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101.
Catherine E. Burdick 《Imago Mundi: The International Journal for the History of Cartography》2013,65(2):196-212
ABSTRACTThe context and conditions under which early modern Europeans created images and maps that blended Asian and American geographies have recently received the attention of scholars. In this article I explore an example of this practice in the Chilean Jesuit Alonso de Ovalle’s mapping of Asian spices as it affected the southern region of his Tabula geographica regni Chile (Rome, 1646). I examine Ovalle’s inclusion of cinnamon and pepper in the Patagonian landscape as a persuasive allusion to the crucial role of the Strait of Magellan in his proposed revision of the trade route of the Spanish galleons. 相似文献
102.
George Tolias 《Imago Mundi: The International Journal for the History of Cartography》2013,65(2):125-150
ABSTRACTThis article is a re-examination of the first complete printed edition of Ptolemy’s Cosmographia (Bologna, de Lapis, 1477), hitherto considered flawed and defective. An investigation of the status and priorities of the team of court astrologers responsible for this edition, and an examination of the alterations they made to Ptolemy’s maps, suggests that their aim was a redaction intentionally different from existing versions of the Geography. It is suggested that the editors sought to adjust the arrangement of provinces from that recommended in Ptolemy’s Geography (book VIII) to the astrological arrangement detailed in his Tetrabiblos (book II) and that they modified the content of the key regional maps accordingly. In this light, the Bologna 1477 edition underlines the importance of assessing the reception of Ptolemy’s geographical work against a cultural background in which astrology prevailed as an integrated system of knowledge, practices and beliefs. 相似文献
103.
Haas Wertheim 《Imago Mundi: The International Journal for the History of Cartography》2013,65(1):41-43
ABSTRACT Imitations of famous Dutch wall maps originally produced in Amsterdam by F. de Wit and W. J. Blaeu have recently been rediscovered in Italy. In Bologna, in the archive of Opera Pia dei Poveri Vergognosi, is a set of Blaeu's four wall maps of the continents, engraved on new plates by Pietro Todeschi and published by Giuseppe Longhi. The value of the discovery lies in the completeness of the exemplars, which also bear the publisher's imprint and date of publication, hitherto unknown: Europe 1677; Africa 1678; Asia 1679; America 1679/1680(?). An undated version of de Wit's world wall map, also published by Longhi, has come to light in the same archive. A copy of the same map, this time published by Giovanni Giacomo de' Rossi in Rome in 1675, was then found in Modena in the Seminario Metropolitano. Comparison of the two copies has provided a date for Longhi's undated issue; Longhi's map came after de' Rossi's, that is after 1675. 相似文献
104.
Abstract Nineteenth‐century Palestine mapping projects based on systematic land surveying reached a peak with the Ordnance Survey of Western Palestine between 1871 and 1877, conducted on behalf of the Palestine Exploration Fund by officers of the British Royal Engineering Corps. Various other nineteenth‐century proposals for an organized survey of the country—some of which bore partial results while others were never implemented—are also presented. The surveying of one region, Mesopotamia, during the 1830s and 1840s, forms the basis for the discussion of the reasons for the relative lateness of the topographical survey. The sacredness of the region seems not to have been a sufficiently convincing motive for entrepreneurs to organize and finance such a survey. The main reason for the delay in mapping the country as a whole was that it was not especially important, either strategically or geo‐politically, for the European nations engaged in the international struggles in the Middle East until the last quarter of the nineteenth century. 相似文献
105.
Felicia M. Else 《Imago Mundi: The International Journal for the History of Cartography》2013,65(2):168-185
ABSTRACT A striking feature of Stefano Bonsignori's Nova pulcherrimae civitatis Florentiae topographia accuratissime delineata, printed in 1584, is the pre-eminence of the Arno River and the detailed depiction of a variety of often quite minor water-related structures. This large (nine-sheet) map was dedicated to Francesco I de' Medici, Granduke of Florence. Contemporary initiatives and legislation as well as works of art and literature reveal that water management had been an important aspect of the policies of Francesco's father, Cosimo I, whose achievements had transformed the city's landscape and whose efforts earned the Medici ruler the title of Granduke of Tuscany in 1569. Bonsignori's portrayal of urban structures was created as a celebration of Cosimo's architectural legacy, and the depiction of the Arno, with its embankments and riverside structures, along with some of the city's fountains and wells, acknowledged granducal ambition to control its waters. 相似文献
106.
Mary E. Stuckey 《Perspectives on Political Science》2013,42(2):99-103
The fear of death is a major preoccupation in the West. This is not surprising given the debt we owe to Hobbes, who encourages this fear and makes it a central feature of his account of human nature. Rousseau, in contrast, wishes to reduce this fear as much as possible. Amour propre and the humanity Rousseau encourages are incompatible with excessive concern for self-preservation. This accounts for his antipathy to doctors and the medical arts. Rousseau, through his presentation of Emile and the savage, initially claims that the fear of death is unnatural and that humans should take a stoic stance toward it and all human attachments that lead to our "feeling death twice." A closer reading reveals that humans always have an awareness of death and that modern humans cannot entirely avoid these attachments. We can, however, avoid making preservation our highest goal, and this is essential to our happiness and ability to have compassion for others. 相似文献
107.
