Johann Baptist Metz's Memoria Passionis and the Possibility of Political Forgiveness

The idea of memoria passionis promoted by Johann Baptist Metz provides a strong basis for correlating the Christian creed of the death and resurrection of Jesus Christ and our political engagement in atrocious situations. However, Metz's idea of memory and remembering is not sufficient as we attempt to construct a just and peaceful society based on the Christian notion of forgiveness. This article attempts to make use of Metz's memoria passionis, while at the same time proposing the necessity of political forgiveness as an intrinsic aspect of such a memorative faith. In such a proposal, forgiving and remembering must be two unavoidable and intertwined dimensions of memoria passionis Jesu Christi.     

Memory that governs by itself? Appropriations of Versailles memory

Abstract

Versailles memory has been a cornerstone of the traditional paradigm of lieux de mémoire. However, its transnational dimension has never been fully explored. Covering more than three centuries, this article identifies three antagonistic patterns of transnational Versailles memory that carry ambivalent references to ‘Europe’: war versus peace; monarchical versus republican legitimization; and universalistic versus particularistic conceptions of power. Actors referred to Versailles’ architecture to substantiate their positions toward French hegemonic ambitions: from counter-buildings by the Sun King’s rivals; political redefinitions during changing regimes after 1789 via Franco-German rivalries in the War of 1870; international reactions to the Peace Conference in 1919; and up to Versailles as a World Heritage Site. Analysing these three constitutive patterns, this article challenges the dominant Franco-centrist Versailles master narrative as non-French actors contested such hegemonic views. References to Versailles as a symbol of both American and Brazilian national independence also bring out global dimensions of Versailles memory.     

Epistemic justice and everyday nationalism: An auto‐ethnography of transnational student encounters in a post‐war memory and reconciliation project in Kosovo

This contribution introduces an exercise in epistemic justice to the study of everyday nationalism in post‐conflict, transnational (local and international) encounters. It explores how everyday nationalism, in often unexpected and hidden ways, underpinned a cocreational, educational project involving several local (Albanian) and international (British based) university students and staff collaborating on the theme of post‐war memory and reconciliation in Kosovo. The set‐up resembled a microcosm of transnational social encounters in project collaborations in which the problem of nationalism, typically, is associated with one side only: here, the Kosovars. Guided by Goffman's (1982) social interactionist framework, the study employs selected participants' paraethnographic and auto‐ethnographic reflections of their project experiences and practices after the event in order to trace the everyday workings of mutual assumptions and constructions of a national self and other for all sides involved. In this, it explores how the project participants' asymmetric positioning within a wider, global context of unequal power relations shaped their vernacular epistemologies of belonging and identity. It thereby excavated what otherwise taken‐for‐granted criteria can become relevant in such local/international social encounters as reflected upon and how the enduring power imbalances underpinning these might best be redressed.     

The diplomacy of extra-territorial heritage: the Kokoda Track,Papua New Guinea

The global interest in the memory of war in recent decades has brought challenges in managing and conserving extra-territorial war heritage: that is, sites of memory that have a greater significance for people outside the sovereign territory in which the sites physically reside. This article considers this issue in relation to the Kokoda Track in Papua New Guinea, a site of central importance in the Australian national memory of war. The successful conservation of the Track throws new light on the practice of heritage diplomacy. Working mostly outside the more commonly explored arena of global heritage governance, the Australian and New Guinean governments employed bilateral diplomacy to manage domestic stakeholder expectations, and thereby identified a convergence of interests and mutual gain by linking heritage protection with local development needs. They have also encouraged the construction of a narrative of the events of World War II that in some respects might be described as shared. Thus, heritage diplomacy is underpinned by a transnational consensus about the heritage’s significance, at least at the government level, which arguably divests the Kokoda Track of its exclusively ‘extra-territorial’ quality.     

