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11.
The ‘South Division of the County of Kerry’ (GSI FS 1.2.001) is a copy of the southern half of a lost late eighteenth / early nineteenth century map of County Kerry, in southwestern Ireland. Geological annotations on the map are traced to specific episodes (c.1820, 1838 and 1844) in the unofficial geological survey of Ireland conducted by Richard (later Sir Richard) Griffith between 1811 and 1855. The Griffith provenance of the map is part of the evidence used to identify the ‘South Division of the County of Kerry’ as a derivative of the now lost Grand Jury map of Kerry made by the American émigré artist and cartographer Henry Pelham.  相似文献   
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Abstract

Geological information was first printed in colour on a map in 1820 but serious efforts to print geological maps in multiple colours began in Europe only in the 1840s. Increased geological mapping activity created the need to print more maps by cheaper methods, while general advances in lithographic colour printing provided the means. Better colour registration, transparency, range, permanence and distinctiveness were attained in the 1840s and 1850s by technical innovations and also by new design strategies. Consequently, as printed colour replaced hand colour as the norm, it also influenced the look of the geological map.  相似文献   
14.
ABSTRACT

The 1:1 million Map of Hispanic America, compiled at the American Geographical Society's New York headquarters between the First and Second World Wars, has been seen as a landmark in twentieth-century cartography. In this essay we re-evaluate the Hispanic Map as a technical and scholarly project and re-assess its wider significance for the history of twentieth-century topographic mapping in the light of the cultural and political factors that shaped its development. When finally completed in 1945, the Hispanic Map was rightly judged an unsurpassed scientific achievement and a major work of art. But it was already out of date, superseded by newer cartographic technologies, particularly aerial survey and reconnaissance, that had removed the need for the kind of meticulous and painstaking compilation that the Hispanic Map exemplified.  相似文献   
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When the Jesuit missionaries began to work in China, they attracted the attention of the Chinese by introducing European knowledge. This is the context in which Jesuits such as Matteo Ricci, Giulio Aleni, Francesco Sambiasi and Ferdinand Verbiest made their Chinese‐language world maps. Sambiasi was a man of many talents. He was a tactful diplomat and a learned scientist. His world map shows him to be a skilful adapter of earlier knowledge, which he passed on to future generations. The six known copies of his map are in two versions, printed from two sets of wood blocks (c. 1639). A text at the top of one version explains why the world must be seen as a sphere, which demonstrates how these maps were meant to convince the Chinese public of European scientific findings.  相似文献   
16.
杨瑾  马耀峰 《人文地理》2008,23(5):108-111
为了促进意象图在旅游中的理论及应用研究,分析了旅游行为意象图的相关概念,探讨了不同旅游时段的旅游行为意象图的形成过程;总结了旅游行为意象图的个性与共性,动态性与主观性、不完整性与不确定性,可操作性等特点;并以西安市旅游意象为实例,分析了旅游行为意象图构成要素和认知内容,认为旅游行为意象图对旅游行为的发生、旅游资源的评价、旅游规划和旅游行为空间的合理表达都有积极的作用。  相似文献   
17.
王积成 《攀登》2006,25(4):142-144
电视媒体是传播信息、引导舆论、播放广告、出售商品的中介。而电视媒体所称的品牌则是名记者、名编辑、名主持人、名栏目、名频道、名台标的总和。本文试从竞争呼唤品牌、创立品牌的几个途径等方面论述了为什么要对电视媒体进行品牌经营以及品牌管理的内容、途径、措施和注意的问题,说明了对电视媒体进行品牌经营是大势所趋,只有品牌经营,才能扩大电视媒体的知名度;只有品牌经营,才能产生良好的经济效益和社会效益。  相似文献   
18.
铅钡硅酸盐是中国古代费昂斯和玻璃制品的典型成分类型。本文首先明确了铅钡硅酸盐制品包含铅钡釉陶、铅钡釉砂、铅钡玻璃以及硅酸铜钡颜料四大类,并重点讨论前三者,强调不宜用“铅钡玻璃”指代铅钡硅酸盐制品。其后,文章整体梳理了战国时期铅钡硅酸盐制品的出土范围和存续时间。在此基础上,重新讨论了铅钡釉陶、铅钡釉砂、铅钡玻璃的关系问题,提出铅钡釉陶和铅钡釉砂都不是铅钡玻璃的先驱,三者在战国早期的出现更像是铅钡这种全新助熔剂在不同材质上的应用。  相似文献   
19.
An analysis of Goethe's Farbenlehre (Theory of Colours), and of its significance for the development of geological mapping, requires an interdisciplinary approach and specific knowledge of both the history of cartography and the science of chromatics. Thus far there has been little research in either of these areas by historians of geological cartography or by students of Goethe's Farbenlehre. In particular, the influence of Goethe's Theory of Colours on early geological map colouring has not yet been explored, and the present article is an attempt to rectify that omission. After an introduction to the emergence of geological maps during the Age of Enlightenment, the discussion focuses on Goethe's substantial contribution to the selection of colours for Christian Keferstein's General Charte von Teutschland (1821). Detailed study of the available textual and cartographical source material reveals that Goethe applied the principles of his Farbenlehre as a basis for the colour chart that Keferstein used to delineate the rock formations shown on his map. The article concludes with a brief consideration of the extent to which the joint Goethe–Keferstein venture influenced the future of geological map design.  相似文献   
20.
This article attempts to shed some light on the origins of Ptolemy’s map of the world, which remains a mystery. The premise is that Ptolemy and other ancient geographers largely drew on the same or a similar pool of sources and common beliefs. Similarities between them can, therefore, give us a key to understanding the prehistory of Ptolemy’s map. Comparison of distances on his map with those given by other sources leads to the conclusion that a large area of the map, approximately from the Bosporus to the Indus, reproduced Eratosthenes’ geographical system, with linear distances converted to angular degrees according to Eratosthenes’ own scale. It is argued that this area represents a remnant of an earlier version of Ptolemy’s map. Analysis of latitude and longitude reveals notable differences between Ptolemy’s map and Eratosthenes’ ideas concerning the latitude of Babylon and the Alexandrian prime meridian, and the impact this seems to have had on the shape of neighbouring regions is noted.  相似文献   
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