Recent Books in the Field of Medieval Literature

The main objective of this article is to analyze the relationship between the novísimos poets—Pedro Gimferrer, Luis Antonio de Villena, Leopoldo María Panero, and Guillermo Carnero, among others—and the avant-garde movements in Spain. If during the forties the garcilasismo opposed the avant-garde, in the seventies, with the novísimos, the -ismos returned to be considered not as a radical change but as one more stage in the evolution of Spanish poetry. The -ismos are now considered not as a subversive departure from the past, but as part of Spanish artistic heritage and tradition, thus reconciling tradition and modernity or even converting the vanguard into literary tradition. The -ismos are described not as an absolute novelty but simply as a process of innovation in the same way, with their own poetic precedents, as the garcilasistas and the neoromantics of the past.     

The “Travesty” of Aeschines in Demosthenes' De Corona

From 1914 to 1920, Pérez de Ayala produced his most serious and political writings. In his Novelas poemáticas de la vida española (1916) and Política y toros (1920), Ayala criticizes what he perceives as the backward state of the Spanish nation, focusing on the idiosyncrasies of the Spanish man through his depiction of three weak male characters. Nevertheless, wary of falling into the pointlessly excessive criticism of the nation that could be called domperiquitismo after Larra's memorable character Don Periquito, in the early 1920s Ayala subverted the organicistic language of his own criticism and that of many of his contemporaries by playfully concluding that Spain's real illness was orchitis. Although reading Ayala's earnest and contentious writings from this brief period is indispensable to fully appreciate the richness of his oeuvre, the works differ from the rest of his production, which is characterized by a more humorous yet critical slant.     

Laughing at northernness: postcolonialism and metafictive irony in the imaginative geography

This paper examines the role played by literature in constructing regional otherness focusing on a case study of Northern Finland. In the case of the Finnish North the direct connections between literary tradition, cultural imaginativeness and spatial otherness have been distinctive. Literary stereotypes concerning northern exoticism and the romantics have formed an imaginary contrast with the southern culture, a homogeneous region without any contradictions, imagined by the southern culture in a manner that meets its own hegemonic needs. The defining of the North exclusively in terms of a binary opposition between nature and culture has implied a multidimensional exercise of power in which culture and civilization have justified their own existence by excluding their opposites. In this article northern literature is perceived as a ‘tool’ not only for constructing otherness but also for deconstructing and decolonizing it. Northern imagination is viewed from a metafictional perspective, and the focus is on how the postmodern northern irony is self-consciously concerned about its own social discursiveness, i.e. northern marginality. In the present case the metafictive approach also stands for a methodological possibility for geographers to view literary discourses of otherness more from above. Attention is focused on the eccentrically obtrusive northern artist Rosa Liksom, the pseudonym of a novelist/visual artist who has transformed her northern irony into an emancipatory project.     

Readers-in-conversations: a politics of reading in literary geographies

While the role of readers in literary geographies has been theoretically acknowledged, the methodological practice of engaging with multiple readers is little and far between. This gap between theory and practice has perpetuated understandings of texts as static representations and of readers as passive and homogeneous. Such problematic notions urgently need to be contested and this paper is one such attempt. Using a case study of Singapore poetry and its resistance to state-driven landscape change, I engage with twenty-one Singaporean readers through an online, asynchronous forum to demonstrate the challenging but rich process of studying reader reception. In doing so, I show how the dynamic co-enactment of responses by multiple readers-in-conversations leads to both complementarities and clashes. This not only reveals a more nuanced understanding of the author–text–reader(s) interactions, but also points to an inevitable politics of reading present in the study of all textual representations.     

Time–geography,gentlemen, please: chronotopes of publand in Patrick Hamilton’s London trilogy

This paper considers the time and the place of drinking in modern British life, as represented in Patrick Hamilton’s trilogy of novels set in the publand of London’s West End in the interwar years, through Mikhail Bakhtin’s concept of the chronotope and with critical nods to Hagerstrand’s time–geography corpus. The chronotopes of pubs and their neighbourhoods, which we term ‘publand’, are discussed initially in their novelistic presentation in Twenty Thousand Streets Under the Sky (1935), and then in relation to the ‘character zones’ of the novels’ principal protagonists. The key themes, defined in the paper, are the asynchronicity of personal and social relations, the dialogic construction of heterochronicity, and the presentation of a prosaic chronotope. Though the paper is a contribution to literary geography, we aim to contribute to the cultural geographic understanding of the time–space rhythms and routines of everyday leisure drinking, making claims for the wider significance of chronotopic analysis.     

