金陵八家与金陵画派的画风比较

分析画派这一概念的内涵,从时代、题材、师从、技法等对金陵八家和金陵画派的画风作一比较。认为明末一些金陵画家称其“金陵八家”更为妥当。     

论分形与旅游景观

本文运用分形理论论述了旅游景观构成要素的自相似性质,指出人类旅游行为本质上是为了摄取地理信息,而分形体是有效的信息之源,能使游人产生负熵的感受(即美感)。历史的混沌过程与地貌的分形构造形成了非富的旅游资源。借助分形学原理,依据有序与无序对立统一的原则设计旅游景观,必将使旅游资源得以合理地开发和充分地利用。     

Re-Inventing Mississippian Tradition at Etowah,Georgia

Frequent population movement and political re-organization spurred a pattern of repeated abandonment at the Mississippian mound center of Etowah in the southeastern United States. These processes also characterized the larger surrounding region in north Georgia and southeast Tennessee. The Etowah abandonments provided inflection points where interest groups were able to distance themselves from previous conventions of structure and reformulate new forms of sociopolitical organization. Re-invented traditions were embedded in changing definitions of genealogical and mythical time, and mediated through the built environment and iconography.     

基于人地关系的书法地理学研究

已有的书法地理研究局限于书法现象的地域分异。本文讨论了书法景观的概念、特征及类型,指出书法地理研究应该包括书法作为具有区域分异特征的人文景观元素的研究、书法作为人地关系中景观组成元素的研究以及书法审美作为人地关系的影响物的研究,并进行了详细阐述。书法地理学未来需要通过多学科方法引入进行研究,书法地理学对于旅游、城市规划等多个方面有着潜在应用价值。     

Mapping Submerged Landscapes Using Multibeam Bathymetric Data: a case study from the north coast of Ireland

This paper outlines work currently being undertaken to reconstruct submerged archaeological landscapes off the north coast of Ireland. This research uses the recently‐completed Joint Irish Bathymetric Survey (JIBS), which has provided full‐coverage high‐resolution multibeam bathymetric data for the sea‐bed off the north coast. This data has been examined for evidence of past sea‐level change and been used to produce palaeo‐geographic reconstructions of the past landscape, which in turn have facilitated the identification of ten areas of high archaeological potential. The results presented here will form the basis of a future programme of archaeological survey and prospection. © 2010 The Authors     

Explaining State Budget Punctuations: Policy Transparency,Political Institutions,and Electoral Incentives

What factors cause policies experiencing long periods of stability to be interrupted occationally by a short period of large changes? This study argues that electoral incentives might influence the search, supply, and processing of information on constituency issues, as well as the associated cognitive or institutional frictions, and thus determine the presence and variation of punctuated policies. This article develops and evaluates this claim within a systemic framework consisting of policy transparency, political institutions, and electoral incentives. For the purpose of identifying policy punctuations, this research uses the Generalized Pareto Distribution in the Extreme Value Theory. This study analyzes budget spending data collected from FY 1988 to FY 2008 for all 50 American states. This study finds that greater policy transparency is associated with larger spending stability. By contrast, greater gubernatorial competition is more likely to produce extreme spending changes. Electoral incentives shaped by public preference and political term limits have a profound impact on nonincremental policy changes. The impact of policy transparency is conditional on public preference, while that of electoral competition and legislative professionalism is moderated by political term limits. Particularly, a transparent policy consistent with public preference and legislative professionalism with term limits are more likely to give rise to punctuated policies, while gubernatorial (legislative) competition leads to less punctuated changes when governors (legislators) are subject to term limits.     

简析刘知白晚年泼墨山水画的主要意象

以传统的笔墨程式来表达山水意象,显然已经不是当下有胆魄、有思想的画家应有的艺术态度和文化担当了,因为中国画在现代文化境遇下一定要寻求自身的突破,无论是观念上还是技法的表现上,特别是面对我国不同境域山水（非传统意义上江南或北方）审美对象时,如何突破原有笔墨语言局限和惯常模式的束缚？如何在新的艺术情境下进行合理的“语言”转换时,有革新的画家更会直面历史与现实,在探索中披荆斩棘、奋然前行。而刘知白先生就是这么一位重要的画家,他晚年的破墨山水画在现当代山水画语言的开拓和图式革新等方面功不可没。而在他晚年的泼墨山水中,除了晴空下正常的山水之外,极具黔地山水特点的雨景、云景、雾景、月景等意象也尤为值得关注,本文正是结合这些意象,进一步探讨刘知白先生泼墨绘画的意象的丰富性和表现力。     

The Early Bronze Age funerary archaeological landscape of western Ja'alan: results of three seasons of investigation

This paper presents the results of three seasons of investigations in the western part of Ja'alan in the southern al‐Sharqyiah Governorate in the Sultanate of Oman. The results highlight the importance of this part of Ja'alan during the Early Bronze Age (EBA), particularly the Hafit period and provide us with important information about the funerary archaeological landscape during this period. The results also reveal important aspects of landscape utilisation and occupation during this time and add to our knowledge of the cultural and economic facets of the earliest Bronze Age societies. The distribution of tombs in the landscape suggests that they were constructed by nomadic or semi‐nomadic pastoral groups that shifted from one location to another in search of grazing for their livestock. The availability and seasonality of natural resources such as water, pasture and game made it necessary for them to mark their tribal territory with their funerary structures.     

The tourist landscape paradox

This paper is about tourist practices of landscape. Landscape has long been a key reference point in the construction of tourist imaginaries and, to this day, plays an important role in tourists' experience of travelling and their encounters with Otherness. Yet the ambivalent ways in which tourists conceptualize landscape is inherently paradoxical; indeed, it is by travelling that tourists try to overcome the tension produced by such a paradox. Putting into practice two alternative conceptions of landscape at once—a ‘Vidalian’ landscape-as-essence and a ‘Cosgrovian’ landscape as ‘way of seeing’—the tourist inevitably falls into an intriguing epistemological trap. Tourists' embodiment of the landscape experience becomes an attempt to evade that trap. In this paper, I note how this is exemplified in the ways in which tourist rhetoric frames the idea of Morocco and, in particular, the Jamaa el Fna square in Marrakech, the most ‘landscaped’ (and photographed) tourist site in the Maghreb. To help unpack this paradox, I take a brief look at what tourists actually do in the Jamaa el Fna, in order to reproduce, in place, their landscape-driven idea of Moroccan cultural space. The spatial practices of most tourists in that iconic place reveal, indeed, that the landscape paradox that drives tourist readings of the Jamaa el Fna cannot be avoided, but only endlessly performed, for this paradox is constitutive of the very formation of the Modern travelling European subject.     

Is the Aboriginal Landscape Sentient? Animism,the New Animism and the Warlpiri

ABSTRACT It is now commonplace for some anthropologists, and others, to say that for Aboriginal Australians in the remote regions, the landscape is ‘sentient’, however, what that means is not always clear. Are the anthropologists using this term metaphorically or do they understand Aboriginal people to be animists? The ‘new animists' have no doubt that the anthropologists are describing what they call the ‘new animism’. Much of this literature refers to the Warlpiri or their near neighbours. Here I examine the evidence for whether Warlpiri speakers are animists.