Office Cultures and Corporate Memory: Some Archaeological Perspectives

It is only when one moves home or office that one really thinks about what gets left behind, what is discarded, and what we decide to keep. How we deal with this in our personal lives is interesting enough, where senses of loss and discard are potentially heightened given the intimate heritage which many familiar objects and items possess. But what happens when the transition is corporate, when an organisation moves? Here, briefly, is an archaeological perspective on the move English Heritage made in 2006, from its long-time HQ in Savile Row (London, UK) to new accommodation in Holborn and elsewhere.     

ALL THIS HAPPENED,MORE OR LESS: WHAT A NOVELIST MADE OF THE BOMBING OF DRESDEN1

Kurt Vonnegut's novel Slaughterhouse‐Five (1969) was a popular and critical success when it first appeared, and has had a notable impact on popular perceptions of “the bombing of Dresden,” although it has been criticized by historians because of its inaccuracy. This article analyzes the novel's quirky, comic style and its generic mixture of science fiction and testimony, showing how Vonnegut consistently used ingenuous understatement as a way of imaginatively engaging his readers with the horrors of war. The article argues that the text's aesthetics are closer to those of graphic novels than of realist narratives and that, accordingly, we can understand its cultural impact only by approaching it as a highly artificial linguistic performance with present‐day appeal and contemporary relevance, and not merely by measuring the degree to which it gives a full and accurate mimesis of past events. The article uses the case of Vonnegut to advance a more general argument that builds on recent work in cultural memory studies: in order to understand the role that literature plays in shaping our understanding of history, it needs to be analyzed in its own terms and not as a mere derivative of historiography according to a “one model fits all” approach. Furthermore, we need to shift the emphasis from products to processes by considering both artistic and historiographical practices as agents in the ongoing circulation across different cultural domains of stories about the past. Theoretical reflection should account for the fact that historiography and the various arts play distinct roles in this cultural dynamics, and while they compete with one another, they also converge, bounce off one another, influence one another, and continuously beg to be different.     

BALANCED TRUTH: STEVEN SPIELBERG'S SCHINDLER'S LIST AMONG HISTORY,MEMORY, AND POPULAR CULTURE1

Looking at the public reaction to it, one might say that Steven Spielberg's Schindler's List is undoubtedly the most successful film about the Holocaust. The film's success in the U.S. and other Western countries can be traced back mainly to the fact that it creates the impression of telling a true, apparently authentic, story. This essay investigates how this impression of historical truth and authenticity emerges in a fiction film. For this purpose the essay reverts to a concept developed by Jörn Rüsen, which distinguishes among three dimensions of historical culture, namely political, aesthetic, and cognitive. In addition to the historical context that serves as a specific precondition for the film's success, the essay primarily investigates the strategies of authentication Spielberg applied at both the visual and narrative levels. The investigation concludes that the impression of evidence produced by the movie is significantly a result of the sophisticated balancing of the three dimensions mentioned above. The film utilizes artifacts of an existing and increasingly transnational (visual) memory for the benefit of a closed, archetypical narrative. It follows the aesthetic and artistic rules of popular narrative cinema, and largely recurs to conventions of representation that were common in film and television programs of the 1990s. Although these forms condense the historical course of events, the film manages to stay close to insights gained by historiography. The hybrid amalgamation of history and memory, and of the imaginary and the real, as well as the combination of dramaturgies of popular culture with an instinct for what can (not) be shown—all of these factors have helped Schindler's List to render a representation of the founding Holocaust myth in Western societies that can be sensually experienced while being emotionally impressive at the same time.     

Historic preservation in Nazi Germany: place, memory, and nationalism

While numerous studies have examined the post-war contestation surrounding commemorative sites associated with the legacy of Nazi Germany, relatively little attention has been dedicated to the ways in which the Nazi regime itself sought to create places of memory congruent with the movement's political and cultural goals. Indeed, party leaders sponsored a variety of disparate, and at times contradictory, programs to re-orientate some of Germany's most prominent historic places to better serve the needs of the regime. To expand our understanding of this process, this article examines the practice and rhetoric of historic preservation in Bavaria during the Nazi period with a focus on the preservationist program sponsored by Bavarian President Ludwig Siebert. Nazi propaganda promised to rejuvenate and protect Germany's architectural heritage for the public good, but the regime's actual priorities and policies led to widespread confiscation, damage, and eventually destruction.     

