The margin to act: a framework of investigation for women's (and men's) medieval art-making

ABSTRACT

One of the challenges faced by medieval art historians is to recognise the diverse roles women played in matters of medieval art, while seeing also the impact of society on their artistic choices. By tracing how one work of art can open new critical insights into another, and how disparate objects and buildings – if thought through together – can illuminate our understanding of the Middle Ages overall, we can discern the multi-layered stages of the creative process. The term ‘makers of art’ is proposed as a shift away from the commonly used words – artist, patron, recipient – and the preconceived notions about the individuals who fulfilled those roles. The paper also lays out a framework – ‘the margin to act’ – for the investigation of the multi-levelled interactions of women with medieval art and, ultimately, the writing of history.     

The image of ‘all good Italians’. The Eichmann trial seen from Italy

ABSTRACT

The Eichmann trial held in Jerusalem in 1961 marked a turning point in the international public’s collective awareness of the extermination of Jews in Europe. In Italy, the trial contributed to the mainstream narrative of the events that concerned the deportations of the Jews. The Italian case was mentioned in the indictment of the attorney general, Hausner, and in the deposition of the only witness present at the trial, Hulda Campagnano. In this article, our analysis of the trial’s reception in Italian newspapers and media shows that the Jerusalem reports, especially through misrepresenting the words of Campagnano, created the image of Italians as ‘good people’, who would help Italian and foreign Jews, against the wishes of the Nazis. At the same time, the responsibility of Italian Fascism for the anti-Jewish laws in 1938 and the role of Italians in the arrests and deportations of Jews since 1943 have been neglected.     

FROM LEFT‐WING TO COMMUNIST MELANCHOLY: TRAVERSO'S WAGER

Enzo Traverso's inspired book Left‐Wing Melancholia revisits iconic representations of revolutionary hopes and defeats not to draw up an inventory of what has been lost but rather to remind his readers that past defeats also contain the traces of unfulfilled possibilities. After the end of the Soviet Union and the global triumph of neoliberal capitalism, the communist utopian imagination of a classless society, Traverso suggests, can be reignited through memorial practices of resilient, resistant melancholy. Traverso's argument draws on Walter Benjamin's notions of materialist history, redemptive memory, and knowing melancholy. Yet the nameless vanquished masses to whom Benjamin's concept of history seeks to do justice remain marginal in Traverso's book. Instead, revolutionary defeat is cast in the tragic mold of succeeding by failing, a trope exemplified by figures such as Auguste Blanqui, Charles Péguy, or Daniel Bensaïd. In response to Traverso's reliance on the transhistorical category of the tragic, this essay argues for a more abstractly theoretical understanding of left‐wing melancholy as conditioned by historically specific class relations that constrain and challenge the engaged intellectual. Moreover, this essay questions Traverso's dualistic treatment of politically committed (Benjamin, Brecht, C. L. R. James) and elitist intellectuals (Adorno) and concludes that the concept of left‐wing melancholy must ultimately be interrogated against the backdrop of a lingering uncertainty about the relationship between theory and praxis that, as Adorno claims, one can already find in Karl Marx—an uncertainty that is hence inscribed into the history of any Marxist theory of revolution and history.     

Archaeological Heritage in Guatemala: Indigenous Perspectives on the Ruins of Iximche’

In Guatemala local perspectives on heritage often remain unheard. In this paper a case study is presented to show the complex relationship between the highland site of Iximche’ and Tecpán, an Indigenous community nearby. Although Iximche’ is of little importance to the local economy, its significance is derived from its role as a field for different kinds of social and religious interactions. Traces of a spiritual relationship to this place can be dated back to the colonial period and today Maya from all over Guatemala go there to perform ceremonies. The place has also become a focal point of identity constructions for locals, Pan Mayan activists and the nation itself. The ruins of Iximche’ play an important role in the construction of collective memory which also includes ideas coming from external players such as Christian churches, the national government, Mayan activists, and archaeologists as well.     

Migration and the built environment: a spatial analysis of resettlement in Çeşme,Turkey

At the beginning of the twentieth century, the retreat of the Ottoman Empire caused a massive scale migration in the Aegean regions. This process was furthered by the Treaty of Lausanne (1923) between the Turkish Republic and Greece. Gradually, more than one million people were formally exchanged under the control of the respective national authorities. This study shows that the predictions made by political authorities regarding the expected adaptation and homogenization based on religious affiliations failed to materialize; instead, the process of migration generated its own unique and autonomous processes derived primarily from cultural aspects and social origins. This research examines the materialization of the migrants’ adaptation practices and the spatial transformations in the built environment at both urban and domestic level, in order to indentify spatial and related social conflicts that arose as a result of socio-cultural mixing through a case study of the Çe?me Peninsula, Turkey. The study concludes that the relationship between social space and the physical environment is intertwined, with spatial transformations based on residents’ home of origin, professions and economic prosperity positioned in a clearly defined hierarchy of meaning.     

