The Late Krotovo (Cherno-ozerye) Culture in the Irtysh Forest-steppe,Western Siberia

The study explores the origins and evolution of the Late Krotovo (Cherno-Ozerye) – a Middle Bronze Age culture in the Irtysh drainage. The Late Krotovo culture emerged in the late 3rd – early 2nd millennium BC in the Baraba forest-steppe as the final stage of the Krotovo culture proper. The people associated with the Late Krotovo were natives influenced, first indirectly and then directly, by the Andronovo (Fedorovka) tribes. The Andronovo impact is mirrored by the material culture, burial rites, decorative art, and paleogenetics. The outcome of the interaction constitutes a new archaeological phenomenon, represented by sites such as Cherno-Ozerye-1 and Tartas-1.     

论用典在文化传承和发展中的作用——以中国历史话语中的著名三钓为例

用典除了增加语言表达效果、增加语言审美因素等作用外,还有另外一个重要作用——传承发展文化。但长期以来,人们更多的只是看到了用典的前两个作用,而对于它的第三个作用则视而不见,以致出现了反对用典的现象。正如本文所举著名三钓典故所展示的,用典既是一种传递,也是一种启发,还是一种讨论,正是通过不同形式的用典,一个民族的精神内核才越来越丰富充盈,一个民族的文化才越来越具有活力。任何一个用典的行为,都不是一个单纯的语言表达、语言修辞问题,不是一种简单的无意义的陈词滥调和掉书袋行为,更不是一种所谓守旧古板的体现,它和民族文化的继承与发展息息相关,在民族的发展进步中具有重要意义。     

赵尔巽与清季狱制近代转型研究简

赵尔巽的罪犯习艺所主张,其实与其长期在地方开办自新所或称自新习艺所的治理实践密切相关的,而非无根之水,更非效法西制。赵尔巽在任职地方创设的自新所,兼有惩戒、教化与施善的职能,这在某种程度上与西方近代狱制理念有一定的暗合,但是却更多的是对清代中叶很多地方自新所的开办实践的借鉴与改进,不可不谓是传统资源的现代转型。     

博物馆数字化科普平台建设

建设博物馆数字化的科普平台,加强了对馆藏文物的保护能力,促进了博物馆的历史文化教育和传播功能,具有重大的现实意义和深远的历史意义。本工作将介绍其构建方法:采用全景拍摄、三维扫描等数字化信息采集技术,对博物馆建筑的内外景、重点馆藏文物进行信息采集,构建虚拟的历史遗迹遗存、网上博物馆,将实体博物馆以数字化方式完整呈现,通过互联网/移动互联网提供身临其境的虚拟参观服务;采用二维码、电子标签、混合定位等技术,为现场观众提供自助音视频文化科普导览服务;策划制作面向广大青少年的反映中国历史文化遗产的4D影视科普作品及建设面向普通观众开放的博物馆4D动感影厅工程播放系统,以此构建博物馆数字化科普平台。     

江户时代的出版巨子茑屋重三郎

茑屋重三郎是日本江户时代中后期的著名出版商。他从书店经营开始逐渐涉足书籍出版,在激变的时代浪潮中虽几经大起大落,但凭借着高瞻远瞩的策划能力和敏捷的才思,终于成长为屈指可数的出版界巨子。既是商人,同时又有很好的文学修养,两相结合使之具备了卓越的识人辨才的能力。他一生中发掘并培养了诸多浮世绘画师和通俗文学作家,出版发行了数目众多的浮世绘作品和文学作品,在江户中后期的文学史、艺术史上留下了浓墨重彩的印迹。     

The Urban “Cultural Nexus of Power”： Intellectual Elites in Shanghai and Beijing, 1900-1937

In the decades before the full-scale war with Japan in 1937, a robust series of institutions connected the bourgeois with intellectuals （which included professionals and journalists, as well as academics） in Shanghai. Collectively, these institutions can be understood as forming an urban ＂cultural nexus of power＂ that allowed non-state actors to effectively control aspects of Shanghai＇s political life. This bourgeois-intellectual alliance was not inevitable; no similar bonds existed between these same two groups in Beijing. It was forged in Shanghai due to the city＇s unique historical position as a Treaty Port and its dynamic economy, which included an extensive structure of private higher education and a market-based publishing industry. Unlike the rural ＂cultural nexus of power＂ originally described by Prasenjit Duara, this urban nexus grew stronger during the political and economic changes of the early twentieth century. War and revolution in the 1930s and 1940s, however, destroyed the connections between the bourgeoisie and the intellectuals, ending the vibrant urban environment they had created.     

新时期中国文化发展的几个宏观问题研究

改革开放以来,中国共产党的文化理论与政策经历了从“一体化”的文化建设理论与方针到建设“高扬主旋律”的多样化的文化观念与政策的演进;党在知识分子问题上的认识和政策也发生了很大转变,不但认识到知识分子是工人阶级的一部分,是先进生产力的开拓者,而且把市场经济、知识经济、信息时代与知识分子政策密切联系在一起;与此同时,建立在一元化基础上的一体化的文化形态开始解构,并形成了主导文化、大众文化和精英文化三足鼎立的当代中国文化的基本格局。