‘Affirmative Signalling’: Dickens’s Railway Journalism and Victorian Risk Society

This essay explores Charles Dickens’s railway journalism of the 1850s and 1860s and its differences from his more well-known fictional accounts of the British railway network. While fictional works such as Dombey and Son and ‘The Signalman’ emphasize the catastrophic aspects of railway accidents, Dickens’s journalism in Household Words and All the Year Round examines the modern systematicity of the railway network, which by its nature as system, necessitated accidents on the lines. The essay incorporates theoretical readings of risk by Ulrich Beck and Paul Virilio into its critical assessment of Dickens’s railway journalism. Fundamentally, it aims to demonstrate that Dickens’s railway journalism illuminates the complexity of Victorian narratives of technological and bureaucratic industrial and transport systems by prioritizing the global dimensions of systematic accidents over the period’s tendencies to focus merely on local accidental events.     

Thinking Transition ‘From the Outside’: An Analysis of the Film De L’argentine by Werner Schroeter

The present article concentrates on the analysis of the film De l’Argentine/De la Argentina/For example Argentina (Werner Schroeter, France/Argentina, 1983–1985) as a way of access to a number of specific problems concerning the process of Argentinean democratic consolidation. It is a film that was only screened in Argentina for the first time in 2013, after a copy was found at the French Cinémathèque. Like other films produced in the context of dictatorship and democratic transition, Schroeter’s film has tended to think Argentina ‘from the outside’, that is, with a view marked by strangeness. These are documentaries which reflect upon physical and temporal distances, but, not the least, through cultural and ideological remoteness. On the basis of an analysis framed within Documentary Theory and the Sociology of Culture, this article seeks to make a contribution by way of an original perspective on a political film which, as far as we know, has not been addressed yet by Film Studies.     

Domesticating online games for preteens – discursive fields,everyday gaming,and family life

This article examines families’ everyday practices connected with online games played by children ages seven to eleven in the USA. Based on interviews in homes with children and parents, the article employs domestication theory to account for social experiences and symbolic meanings of games and game devices within private and public contexts of children’s game play. The analysis focuses on the social process through which online games are brought into home environments and incorporated into families’ daily routines. Games are analyzed as both impacting on everyday practices of the family and being shaped by the histories, values, and relationships within the households. The article contributes to an understanding of preteens’ online gaming and highlights the strength of using domestication theory to investigate children’s media practices.     

‘Unparalleled Opportunities’: The Indian Y.M.C.A.'s Army Work Schemes for Imperial Troops During the Great War (1914–1920)

The present article aims to contribute to the global history of the First World War and the history of ‘imperial humanitarianism’ by taking stock of the Indian Young Men's Christian Association's Army Work schemes in South Asia, Europe and the Middle East. The outbreak of the war was hailed by some American secretaries of the Y.M.C.A. working in India as presenting overwhelming opportunities for their proselytising agenda. Indeed, the global conflict massively enlarged the organisation's range of activities among European soldiers stationed in South Asia and for the first time extended it to the ‘Sepoys’, i.e. Indian and Nepalese soldiers serving in the imperial army. Financially supported by the Indian public as well as by the governments of Britain and British India, the US-dominated Indian Y.M.C.A. embarked on large-scale ‘army work’ programmes in the Indian subcontinent as well as in several theatres of war almost from the outset, a fact that clearly boosted its general popularity. This article addresses the question of the effects the Y.M.C.A.'s army work schemes had for the imperial war effort and tries to assess their deeper societal and political impact as a means of educating better citizens, both British and Indian. In doing so, the article places particular emphasis on the activities of American Y-workers, scrutinising to what extent pre-existing imperial racial and cultural stereotypes influenced their perception of and engagement with the European and South Asian soldiers they wanted to transform into ‘better civilians’.     

Indigeneity,Race, and the Media from the Perspective of the 2019 Political Crisis In Bolivia

This article analyses the disputes over images related to indigeneity and plurinationalism in the post-electoral crisis in Bolivia, focusing mainly on the realm of social media. It pays particular attention to how images such as memes, photographs, and videos produced and circulated by the movement for “democracy” opposed to Evo Morales and by sectors of the Right, project ideals of national unity based on racialised imaginaries that tend to obliterate references to plurinationalism. I also analyse the dichotomous ways in which multitudes and episodes of violence were represented by the two main sides in the conflict, such as the references to “mobs” and “hordes” versus “civic movements” and “resistance” respectively. I conclude by considering examples of promotional materials that the current interim government of President Jeanine Añez has developed since its inauguration, in order to reflect on the ways in which these display certain images of the “permitted Indian” for the national project that the social sector represented by her government is beginning to outline.     

