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101.
改革开放前广东省出口商品生产基地建设的历史考察   总被引:1,自引:0,他引:1  
建立出口商品生产基地,是改革开放前党和政府为了解决出口货源问题、促进对外贸易的发展而采取的一项方针政策,多次载入中央的文件,相关政策沿革和实践发展有一个从探索到推广,在受冲击和破坏后恢复与发展的历程。在中央作出决策和进行全国性规划之前,毗邻港澳、供应港澳市场任务重的广东省,初步探索并建立了一些出口商品生产基地;基地建设工作在全国范围内铺开后,广东省继续承担探索实践的角色和发挥主力军作用。透过对广东省的个案研究,可以从一个局部观察中国出口生产基地的历史发展,并有望深化对相关历史问题的认识。  相似文献   
102.
方英 《安徽史学》2011,(6):95-103
淮军是晚清时期一支重要的武装力量,也是清代军事体制从传统向近代转化过程中承先启后的一种重要组织形式。本文从六个方面简要介绍了淮军的研究状况,指出了既有研究中存在的问题及今后应该关注的方向,并就如何利用好淮军历史文化资源提出了建议。  相似文献   
103.
日本大众文学是日本“近代”“民族国家”确立过程中的有机组成部分。日本“近代”大众文学可分为两个时期:第一时期,大正末年到昭和十年(1935),作家多将时代背景设置在幕府禾期至明治初期,实质是通过文学的方式对近代民族国家的“大日本帝国”的历史的再发现;第二时期,昭和十年至1945年战败,作家大多表达了作为“大日本帝国”国民一员的自豪感和归属感,体现了日本知识阶层的“国民化”,这一时期的《宫本武藏》更被认为是日本国民自我的确认之作。然而,从战时的《宫本武藏》到2010年时代小说《天地明察》的畅销,我们仍能透视出内在的历史连续性。  相似文献   
104.
105.
In order to heed the call in world literature studies to work against disciplinary Eurocentrism by refiguring both what constitutes world literature and how this is read, in this article I propose world literature as an archive of world-making practices and as an impulse for the articulation of alternative methodological approaches. This takes world literature from the postcolonial South as, following Pheng Cheah, instantiating a modality of world literature in which the need for imagining worlds with alternative centres to those determined by coloniality is particularly acute. A response to this is facilitated and illustrated by a reading of Bengali poet Rabindranath Tagore’s Letters from Russia (1930), and South African writer/activist Alex La Guma’s A Soviet Journey (1978). By drawing forward connections between the postcolonial South and the former Soviet Union, this complicates traditional colonial arrangements of the colonial ‘centre’ as cradle of civilisation and culture, as well as postcolonial scholarship’s cumulative fetishisation of ‘Europe’, by allowing a reshuffling of the co-ordinates determining ‘centres’ and ‘peripheries’ and a more nuanced grasp of ‘Europe’ simultaneously. These imaginative journeys destabilise ‘Europe’ as closed category and call forth Eurasia as a more appropriate categorical–cartographical framework for thinking this space and the connections and (hi)story-telling it stages and fosters.  相似文献   
106.
Before his death in 2003, Brazilian poet, critic and translator Haroldo de Campos had produced a robust body of work on translation theory, which consistently addressed the problem of subordination of target literatures to their source. His audacious concept of ‘transcreation’ championed that translation should be a creative re-invention instead of a mere reproduction of texts. In this article I demonstrate that De Campos’s translation theory subverts the hierarchical categories and values that have structured the field of world literature. Positioning himself as an intellectual from an ‘ex-centric’ literary culture, situated outside of the centers of global circulation, De Campos critiqued the unequal weight usually assigned to translated and original texts, author and translator, established and ascending traditions. His theory effectively illustrates how power differentials between diverse literary contexts affect the ways in which world literature is conceived. I argue that De Campos’s response to the standing inequality that characterizes translational exchanges involved a literary solution. As a creative act in its own right, imbued with the values of originality and difference, transcreation offered an aesthetic answer to the problems of authenticity, influence and literary dependence.  相似文献   
107.
Taking the case of defining “talent,” a term that has been widely used but its definitions differ by discipline, organization, policy sector, as well as over time, we demonstrate how the basic definition of a policy subject may affect policy design and the assessment of policy outcomes. We review how “talent” is defined in two sets of literature, talent management and migration studies, and find that definitions fall under one of two categories: binary (“talent” as qualities) or composite (“talent” as a relational concept). The implications of our findings are epistemological and ontological; the findings point to diverse epistemological effects of definitions through developments of indicators, as expected, and they also reveal the policy designers’ ontological starting points. Ontological perspectives are significant because they ultimately determine whether the policy assessments carried out differ in degrees or in kind. In the case of defining “talent,” this means determining which objectives the designers would set (e.g., recruiting vs. cultivating vs. introducing competition), the policy instrumentation for achieving the goals (migration measures vs. education vs. lifelong learning vs. human resource policy), and the type of assessment for measuring policy outcomes (single vs. multiple indicators, qualitative vs. quantitative).  相似文献   
108.
There has been an impressive stride in the research on policy feedback effects on mass publics over recent years. However, we lack systematic evidence on how large such policy feedback effects are in the literature. This article provides a review of 65 published studies and quantifies the findings and key themes in the policy feedback literature. The results show a great degree of heterogeneity in the domains and outcomes being studied and in the effects of policies on the public. In line with the findings from narrative reviews, feedback effects are greater for outcomes related to political participation and engagement. Last, the review sheds light on important theoretical and methodological limitations to be addressed in future research.  相似文献   
109.
1953-1954年举行的第一次全国普选是人民代表大会制度建立的重要前提。作为全国普选的一个缩影,江苏基层普选是人民民主制度的重要实践。在试点阶段,江苏基层普选的选举权审查曾发生“左”的偏向,对此,江苏各级选举组织机构展开了有针对性的政策改进和纠偏,最终顺利完成普选。江苏对基层选举权的严格审查,既实现了人民内部最大范围的民主选举,彰显了党和政府实施民主选举的决心和能力,也进一步增强了人民群众的民主意识,推进了基层民主政治建设,具有重要的历史意义。  相似文献   
110.
Mao Zedong’s 1942 “Talks at the Yan’an Forum on Literature and Art” were officially established as the foundation of national policy on culture after the founding of the People’s Republic, but from the very outset they had direct implications for writers and artists in the Communist base areas of the time. As a case study of the implementation of the spirit of Mao’s “Talks” prior to 1949, this paper will discuss how illiterate peasant soldier Chen Dengke (1919–98) was educated by Party cultural cadres in the North Jiangsu (Subei) Base Area, enabling him within the space of just four years to produce a novella and a novel. In order to critically examine the auto/biographical and “slice of life” writings on which this paper relies, brief discussion will be provided of temporal considerations and genre boundaries of this class of writing in the context of the ever-changing political orthodoxy with which writers were required to comply during the Maoist period. The creation of what has been called the Chen Dengke “phenomenon” is not only a fascinating story, but also illustrates the operation of Communist Party cultural policy during the Sino-Japanese and Civil Wars.  相似文献   
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