山东青州香山西汉墓彩绘陶俑胶接材料研究

本文利用x射线荧光、红外光谱、热裂解气相色谱质谱（Vy-GC-MS）和气相色谱质谱（GC-MS）,对山东青州香山西汉墓出土彩绘陶俑紫色、红色和褐色彩绘层中使用的胶接材料,以及取自马腿与马身粘接处的胶接物进行了分析。分析结果显示彩绘颜料以及马腿粘接物中的有机物均为动物胶。此研究结果为同一时期此类陶质彩绘文物的胶接材料研究提供了很好的借鉴。     

一座尚未充分利用的近代史资料宝库--中国旧海关系列出版物评述

中国旧海关留存的卷帙浩繁的海关文献,是近百年社会经济史研究中一项最为完整、系统的统计数据和文字资料。哈佛燕京所藏的海关资料和京华版《中国旧海关史料》所收录的出版物具有重要的文献价值,以季报、年报、十年报告、国内贸易册、月报等为层次,将其宝贵内容作以介绍,弥补以往简单地介绍海关文献之不足,研究者若能利用这一丰富的资源,将会拓宽和深入中国近代史的研究。     

延安清凉山红色旅游发展的战略思考

中国共产党在延安时期新闻传播事业所形成的纪念地、纪念物及其所承载的革命精神在红色旅游中具有重要地位。清凉山承载着中国革命战争和新闻传播事业的厚重历史,有着许许多多可歌可泣的动人故事。发展清凉山红色旅游,须建立"政府主导,各方参与、市场运作"机制,保持其核心竞争力;要以新闻传播行业及其高校为依托,开拓客源市场;活化清凉山红色旅游资源,强化游客精神体验等。     

清代京杭大运河全图初探

本文将收集到的国内外清代京杭大运河全圈作为史料处理,结合相关文献一一解读各幅运河图本身蕴涵的信息。在此基础上,挖掘出清代在绘制运河全图时常用的一些绘制手法,井就运河图的载体、装订形式加以分析。进而根据绘制风格等的差异,将清代运河全图的绘制划分为前期和后舰又依据用途和内容的不同,划分为运河河工图、漕运图、运河泉源圈和运河景观图四种。作者试图通过分析论证,挖掘出地图的史料价值,找到一个利用地图学视角观察社会历史景观的路径。     

大众传媒在西部地区和谐社会建设中的作用

对于经济欠发达的西部地区而言,更加需要社会主义先进文化的广泛传播,更加需要大众传播媒体的辐射和渗透,这对于满足西部地区人民群众不断增长的物质文化需要,不断提高西部地区人民群众的文化素质,对于构建和谐社会,都具有重要的战略意义和现实意义。     

中国明代木质古建西安鼓楼彩绘的分析研究

鉴于有关中国木质古建彩绘材料及技术的研究报道较少,本工作通过光学显微镜、扫描电镜能谱(SEMEDX)、X射线衍射及气相色谱质谱(GC/MS)分析方法,对建于公元1380年的中国西安明代鼓楼木建表面彩绘样品进行了科学检测研究,分析了其中的无机材料组成及彩绘所用粘合剂,并收集了所涉及到的相关历史资料。分析结果表明,木建表面彩绘的材料组成和制作技术与历史调查获得的信息完全吻合。地仗层主要由粘土、石灰、干性油(桐油)及纤维织物组成,且地仗层保持最初的原材料。颜料分析结果显示,尽管修复时所使用的粘合剂与最初建造时的粘合剂完全相同,但目前彩绘的颜料即有原来使用的材料,也有十八世纪修复时所使用的材料。     

Australian foreign policy and news media: national identity and the sale of uranium to India and China

This article explores the utility of a constructivist-media communications approach to understanding the production of national identity in Australia through a case study of the Australian Labor Party's 2011 decision to allow uranium sales to India. The decision came at a time when Australian foreign policy, political debate and news media discourse were increasingly concerned with India and China, as ‘rising’ superpowers whose prominence offered opportunities for economic prosperity even as it undermined settled regional power balances. This article finds that, rather than a matter of rational strategy, the decision was made in a context of considerable anxiety about the ‘Asian century’ as the Australian public, politicians and policymakers struggled to comprehend geopolitical change. It further argues that the constructivist project in international relations can benefit from engaging with insights from media and communications methodologies and by taking a less hierarchical approach to ‘elite’ and ‘non-elite’ discursive agency.     

Rationalizing the Irrational: Reza Attaran’s Popularity,Stardom, and the Recent Cycle of Iranian Absurd Films

Reza Attaran is one of the most successful stars of the Iranian popular cinema. This article explores the social circumstances, performative components, and political consequences of Attaran’s popularity and stardom, and the evolution of comedy and satire in the Iranian media after the 1979 Revolution. Analyzing the contextual elements and media texts over the last twenty-five years, the article argues that Attaran actively reflects a complex interaction between the social, political, and artistic demands of each period, best represented through his contribution to the television sketch comedies in the 1990s, and the lowbrow comedies and highbrow absurd films in the 2010s. The trajectory of Attaran’s stardom demonstrates the mechanism by which he serves the maintenance of the status quo.     

Generating a voice among ‘media monsters’: hybrid media practices of Taiwan’s Anti-Media Monopoly Movement

This article assesses how social movement actors strategically use a hybrid mix of social and traditional media to organise political actions in an attempt to influence media and public agendas. Using the case study of the Anti-Media Monopoly Movement in Taiwan, it investigates how the activists’ use of social and mainstream media contributed towards their collective action and mediated visibility. We argue that the effectiveness of social media activism is augmented by the activists’ engagement in protest actions and tactics catering to news media logics. Through their hybrid media practices, the activists were able to mobilise local and overseas groups into forms of collective and connective action and amplify the impact of protests.