文化景观结构的地域整合与旅游开发——以徐州汉文化景观为例

由文化景观结构地域整合研究的理论背景出发,以徐州汉文化为例,分析了徐州汉文化景观的结构及其形成的地理历史基础;从文化地理的角度,系统论述了徐州汉文化景观结构的地域整合与历史演变过程,并划分为四个时期;最后,就徐州汉文化景观结构的地域整合对旅游开发的意义作了阐述。     

城市绿地景观格局研究——以徐州市为例

运用遥感和地理信息系统技术,以徐州市为例,选用美国的"快鸟"(Quick Bird-2)卫星图像为主要信息源,建立徐州市城市绿地信息系统。在此基础上,以景观生态学理论为指导,选取了绿地景观构成、景观多样性指数、景观优势度指数、景观均匀度指数、斑块密度、斑块数破碎化指数、最小距离指数、景观连通度等景观生态指标对城市绿地景观的结构和格局进行了分析。结果表明,徐州市建成区城市绿地存在着景观结构不合理、破碎度高、景观类型分布不平衡、斑块连通度较低等问题,针对这些问题,提出了徐州市绿地景观建设对策。     

基于人地关系的书法地理学研究

已有的书法地理研究局限于书法现象的地域分异。本文讨论了书法景观的概念、特征及类型,指出书法地理研究应该包括书法作为具有区域分异特征的人文景观元素的研究、书法作为人地关系中景观组成元素的研究以及书法审美作为人地关系的影响物的研究,并进行了详细阐述。书法地理学未来需要通过多学科方法引入进行研究,书法地理学对于旅游、城市规划等多个方面有着潜在应用价值。     

Mapping Submerged Landscapes Using Multibeam Bathymetric Data: a case study from the north coast of Ireland

This paper outlines work currently being undertaken to reconstruct submerged archaeological landscapes off the north coast of Ireland. This research uses the recently‐completed Joint Irish Bathymetric Survey (JIBS), which has provided full‐coverage high‐resolution multibeam bathymetric data for the sea‐bed off the north coast. This data has been examined for evidence of past sea‐level change and been used to produce palaeo‐geographic reconstructions of the past landscape, which in turn have facilitated the identification of ten areas of high archaeological potential. The results presented here will form the basis of a future programme of archaeological survey and prospection. © 2010 The Authors     

Is the Aboriginal Landscape Sentient? Animism,the New Animism and the Warlpiri

ABSTRACT It is now commonplace for some anthropologists, and others, to say that for Aboriginal Australians in the remote regions, the landscape is ‘sentient’, however, what that means is not always clear. Are the anthropologists using this term metaphorically or do they understand Aboriginal people to be animists? The ‘new animists' have no doubt that the anthropologists are describing what they call the ‘new animism’. Much of this literature refers to the Warlpiri or their near neighbours. Here I examine the evidence for whether Warlpiri speakers are animists.     

《禹贡》徐州篇与《鲁颂·閟宫》所见地理景观比较分析

通过对《禹贡》徐州篇与《鲁颂.閟宫》所记述的海、岱、淮水、东原、大东等一系列地理景观的比较分析,本文认为二者之间有不少相似之处,存在较为紧密的联系,应是先秦时期人们对同一地域所见地理事实的记述。     

ROMANCE,PRACTICE AND SUBSTANTIVENESS: WHAT DO LANDSCAPES DO?

Although Torsten Hägerstrand is not known primarily as a landscape geographer, he made significant contributions to the understanding of landscape in Swedish geography. This paper argues that Hägerstrand examined the importance of representation for the understanding of landscape as place and territory, which is a key ingredient in current engagements with landscape within (Nordic) geography and the broader European political context. The current debate on landscape, however, reaches beyond Hägerstrand's rather “scientistic” approach and brings out a stronger sense of the cultural, social and political powers conveyed by landscape and representation. We show that this is made explicit in recent scholarly work on the so‐called substantive landscape. The paper also provides an introduction to the essays of this theme issue, which reflects a selection of the landscape research presented at the Inaugural Meeting of Nordic Geographers at Lund, Sweden, in May 2005.     

"SCENOPHOBIA", GEOGRAPHY AND THE AESTHETIC POLITICS OF LANDSCAPE

Recent critiques of the nature–culture dualism, influenced by diverse theoretical stances, have effectively destabilized the “naturalness” of nature and highlighted its pervasive and intricate sociality. Yet the practical, ethical and political effects of this theoretical turn are open to question. In particular, the emphasis on the sociality of nature has not led to reinvigorated environmental or landscape politics. Meanwhile, the need for such politics has if anything increased, as evident when ongoing and, arguably, accelerating landscape transformations are taken into account. These concerns are illustrated in the paper with an example from Iceland. In its uninhabited central highland, serious battles are now being fought over landscape values. Capital and state have joined forces in an investment‐driven scramble for hydropower and geothermal resources to facilitate heavy industry, irrevocably transforming landscapes in the process. Dissonant voices arguing for caution and conservation have been sidelined or silenced by the power(ful) alliance. The author argues for renewed attention to the aesthetic, including the visual, if responsible politics of landscape are to be achieved. Aesthetic appreciation is an important part of the everyday experiences of most people. Yet, enthusiastic as they have been in deconstructing conventional narratives of nature, geographers have been rather timid when it comes to analysing aesthetic values of landscape and their significance, let alone in suggesting progressive landscape politics. A political geography of landscape is needed which takes aesthetics seriously, and which acknowledges the merit of engagement and enchantment.     

FEELING IS BELIEVING, OR LANDSCAPE AS A WAY OF BEING IN THE WORLD

This article is work‐in‐progress, an orientation of thought towards possibilities for individual human beings to diminish the distance between outer and inner landscapes imposed by cultural norms and happenstances such as exile. The dominance of visual landscapes and visual perceptions is seen as a pivotal problem, to be solved by the engagement of all the senses in landscape discourse and formation. All the senses are engaged in earliest childhood, as they have been in ‘primitive’ societies. While returning to either a state of childhood or primitivism is an impossible dream, it is possible to edge closer to human nature by engaging and honing all the senses, especially the ‘earth‐bound senses’ of feel, smell and taste. Cultivating those senses and developing discourse about them, and incorporating them into landscape formation and enjoyment, is much more difficult than having a discourse about sight and hearing, for which there is a rich and well‐developed symbolic language and which can be shared through various types of media. The way towards a deeper discourse about the earth‐bound senses, and the way out of the tyranny of the visual, is to be found in stories, as several thinkers suggest. The story told is autobiographical and literary – a mode of geographic writing that I developed in a 2004 book (Bunk?e 2004a), in which the complex dilemmas of home and road were explored. This article shows how in the early 1970s I defined the individual's landscape as ‘a unity in one's surroundings perceived through all the senses’, with imagination as the key human faculty. And I tell the story of how through complex circumstances, a visually and emotionally repugnant landscape became emotionally and intellectually attractive, with a scent, not a picture or image causing the initial attraction. The external and internal landscapes are thus unified, resulting in a sense of timelessness and placelessness of deep existential significance for the person.