The Capture and Curation of the Cannibal ‘Vendovi’: Reality and Representation of a Pacific Frontier

ABSTRACT

The United States Exploring Expedition into the Pacific launched in 1838 was marked, like the continental expansion westward, by violent encounters with Native peoples. By examining the record of the expedition's kidnapping of the Fijian Ro Veidovi, the fate of his body after death, and the ways his story came to be invoked in the official narrative of the expedition, the popular press, the ‘National Gallery’ and, more recently, the Fijian press, this paper demonstrates how violent contacts on the Pacific frontier were remembered, effaced, and reconceived. The changing story of Ro Veidovi permanently bridged distant locales in an emerging ‘Pacific World’, setting in motion transcultural negotiations that continue to this day.     

Trench art between memory and oblivion: a report from Poland (and Syria)

ABSTRACT

This paper summarises some of the results of archaeological research on twentieth century military heritage in the Polish woodlands, namely the discovery of artefacts made, remade, and personalised by soldiers, prisoners of war, and civilians during military conflicts. Such objects are examples of so-called ‘trench art’. I draw attention to the universality of trench art, a phenomenon that is usually associated with the past conflicts such as the Napoleonic Wars and the First and Second World Wars. Nonetheless, trench art is, in its complexity, diversity and affectivity, an integral part of modern warfare, including the recent tragic conflict in Syria. After presenting the project and some examples of trench art documented during the research, I discuss a unique artistic intervention entitled Painting on Death to illustrate the affective, aesthetic, and political value of modern trench art.     

Epistemic Ignorance and the Indonesian Killings of 1965–1966: Righting the Wrongs of the Past and the Role of Faith Community

ABSTRACT

This study demonstrates how ignorance works in the Indonesian massacres of 1965–1966. This atrocity, which claimed roughly five hundred thousand lives, is one of the most forgotten human tragedies of the twentieth century. For many years, the massacres were hidden from public view. Ignorance was reinforced by the New Order under the presidency of Suharto. Drawing on contemporary political philosophers’ studies on the epistemology of ignorance, I contend that ignorance, like knowledge, has structures, criteria, and practices. Ignorance, thus, is not merely a “lack of knowledge” or a state of not knowing, but epistemic and political. By appropriating the epistemology of ignorance, I seek to show how the Indonesian people remember the historical wrongs and how Christian theology provides resources for right remembrance. To confront the epistemic ignorance of the Indonesian mass killings, I argue that the churches must assert their identity as the community of memory and lament.     

Recent developments in social and cultural geography in Spain

Controversy has erupted in Selma, Alabama, over recent efforts to commemorate the career of Nathan Bedford Forrest, a Confederate cavalry officer and founding member of the original Ku Klux Klan. More generally, the controversy in Selma is emblematic of an enduring regional pattern in which contests over the future are couched in terms of the past. Relative to other media, monuments appear to be trustworthy and lasting. Despite this appearance of historical consensus and stability, the city's public spaces are the product of and conduit for ongoing politics. The current conflict pits memorial activists associated with the Civil Rights Movement against neo‐Confederates. Interpreted in the context of Selma's increasing promotion of Civil Rights heritage and the recent election of the city's first African American mayor, the Forrest affair highlights the utility of the concept of symbolic accretion for understanding the complexities of commemorating antagonistic histories in the same place. Symbolic accretion describes the appending of commemorative elements onto already existing memorials. The situation in Selma suggests two different types of symbolic accretion, allied and antithetical. More generally, the act of commemoration itself may be understood as a process of accretion in that heretofore anonymous spaces are formally recognized via the grafting of memorial elements.     

Recovering social memories from the past: the 1884 novel Ramona and tourist practices in turn‐of‐the‐century southern California

Scholars studying social memory have identified a priority for future work: using the study of documented social memories to understand constructions of the past and social identities in the present. Recovering such lived, individual engagements with social memory is challenging when those engaging the memory are deceased, yet that is what this article attempts to do: Through fine‐grained study of archival traces, I explore the lived practices of tourists in an attempt to understand how the immensely popular 1884 novel Ramona changed the way people thought about southern California's past, creating a new, Ramona‐inspired social memory for the region. In so doing I suggest that those interested in recovering social memories (like these) from the past use such detailed analysis, paying close attention to even the tiniest of details.