Eine Neue Quelle des Vulgärlateins

The article analyses how Cicero uses the term memoria at the end of his consulship and in the years immediately following. The main focus is on the Catilinarian Speeches (especially the perorationes of the third and the fourth) and the Pro Sulla. I argue that Cicero explicitly reflects on the existence of a shared memory within Roman society and that he investigates the possibilities of how he, the future object of public memory, can also act as the subject of such collective memory by paving the way for his future renown.     

“Back in the heartland”: Seamus Heaney's “Route 110” sequence in Human Chain

This essay foregrounds the increasingly significant role translation has played in Seamus Heaney's compositional and creative practices since the 1970s, and how it functions as a means of displacement and route into imagined homecomings. It offers a detailed analysis of the sequence which occupies a central position within Human Chain, in which Heaney HeaneySeamusStations. Belfast: Ulsterman Publications, 1975. [Google Scholar] attends to and seeks to reconcile once more the different “voices of my education”, that of originary familial/parish culture of Mossbawn and Bellaghy, and that acquired at St Columb's College and Queen's University that furnished him with rich linguistic and cultural assets, but sentenced him also to a “migrant solitude” (“The Wanderer”, Stations). “Route 110” illustrates the enduring effects of both bequests, as Heaney takes scenes and motifs from Virgil's Aeneid, Book VI, which details Aeneas' experiences on his descent into the seventieth year, Heaney takes readers with him on a road back to pre-Troubles Northern Ireland in the mid-twentieth century, stopping off initially at Smithfield Market, Belfast, in order to pick up a “used copy” of the Virgil that will become his guide. What he subsequently assembles is an album of snapshots of his youth, part of his legacy to his newly-born granddaughter.     

Forgetting to remember,remembering to forget: late modern heritage practices,sustainability and the ‘crisis’ of accumulation of the past

This paper considers the implications for cultural heritage of observations regarding individual and collective memory which suggest that the process of forgetting is in fact integral to remembering – that one cannot properly form new memories and attach value to them without also selecting some things to forget. Remembering is an active process of cultivating and pruning, and not one of complete archiving and total recall, which would overwhelm and cause us to be unable to make confident decisions about which memories are valuable and which are not. I argue that the same is true of heritage; that as a result of its increasingly broad definition, and the exponential growth of listed objects, places and practices of heritage in the contemporary world, we hazard becoming overwhelmed by memory and in the process rendering heritage ineffective and worthless. I refer to the consequence of this heterogeneous piling up of disparate and conflicting pasts in the present as a ‘crisis’ of accumulation of the past. To deal with this crisis adequately, we must pay increased attention to the management of heritage. This should not only refer to processes of preservation and conservation, but also to active decisions to delist or cease to conserve particular forms of heritage once their significance to contemporary and future societies can no longer be demonstrated. Deaccessioning and disposal must become a key area of attention for critical heritage studies in the coming decades if heritage is to remain sustainable and uphold its claims to relevance in contemporary global societies.     

“Hold This for Me”: Counter Memory and Trauma in Dionne Brand’s At the Full and Change of the Moon

ABSTRACT

African Caribbean Canadian author Dionne Brand’s At the Full and Change of the Moon augments many African diasporic narratives’ efforts to counter and rewrite exclusive histories. While Brand’s novel challenges and nuances dominant historical narratives by offering counter memory of African diasporic experiences, particularly experiences of enslavement, it also simultaneously illuminates the conflicts that emerge when “holding” and passing on memories that are traumatic. Therefore, Brand’s text emphasizes both the importance of employing counter memory to revise hegemonic historical narratives and the necessity of assessing the impact of trauma on individual and collective remembrances.