The entanglement of the heritage paradigm: values,meanings and uses

This paper explores the ways in which heritage as a practice and concept has been used and diverse meanings and values ascribed to heritage by different claimants, using the medieval site of Ani in eastern Turkey as a case study. On one hand, the site marks a point of conflict between Turks and Armenians, with the heritage and the past of the site playing an important role for identity making and construction of national narratives, as well as developing what might be seen as the authorised heritage discourses for both sides. On other hand, the local community around the site has developed a different relationship to the site Ani because of their daily relationship with its landscape and built environment. This has revealed meaning and values embodied in the site that are beyond the national and political level. This paper considers to what extent the built environment in particular, can play a role in identity making and add to the political tension. It also examines how the value and meaning of a heritage site can be distinct for local communities from national political meanings and uses, and, as a consequence, can be used to resist authorised heritage discourses.     

Alternative Radio: exhibiting radio and music heritage after the Christchurch earthquakes

This article examines the representation of Christchurch, New Zealand, student radio station RDU in the exhibition Alternative Radio at the Canterbury Museum in 2016. With the intention of ‘making visible what is invisible’ about radio broadcasting, the exhibition articulated RDU as a point of interconnection between the technical elements of broadcasting, the social and musical culture of station staff and volunteers, and the broader local and national music scenes. This paper is grounded in observations of the exhibitions and associated public programmes, and interviews with the key participants in the exhibition including the museum’s exhibition manager and staff from RDU, who acted as independent practitioners in collaboration with the museum. Alternative Radio also addressed the aftermath of the major earthquake of 22 February 2011, when RDU moved into a customised horse truck after losing its broadcast studio. The exhibition came about because of the cultural resonance of the post-quake story, but also emphasised the long history of the station before that event, and located this small student radio station in the broader heritage discourse of the Canterbury museum, activating the historical, cultural, and personal memories of the station’s participants and audiences.     

Memorial soliloquies in post-colonial Rhodes and the ghost of Mediterranean cosmopolitanism

This paper is based on a close reading of Greek and Rodesli (Rhodian Jewish) narratives focusing on the time when Rhodes was under Italian (1912–1943) and then German (1943–1945) rule, the last period when religiously diverse communities coexisted in the island. While Greek historiography seeks to vindicate the island’s final integration into the Greek national space, Rodesli memory is meant to preserve the heritage of a community destroyed by the Nazis. Notably, these corpuses make no references to one another. This phenomenon of soliloquy, the article argues, is illustrative of a competitive memory characteristic of recollections of the past in the eastern Mediterranean and challenges nostalgic invocations of a pre-national, “cosmopolitan” Mediterranean. Broadening the discussion to other post-Ottoman settings, the article draws attention to property redistribution in the aftermath of ethnic cleansing as a major factor in the separation of memory along communal lines. Noting the omnipresence of the figure of the “ghost” in the literature on the region, the paper finally explores the heuristic potential of hauntology to conceive histories of the region that would be inclusive and yet attentive to the differences in the nature, purpose and reciprocal indifference of the sources and of the asymmetrical relations of power in which they were produced.     

Remembering the past against the grain: an analysis of the reconstructions of the past in The Sunday News's ‘Lest We Forget’ column

Memories of the nationalist struggle are fervently contested in Zimbabwean public spaces such as the media. This paper examines the emergence of the counter‐hegemonic historical narratives in the state‐controlled media that seek to subvert the dominant nationalist discourses propagated by the ruling party, Zimbabwe African National Union Patriotic Front (ZANU PF). Focusing on the Sunday News's Lest We Forget newspaper column, the paper analyses the representations of the role played by the Zimbabwe African People's Union (ZAPU) in the liberation struggle, a nationalist movement whose contributions are marginalised and obscured in the official nationalist historiography. Given that in Zimbabwe the state‐owned media are generally viewed as mouthpieces of the ruling party, this paper identifies the tensions in the Sunday News as alternative historical memories are being reproduced and sustained. Drawing upon the critical discourse analysis (CDA) method, this article argues that alternative historical imaginations are rekindled in the state media.     