“Comrade Mzala”: Memory Construction and Legacy Preservation

Adopting the broad inter-disciplinary concept of “memory” and its construction in a public sphere, I examine some of the ways in which memories of Jabulani Nobleman Nxumalo, known as “Comrade Mzala” in liberation struggle circles, have been constructed and kept alive since his passing. A leading activist of the ANC, MK and the SACP, Mzala succumbed to an illness in a London hospital on February 22, 1991. A number of commemorative events and other activities, including grass-roots and branch-level initiatives, media releases, memorial lectures, colloquia and speeches and tributary statements, are analysed. Their tone, emotion, style and implicit objectives are explored. Notwithstanding the ubiquitous recognition of Mzala's liberation struggle credentials and intellectual prowess, there is no homogeneity in the manner he is remembered and celebrated; nor is there agreement in the reading of Mzala in a post-apartheid South Africa and its associated political and socio- economic context. Moreover, whilst it is predominantly organisations and individuals within the Tripartite Alliance who have been the main proponents of remembering, honouring and memorialising Mzala, there are others, outside of the Alliance and even antagonistic, who find inspiration in his radical world outlook, work and persona; and often use their memory of Mzala to critique the current political and economic conjuncture.     

Resurrections and rebirths: how the Risorgimento shaped modern Italian politics

The Risorgimento was the process of independence and unification of the Italian nation between 1848 and 1860, and has remained a powerful symbol of Italian politics ever since. Elaborating on Jan Assmann’s concept of cultural memory, the article discusses the Risorgimento at crucial moments in twentieth-century Italian politics: the 1911 anniversary of unification, the elaboration of the Risorgimento during fascism, the re-appropriation of the Risorgimento by the left and by the Resistance during the 1930s and 1940s, the general semantic space carved by the post-war democratic forces on both right and left with reference to the Risorgimento, and the sudden return to the memory of the Risorgimento in the 1990s and afterwards. The aim of the article is to understand both continuities and changes in the reference to the Risorgimento in twentieth-century political discourse, and to put into perspective Italy’s ‘particular’ road to modernity within a comparative European frame.     

El purgatorio de un dictador: Crisis,memoria y narrativas iconoclastas

ABSTRACT

In the autumn of 2005, the museum of Vilafranca del Penedès (Catalonia, Spain) programmed a cycle of cultural events in order to commemorate the thirtieth anniversary of Francisco Franco's death. Among them, the performative one-piece exhibition Listen, Franco! The Purgatory for a Dictator showed a bronze sculpted bust of the dictator (belonging to the museum collection) and invited citizens to freely participate and “tell to him” all they would have liked to say if they had had the opportunity to. The unusual shape of the event and the high level of participation made the exhibition become a media success. However, a last-day surprising performance experience—as a result of which the bust was “vandalized” or, should I better say, “re-signified”—became a source of reflection about the boundaries between preservation and transmission of cultural heritage, as well as about museums as places for collective elaboration of public memory. This case appears as a catalyzer of a cultural crisis that exploded after 2008, and a prefiguration a new exhibition around another sculpture of the dictator, which took place in Barcelona in 2016.     

The Past under the Shadow of the Present: The Case of the National Museum of Korean Contemporary History

The National Museum of Korean Contemporary History, which opened in 2012, has been the focus of a heated controversy between the progressive and conservative camps over the “proper” ways to represent South Korea’s turbulent history. I build on the relationship between heritage, collective memory and national identity, and argue that the division that typifies South Korean society has implications that extend beyond socio-political issues. Anchored within a broader discursive context, the museum became an important memory carrier involved in the process of debating the issue of national identity. Although no agreement has been reached regarding the “proper” historical narrative the site should exhibit, the museum has nevertheless offered an opportunity to shape a form of national identity that can embrace a more complex perspective on the country’s contemporary history. At present, though, this contentious site has demonstrated the extent to which the legacy of the conservative–progressive divide remains deep. I offer a discursive context that is useful for the study of current debates over heritage sites in South Korea, while the overall analysis illuminates the idea that the “present-centred” management of heritage in national museums can, potentially, play a part in the process of forming more intricate notions of national identity.     

Narrating urban assemblages—Chris Ware and Building Stories

This article takes up the recent interest in assemblage theory in urban geography and considers the potential for art to contribute to our narrations of urban assemblages. In particular, it uses Chris Ware's recent magnum opus, Building Stories, as not only an account of the urban as an assemblage, but to indicate more broadly the way in which comics might be used to narrate urban assemblages in ways that highlight their multiplicity and plurivocality. The article draws out three themes in its analysis of Building Stories: more-than-human subjects, the various temporalities of the city, and the way memory and narrative are emergent from urban assemblages.