)

ABSTRACT

A striking feature of Stefano Bonsignori's Nova pulcherrimae civitatis Florentiae topographia accuratissime delineata, printed in 1584, is the pre-eminence of the Arno River and the detailed depiction of a variety of often quite minor water-related structures. This large (nine-sheet) map was dedicated to Francesco I de' Medici, Granduke of Florence. Contemporary initiatives and legislation as well as works of art and literature reveal that water management had been an important aspect of the policies of Francesco's father, Cosimo I, whose achievements had transformed the city's landscape and whose efforts earned the Medici ruler the title of Granduke of Tuscany in 1569. Bonsignori's portrayal of urban structures was created as a celebration of Cosimo's architectural legacy, and the depiction of the Arno, with its embankments and riverside structures, along with some of the city's fountains and wells, acknowledged granducal ambition to control its waters.     

从地图在解决边界争端中的作用看我国对南沙群岛的主权

本在对国际边界争端的典型案例进行研究后,指出地图在解决争端中发挥着重要的作用,并从国际法的角度研究了众多标明南沙群岛属于中国的中外地图,进一步指出南海断续国界线是中国拥有南沙主权的重要依据和标准。