Diana Maltz 《Journal of Victorian Culture》2013,18(2):147-163
Gertrude Dix's socialist-feminist novel, The Image Breakers (1895) has perplexed twentieth-century critics by its brief, short-circuited representation of homoerotic affection between the two female protagonists. In answer, this essay roots the women's relationship in the wider social, historical context of New Life politics and ethics in the 1890s. Members of the Fellowship of the New Life heralded not merely a variety of alternative lifestyles including vegetarianism and co-education, but also extensive discussion about sexual mindfulness and generosity. The charismatic seer and inspiration for the FNL, James Hinton, preached that utopia could be achieved by practicing an erotically-charged altruism. If, as Sharon Marcus has claimed, such female mutual devotion was common and perceived as normative, it was particularly affirmed by ethical-socialist culture. In the novel, Leslie Ardent's loving service to Rosalind is fuelled by her political mission and desire for self-realization. Through this female intimacy, Dix evokes the initial phase of New Life socialism as Hinton and his followers had espoused it. By contrast, the women's heterosexual relationships are more troubling, as male comrades pressure them respectively into heterosexual marriage and free love. In order to discredit heterosexual free love, Dix paints its proponent as a disturbed anarchist, rather than admit that historically some in ethical-socialist circles had advocated polyamoury. Nor does she acknowledge the philosophical convergences between collective anarchism and ethical socialism at the fin de siècle, though she herself was engaged in radical communities. Through her indictment of free love, Dix punctures the utopian vision of a pure, selfless, erotic affection flowing between individuals; figuratively, the novel re-enacts the collapse of Hinton's own reputation from seer to seducer. Echoing scenarios by other female ethical-socialist writers, the early intimacy between Rosalind and Leslie then serves the function of nostalgia, symbolizing a now-lost stage of New Life optimism and association. 相似文献
108.
Sarah Parker 《Journal of Victorian Culture》2013,18(3):313-334
This article explores how the late-Victorian poets Katharine Bradley and Edith Cooper, who wrote under the collaborative pseudonym Michael Field, used fashionable dress to construct and advertise their unique poetic identity. Using evidence from their journal Works and Days, I contextualise Bradley and Cooper's clothing in terms of late-Victorian dress culture, and the major dress reform movements of the nineteenth century. I demonstrate that Bradley and Cooper used fashion as a distinctively feminine way of participating in aesthetic culture, marking significant life events, and to advertise their poetic identity. This self-fashioning also exposed them to aesthetic scrutiny from their peers Oscar Wilde and Bernard Berenson. Finally, I argue that fashion played a crucial role in Bradley and Cooper's desire for one another – and that this desire can be understood in terms of erotic reciprocity. 相似文献
109.
F. Rivals A. Testu A.‐M. Moigne H. de Lumley 《International Journal of Osteoarchaeology》2006,16(3):249-268
The argali (Ovis ammon antiqua) assemblages from the Middle Pleistocene site of the Caune de l'Arago (Tautavel, southern France) were studied in terms of zooarchaeology and taphonomy. It is possible to discern palaeobiological information lost during fossilisation, as well as the palaeoethology of the bone collector, by the observation of taphonomic details preserved on the bone assemblages. The observations leave no doubt that both humans and carnivores were involved in the accumulation of argali carcasses in the cave. In some assemblages, the type of bones found in articulation and the gnawing marks observed are characteristic of carnivores. In other levels, the intense fracturing of the major limb bones in relation to their marrow content and mineral density, and butchering marks found on specimens in the earlier levels, are in favour of human accumulation, the modalities of which are discussed. The results suggest that the degree of carnivore activity seems to have been higher in levels M, N and O than in level F. Copyright © 2006 John Wiley & Sons, Ltd. 相似文献
110.
Christine Steinmetz-Weiss Nancy Marshall Kate Bishop Homa Rahmat Susan Thompson Miles Park Christian Tietz Linda Corkery 《The Canadian geographer》2024,68(1):129-141
The city dashboard has become an integral component of smart city asset management systems. It leverages data collected from multiple sources to monitor performance and enable evidence-based decision making. This article investigates the use of a design thinking framework to develop a functional and easy to understand city dashboard. The Smart Social Spaces project is used as a case study to illustrate how design thinking can be employed to develop an asset management dashboard, enabling efficient management of public space and infrastructure. The article profiles the unique collaboration between a local government, a multi-disciplinary team of university academics, and a street furniture designer and manufacturer, all located in Sydney, Australia. We unpack some of the design practice nuances that led this project to receive national awards and international recognition, and most importantly, created a user-friendly system to track and maintain public micro assets. We conclude with lessons learnt and recommendations for dashboard development through a design thinking process. 相似文献