Landscape Archaeology of Nubia and Central Sudan

The paper examines the regional scale research in the Middle Nile Valley within the context of historical development of archaeology of Nubia and Central Sudan. This historical overview is put in the context of archaeological theory, especially the concept of landscape archaeology. A discussion of various theoretical issues is followed by the presentation of the natural, economic, political, cultural and sacred landscapes of Nubia and Central Sudan. Past field research is presented and the emerging trends are identified.La présente communication examine la recherche à l'échelle régionale dans la vallée du Nil Moyen dans le contexte du développement historique de l'archéologie de la Nubie et du Soudan central. Ce survol historique est situé dans le contexte de l'archéologie théorique, particulièrement l'archéologie du paysage. Une discussion des problèmes théoriques est suivie d'une présentation des paysages naturel, économique, politique, culturel et sacré de la Nubie et du Soudan central. Les recherches antérieures sont aussi présentées et les nouvelles tendances sont identifiées.     

Yellowstone embodied: Truman Everts' ‘Thirty-seven days of peril’

In September 1870, explorer Truman C. Everts, a member of the Washburn-Doane expedition to the then little-known region of the Upper Valley of the Yellowstone River, became separated from the main party and found himself without his horse and supplies alone in the ‘wilderness’. Everts spent 37 days struggling to effect his escape from his life-threatening predicament before being rescued by a two-man search party. The news of his separation, conjecture as to his possible fate, and reports of his subsequent rescue caused a sensation both locally and nationally and consequently earned celebrity for Everts and, crucially, for the place where the calamity occurred. Drawing on Merleau-Ponty's phenomenology and non-representational work in cultural geography which explores the relation between self and world, body and landscape, this article revisits Everts' 1871 account of his ‘perilous’ misadventure to consider how his encounter with Yellowstone was embodied and, through its retelling, ultimately became inscribed on the place itself.     

‘Islands within Islands?’ The Maldivian resort,between segregation and integration

Abstract

The Maldives resort islands are a type of tourist enclave subject to a dual form of borderization. The islands have an external border that coincides with each island’s coastline and with the limits of the private property of the resort; this border regulates the movement of tourists and locals. The islands also have an internal border that separates the outer edge of the island from the inner edge. The outer edge, which is supposed to represent the perfect landscape of the ‘tropical island,’ houses all of the tourist facilities, while the interior contains the structures dedicated to the metabolic activities of the resort. The frontline staff members and the tourists share the ‘dreamscape’ of the outer edge, whereas the maintenance workers live in the secluded space inside the island, where they are typically hidden from the sight of tourists by high walls, and their movement is usually restricted from staff designated areas to their location of work. For maintenance workers, these spaces, necessarily limited due to the small size of the coral islands, risk becoming ‘islands within islands.’ Recently, the Maldivian government has begun to promote projects and initiatives in support of territorial integration between the resorts and communities of neighboring islands. Thus, the outer limits of the resort islands are, today, more porous. Their internal borders, in contrast, remain very difficult to cross.     

CONTESTING HOME: TOURISM,MEMORY, AND IDENTITY IN SACKVILLE,NEW BRUNSWICK

The expression of place and cultural identity through tourism practices is the focus of this paper. Extending recent work which has maintained that contemporary tourist landscapes must be seen as more than superficial responses to economic restructuring and deindustrialisation, it argues that these practices are in no way simple, uncontested constructions of identity and culture. Rather, cultural and heritage tourism practices may be sites where a fundamental symbolic struggle is waged over that identity and culture: over the meaning and representation of place and of ‘home’. L'article suivant traite de l'expression touristique d'endroit et de l'identité culturelle. Je propose que les paysages touristiques contemporains sont plus que des réponses superficielles à la restructuration économique et à la désindustrialisation. Ces pratiques touristiques liées à la culture et à l'héritage sont plutôt les sites d'une lutte symbolique entre la signification et la représentation du lieu, de la mémoire et de l'identité.     

先唐时代之宣城：江南奥壤,山水诗都

唐代以前的宣城,走过了由县邑到郡治、由江南西部的行政中心到江南地区的政治腹地与经济沃壤的历程。其间几个关键节点是:楚国置爰陵邑,西汉置丹杨郡,孙吴丹杨郡迁治建业,西晋分置宣城郡,六朝时代之宣城既为近畿要地、又逐渐成长为文化名邦。以南齐谢朓为标志人物的山水诗的创作与影响,既反映了南朝时代宣城的文化特色,也使得宣城成为中国文学史上名副其实的"山水诗都"。     

旅游景观美的观赏研究

本文论及了旅游景观美观赏的重要性和复杂性、旅游景观美的观赏要求,进行了旅游景观美的观赏分类。     

水域景观美学价值评价理论研究

水域景观是自然风景的重要组成部分。美学价值是人类审美和水域景观联系的纽带。水域景观美学价值的评价是天然水资源成为景观水资源(旅游资源)的先决条件,美学价值的高低直接影响水域景观的观赏质量,它是水域景观旅游价值评价的重要内容。本文首先根据人类神经生理、心理学等学科的研究成果探讨人类审美的主观缘源;再重点剖析水域景观的美学特征;最后提出水域景观美学价值评价的理论。     

基于地理学视角的中国山水画分析

本文从美术地理学的角度出发阐述了中国山水画的地域差别,指出地理环境对山水画的影响主要表现在几方面:即对山水画作品面貌的影响,对山水画家创作灵感的影响,对作品风格和地域特色的影响,对山水画派和地域人才形成的影响。因而,地理环境是艺术家创作的对象和源泉,也是决定美术风格的关键因素,对山水画派和地域人才的形成具有重要影响。