‘Angelic Spirits of ‘68’: Memories of 60s’ Radicalism in Responses to the 2010–11 UK Student Protests

The winter of 2010–11 saw a significant upsurge of student protest in Britain. This paper analyses the numerous references to 60s’ radicalism which circulated in responses to the protests, with a focus on left-wing media. Drawing on performativity theory, the paper traces the highly polarised divisions between affirmations and repudiations of ‘1968’ in responses to the protests. This polarisation, I argue, reflects an absence of a clear-cut collective memory of the British radical 60s. More broadly, the paper sheds light on the hitherto under-explored mechanisms through which memories of ‘1968’ shape the discursive and affective landscape of contemporary radical politics.     

Film-viewing in Turkish and Moroccan diasporic families: a gender and place perspective

This article explores the relation between gender identities and spatial aspects of audience reception by means of a case study on film-viewing in the Turkish and Moroccan diasporic communities in the Belgian city of Antwerp. Drawing on feminist and gender approaches to audience reception on the one hand, and research into the spatial dynamics underlying audience reception on the other, we look at film-viewing as a socially and spatially meaningful practice that is relevant for the understanding of gender identities in diasporic families. This article is based on the results of a four-year project on diasporic film cultures in Antwerp that investigated how film-viewing practices relate to social and cultural dynamics within the Turkish and Moroccan communities. The data that are discussed include participant observations, in-depth interviews and group interviews with a varied sample of people with Turkish and Moroccan backgrounds. The results show that although film-viewing, especially in the public space of the film theatre, can be mobilized by women as an emancipating social practice, gendered power structures often prevail. Also in the domestic contexts, a more traditional gender division is articulated by the respondent concerning family viewing. We conclude that the space of the film theatre and film-going serve the continuity and stability of gendered family relations, rather than subverting them.     

#Follow: exploring the role of social media in the online construction of male sex worker lives in Dublin,Ireland

This article draws from qualitative interviews with 18 South American male sex workers in Dublin, exploring how their use of the gym and new social media has created alternative spaces for the conduct of commercial sex. The interviews reveal how sex workers alternatively use escort specific sites in conjunction with mainstream dating apps like Grindr, offering greater flexibility and control over how they are self-defined within the sex industry. These male sex workers become known for their presence in gyms and clubs within the small gay community offering potential clients a real-time embodied interaction. Social media, like Instagram, offered the men in this study a further platform to share part of a choreographed online world with thousands of followers presenting new economic opportunities. The men trade access to their bodies and to their taste in designer commodities and lifestyle to interact with followers who can financially contribute to dictate the format of the photos available for private or public consumption.     

Visual media and the construction of the benign Canadian border on National Geographic's Border Security

Visual media have long been instrumental in the production of international borders as sites of spectacle. Such projects involve careful delineations of who may enter and under what conditions. In Canada, this representation often centres on a dialectical relationship between a welcoming and generous, multicultural nation and a threatening foreign immigrant Other. We adopt a visual content analysis approach to examine Border Security: Canada's Front Line, a documentary series produced for the National Geographic Channel that follows the daily activities of Canadian border security agents. Because this series is sponsored by the Canadian Border Patrol Agency, it provides an ideal case with which to interrogate the State's agenda in representing home, Other and risk. Given previous scholarship on the dialectical representation of Other and Canadian multiculturalism, we expected to find similar juxtapositions on Border Security. Rather, our analysis reveals a carefully managed representation of colour and nation-blindness that supports a construction of Canada in opposition to the United States.     

American Images of Canada: Canadian Muslims in US Newspapers, 1999–2014

How do American news media portray Canadian Muslims? Using a sample of 386 discrete newspaper articles published between January 1, 1999, and December 31, 2014, in The Buffalo News, Tampa Bay Times, The New York Times, The Wall Street Journal, The Washington Post, and USA Today, this article investigates the portrayal of Canadian Muslims in these publications through a combination of content and discourse analyses. Three findings stand out: first, the overall tone of the coverage was neutral or ambiguous rather than either systematically positive or systematically negative; second, a tendency to construct Muslims as social outsiders was common even in articles coded as positive; third, the Canadian Muslim experience was viewed through the prism of discourses on American exceptionalism, and above all the idea that assimilation always trumps multiculturalism.