Traumatic echoes of memories in child survivors' narratives of the Holocaust: the Polish experiences of Michał Głowiński and Henryk Grynberg

Drawing upon the important contribution brought by literary testimonies to humanitarian work delineated by Susan Rubin Suleiman (2002) and Leigh Gilmore (2011), this paper analyses two Polish Jewish authors' autobiographical narratives, Micha? G?owiński's The Black Seasons (1999) and Henryk Grynberg's The Jewish War (1965) and Victory (1993), as instances of literary child-witnessing the Holocaust. The two authors' narratives represent two different cases of child survivors' testimonies given their situation during the Second World War: G?owiński being encamped in the Warsaw Ghetto, Grynberg living in hiding. The author argues that their narratives present the case of child survivors whose Holocaust experiences and aftermath memories in Communist Poland spring from their primarily scattered and painful memories foregrounding the importance of vulnerable lenses. In light of this, the main question the author addresses is: to what degree do these children's war memories take specific stances as a function of the age they were during the Holocaust and their location (either being encamped or living in hiding)? The main contention of the paper is that Second World War children's literary testimonies contribute to present-day scholarship by their complex understanding of the multi-faceted character of humans whose specific bulwarks are the simultaneous exposing and acknowledgement of individual occlusions, ambivalences, limitations or randomness.     

《小说神髓》的文体论

《小说神髓》的发表在日本近代文学史中具有转折性意义,它不仅对日本近现代文学的发生发展产生了重大影响,而且对整个东亚地区的文学发展都起到了推动作用。但是长久以来《小说神髓》的上卷一直是学术界研究的重点,下篇尤其是关于文体论部分的却一直很少被人关注。因此本文在细读文本基础上归纳出《小说神髓》中文体论思想的核心,并把该理论的局限性及与言文一致运动的关联一并纳入到考察视野。     

Crustcrumbs in the carriage: a cognitive reading of Leopold Bloom in the “Hades” episode of Ulysses

This article investigates a commonly held critical conception of Leopold Bloom by questioning where his cognitive processes are situated. It argues that throughout Joyce's “Hades” episode, Bloom's mind seeps out into the storyworld, offloading onto his material setting. Bloom reflects on his dilemmas using different cognitive markers throughout his environment. As representational cues, they allow him to process his insecurities about his paternal and conjugal roles. A cognitive frame reveals how Bloom's kind acts often originate from his personal and familial preoccupations rather than what has been previously represented as genuine human sympathies. It shows Bloom as even more purposefully strategic than the Homeric parallels identified by most critics have traditionally conceived. Not only do we gain a greater depth of understanding about Bloom's character through an analysis of the situated mind; we also see thematic threads unfolding through objects and characters in ways previous scholarship has not seen. These thematic threads constitute substrata that further disclose the complexity and depth not only to Bloom's character but also Ulysses as a whole.     

女国民的兴起:近代中国女性主体身份与文学实践

The construction of “citizen-state” relations in the intellectual world of modern China and the establishment of individual citizenship in political discourse have opened up a political and discourse sphere for modern women to strive for new identities, wherein some intellectually advanced women have managed to establish their individual identity as “female citizen” by carrying the debate on the relationship between women and the state with regard to their rights and responsibilities, and on the relationship between gender role and citizenship. Though the idea of “female citizen” was not provided with a political theory of practical significance, the subject identity of women, however, was repeatedly spoken about and strengthened in brand-new literary practices, resulting in a dynamic discourse of “female citizen”; in the meantime, disagreements concerning the concepts of “female rights,” “civil rights,” and “natural rights” have all helped create significant tension inside the related discourse sphere. Translated by Feng Mei from Nankai Xuebao 南开学报 (Journal of Nankai University), 2008, (4): 40–47