A Life in Maps: Leo Bagrow,Imago Mundi,and the History of Cartography in the Early Twentieth Century

ABSTRACT:

This essay provides a critical commentary on the life of Leo Bagrow (1881–1957), the founding editor of Imago Mundi, drawing on previously unused correspondence from the journal’s archive, recently catalogued by the British Library in London. Bagrow’s experiences in the three European cities in which he lived and worked (St Petersburg, Berlin and Stockholm) are examined afresh and new insights are provided about the complex intellectual and sometimes political objectives and motivations of Bagrow and his fellow map dealers, map collectors and map historians. Particular attention is paid to the productive but often strained relationships between Bagrow and the expanding global network of map historians with whom he collaborated while establishing and editing Imago Mundi between 1935 and his death. This network was divided into four distinct and to some extent rival constituencies (university academics, map librarians, map collectors and map dealers). The essay examines how Imago Mundi, under Bagrow’s often confrontational editorship, emerged as the central co-ordinating forum through which these constituencies communicated with each other and within which the foundations for the modern discipline of map history were established.     

Academic Cartography,Internal Map History,and the Critical Study of Mapping Processes

ABSTRACT

Academic cartographers consistently expressed an interest in the history of map form (design and practice), at least until the 1980s. This essay reviews the formation of academic cartography, primarily in central Europe and the United States, and the scholarly work on the internal history of cartography that was clearly manifested in Imago Mundi. Internal map history catalysed the development of socio-cultural map histories after 1980 but did not itself change along those new lines. This was unfortunate because it is by paying attention to internal questions of the physical and graphic form of maps and the practices of mapping—albeit critically reconfigured as the processes of producing, circulating and consuming maps—that map historians will discover new and fertile intellectual ground.     

11—17世纪俄国对日本的早期认识

深入研究俄日早期的相互认识是探寻俄日关系历史的重要途径,更是把握两国关系前景和领土之争的关键。研究俄日关系史就应该回到两国发生接触的源头。6—17世纪俄国主要通过东方阿拉伯国家、蒙元(中国)等第三方积累起对日本的早期认识。人文主义思潮涌现后,随着科学知识的普及和西方探险、游历活动的开展,俄国人对日认识不断更新和拓展。这些早期认识为俄日的正式建交提供了潜在助力。从17世纪开始,伴随俄国的远东疆土开发,俄国获取日本之消息的渠道趋于直接而畅通。本文立足于广阔的历史时空,从地理和文化关系入手,考察俄国对日本从模糊、片段式的了解到逐渐准确、详细的认知过程;从历史地理学角度呈现俄日早期关系的发端。     

Plants and Vegetation in the Archaeological Park of Neapolis of Syracuse (Sicily,Italy): A Management Effort and also an Opportunity for Better Enjoyment of the Site

Syracuse has been inscribed on the UNESCO World Heritage List since 2005. Notable for its visible traces of the ancient Greek city, the inscribed sites are mainly located on the Ortigia Islet and in the Neapolis Archaeological Park. In this park, in addition to monuments of global significance such as the Greek theatre carved into the rock in the fifth century bc, wild flora of great interest are preserved. Some species may have been introduced in the classical period. In 2013, significant maintenance interventions of green areas were made, aimed at safeguarding the monuments and the most relevant flora present. This activity provided an opportunity to create, through an interdisciplinary project, some guidelines for the management of the green cover, and has also created new opportunities for the use of the site through thematic routes.     

Caspar Vopel's Ventures in Sixteenth-Century Celestial Cartography

ABSTRACT

This paper concerns the undertakings in celestial cartography of the sixteenth-century Cologne cartographer Caspar Vopel. Copies of his printed celestial globe and of the celestial maps included on his world map are also described. Vopel's celestial mappings display his extraordinary interest in astronomical myths through a series of conspicuous iconographic features. In particular, Vopel's introduction of the images of Antinous and Coma Berenices is revealed to have been inspired by a humanist edition of the Ptolemaic star catalogue. Finally, a study of the celestial maps on the copies of Vopel's world map by Valvassore (1558) and by Van den Putte (1570) shows that these represent different editions of Vopel's world map and that the celestial maps on the world map of Matteo Pagano were in turn copied from those on the world map of Valvassore.     

Cordiform Maps since the Sixteenth Century: The Legacy of Nineteenth‐Century Classificatory Systems

The heart‐shaped, or cordiform, maps of the sixteenth century, including those by Oronce Fine, Peter Apian and Gerard Mercator, have long intrigued historians. Most writers have considered the heart shape a product only of mathematics, but some have recently offered other interpretations for the use of the heart. A classificatory system devised by d'Avezac in 1863, however, has impeded our understanding of the cordiform map, particularly in the matter of what is considered to be such a map. The nature of his classification and its reception by other writers since the late nineteenth century are examined in order to elucidate new directions for the study of the use of the heart shape in sixteenth‐century cartography.     

Mapping Spain in the Sixteenth Century: The Escorial Atlas and Pedro de Esquivel’s Notebook

ABSTRACT

The twenty-one maps of Spain that comprise the Escorial atlas (El atlas de El Escorial) and the later notebook compiled by Pedro de Esquivel for another map of Spain have long been confused. Recently identified documents in the Royal Library, Stockholm, have allowed us to recognize the two works as completely separate and to shed new light on each. In this article we describe their respective histories, starting with the Escorial atlas, now known to have been commissioned by Emperor Charles V from the Sevillian cosmographer Alonso de Santa Cruz, who between c.1538 and 1545 produced an index map and 20 regional sheets drawn to the scale of 1:400 000. We then go on to show how, later in the century (between c.1552 and 1565), Pedro de Esquivel was using a version of the topographical methods described in Peter Apian’s Cosmographia to assemble data for the map of Spain commissioned by Philip II before and just after he became king in 1556. Esquivel died in 1565 before all the data had been collected, his map was never drawn, and his notebooks, with all his astronomical measurements and calculations of angles and distances, took a curious journey that ended in Stockholm in the archives of the Royal Library of Sweden.