‘Angelic Spirits of ‘68’: Memories of 60s’ Radicalism in Responses to the 2010–11 UK Student Protests

The winter of 2010–11 saw a significant upsurge of student protest in Britain. This paper analyses the numerous references to 60s’ radicalism which circulated in responses to the protests, with a focus on left-wing media. Drawing on performativity theory, the paper traces the highly polarised divisions between affirmations and repudiations of ‘1968’ in responses to the protests. This polarisation, I argue, reflects an absence of a clear-cut collective memory of the British radical 60s. More broadly, the paper sheds light on the hitherto under-explored mechanisms through which memories of ‘1968’ shape the discursive and affective landscape of contemporary radical politics.     

Historical duty,palimpsestic time and migration in the Decade of Centenaries

Abstract

This article analyses Sonya Kelly’s How to Keep an Alien (Dublin Tiger Fringe, 2014) and ANU Production’s Vardo (Dublin Theatre Festival, 2014) in relationship to the performative backdrop of the Irish Decade of Centenaries (2012–22) and a series of key extra-theatrical political events have that featured asylum seekers and migrants prominently in Ireland and to a limited extent in Europe at large from 2012 to 2015. Both theatrical productions centrally engage tropes of Irish national memory vis-à-vis engagement with migration through a primary focus on women’s stories and premiered against the backdrop of the Decade of Centenaries. How to Keep an Alien and Vardo’s embrace of what M. Jacqui Alexander terms “palimpsestic time” and their critical focus on gender during this moment of the Decade of Centenaries models a theatrical dramaturgy that aids in reading key theatrical and extra-theatrical events featuring asylum seekers and migrants against one another. These works reveal the relationship between these events and the ongoing redefinition of Irish national memory and political community, a process thrown into sharp relief by the present commemorative mode. They insist that a turn to the past is inseparable from querying the lived political structures of the present, structures that have repeatedly displaced as well as instrumentalised the bodies of migrant women from the post-inward migration of the mid-1990s onwards.     

Conservative Journalists’ Myth Making in South Korea: Use of the Past in News Coverage of the 2008 Korean Candlelight Vigil

This article explores the role of three conservative newspapers in South Korea as storytellers that create and maintain the collective memory of Korean conservatives through textual analysis of news stories on one particular recent event, the 2008 Korean Candlelight Vigil. Several protests since the 1980s in which the democratic-progressives were a leading force have been used as a source of historical analogies that have helped conservative journalists to interpret contemporary events and issues, including the 2008 vigil. These past protests were framed as anti-American, pro-North Korean leftist actions in the news stories. Some aspects of these past events were omitted – for example, former democratic-progressive activists’ contribution to the democratisation process – while other aspects were emphasised, notably the violent nature of the earlier generation of activists. In addition, conservative journalists constructed a revisionist version of one particular past protest, the 2002 Korean Candlelight Vigil, and used it to serve present political purposes, conflating the rhetoric and language of the earlier protests into their reporting of the current protest. These discourse strategies helped to incorporate the current protest into a larger discourse of “the threat posed by the leftists”, which is embedded in the collective memory of Korean conservatives.     

‘The greatest loss was a loss of our history’: natural disasters,marginalised identities and sites of memory

This paper examines intersections between space, materiality, memory and identity in relation to lesbian and gay experiences of recent disasters in Australia. Drawing on interviews with lesbians and gay men in two disaster sites, the paper argues that disaster impacts may include the loss of sites of memory that inform and underpin the formation and maintenance of marginalised identities. We explore the ways in which social marginality is experienced by sexual minorities during disasters as a result of threats to sites of lesbian and gay memory. The paper contributes to scholarship in geographies of memory by investigating the impacts of disasters on how memory is spatially located and experienced.     

Eine Neue Quelle des Vulgärlateins

The article analyses how Cicero uses the term memoria at the end of his consulship and in the years immediately following. The main focus is on the Catilinarian Speeches (especially the perorationes of the third and the fourth) and the Pro Sulla. I argue that Cicero explicitly reflects on the existence of a shared memory within Roman society and that he investigates the possibilities of how he, the future object of public memory, can also act as the subject of such collective memory by paving the way for his future renown.