Remembering and forgetting 1974: the 2011 Brisbane floods and memories of an earlier disaster

The city of Brisbane, capital of the Australian state of Queensland, sits on a floodplain and has been struck by two devastating flood disasters in the last 50 years. This article contributes to the growing literature on disaster memory by tracing memories of a flood in 1974 as they were constructed and re‐enacted in a more recent disaster in 2011. The article examines how disaster memories shape local identities and considers how such memories influence policy and local knowledge, doing so by reference to an analysis of three forms of memory media—personal narratives, news media reporting, and built memorials. At times, memories of 1974 enabled Brisbane residents to prepare for an oncoming flood and to understand the scope of the 2011 event. Yet other memories produced a form of forgetting by positioning the earlier flood as a successfully navigated event now safely contained in the past. Findings from the analysis thus point to the importance of understanding memories of past disasters as a critical element of disaster planning and management.     

From folklore to patriotic and protest songs: Music,youth, and Basque identity during the 1960s

Taking a bottom‐up approach to the study of nationalism, the following pages constitute an attempt to shed light on the role singing played for a young generation of Basques who actively participated in the process of construction of Basque collective identity during the cultural revival movement of the 1960s. In doing so, this article aims at showing the fundamental role of active audiences, as well as their changing political and social context, in conforming the meaning of “Basque songs” as means to promote Basque nationalism and sustain opposition to the Franco regime. The study of the production, reception, and reinterpretation of Basque music during the cultural revival of the 1960s presented here intends to emphasize the interest of focusing on how ordinary people contribute to the recreation of the nation through their appropriation and interpretation of cultural symbols and practices.     

Historical shifts in remembering China’s “Nanjing Massacre”

ABSTRACT

Immediately after the occurrence of the Nanjing Massacre, it was reported by both official and nonofficial media, and followed by witness accounts and victim recollections. All this formed the basic memory of the atrocity in Chinese society. After Japan’s surrender in 1945, the National Government conducted preliminary investigations and organized memorial services. However, the investigation was interrupted by the outbreak of the Civil War (1947–49). After the Communist victory in 1949, relationships between the Communists and Nationalists, China and United States and China and Japan all played a role in suppressing and even forgetting the memory of the Nanjing Massacre. It was not until the 1980s, after the normalization of Sino-Japanese relations, that the memory finally entered a process of reconstruction.     

Ghosts,Memory, and the Right to the Divided City: Resisting Amnesia in Beirut City Centre

Violently divided cities are incubators of ethnic conflicts. Under the auspices of postwar reconstruction, these cities are supposedly disciplined into peace through the regeneration of the city centre, including privatization, commercial adaptation and gentrification strategies. Such dynamics render city centre space amnesiac, with no reference to the history of sectarian violence, and exclusivist by limiting public access. Rather than foster peacebuilding, city centre regeneration exposes the dangerous weakness of the neoliberal peace built on accommodating ethnic and socioeconomic divisions. This paper connects Lefebvre's right‐to‐the‐city to non‐sectarian social movements’ struggle to forge participatory democracy in Beirut's city centre. A key aspect of these movements’ activities is to reprogramme memory—cosmopolitan and inclusivist—into the city centre, a project supporting peacebuilding.     

Magic,Memory & Mimesis—the “Power” of the Historical Moving Image to Possess?

In 1936 and 1937, Diana and Antoinette Powell-Cotton made a film that purported to show a healing practice involving possession. Over seventy years later, the film produced the start of a possession state in an audience from the same region in which the film was made. This paper uses the explanations given by those in the audience for this near possession to challenge some frequently cited thinking on the mimetic, magical power of film to possess. It offers an alternative approach to the viewing of archive film drawing on a form of mimesis rooted in habitual bodily memory. This mimetic relationship allows for an immanence of past in the present dependent on the past experience of the viewer rather than the power of the image.     

Ghostly Remains and Converging Memories: Yūshūkan and the Australian War Memorial Exhibit the Pacific War

Focusing on the Yūshūkan museum in Tokyo, and the Australian War Memorial Museum in Canberra, this article engages how pain and sacrifice in the Pacific War are represented through the characters of kamikaze and prisoners of war respectively. Despite the inimical historical, political and moral orientations, these institutions’ presentations of memory of war display some interesting overlaps. After establishing that historical, cultural and political contexts are significant in assessing how and why pain and sacrifice in the war are engaged by each institution, I examine the Japanese midget submarine attack on Sydney in 1942, which effectively bridges both institutions. By assessing the emotive nature of the exhibitions it becomes apparent that while the framing of this single act of violence is culturally esoteric, themes of bravery, heroism, loyalty and sacrifice cross cultures.