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51.
Keweenaw National Historical Park (hereafter KNHP) is one of a periodically growing list of partnership parks developed in response to changing ideals of what the National Park Service ought to preserve and interpret. Established in 1992, KNHP and some other newer parks are intended by Congress to be public–private partnerships. This paper illuminates how KNHP stakeholders used information vacuums to intensify competing narratives regarding landscapes in a partnership park. Ethnographic fieldwork illustrates that stakeholders’ competing narratives complicate KNHP's management. Furthermore, this case study highlights the need for historic preservation professionals to build trust and to communicate effectively with all stakeholders in communities with historic preservation programs. Within a social group, insiders’ knowledge construction guides ideas of landscape aesthetics.  相似文献   
52.
In 1521, the Spanish conquistadors defeated the Nahuas of Central Mexico. Spain was ruled at the time by the House of Habsburg, and its administrators became familiar with the German concept of Landschaft. By 1570, they used this concept to prepare and launch a survey of the indigenous communities which called themselves—and their lands—altepetl. The purpose of this paper is to show to what extent the terms Landschaft and altepetl are equivalent since modern scholars have described both as organized “communities” subject to a customary “law” and possessing a specific piece of “land”. The main obstacle for this comparison is that in the sixteenth century the Spaniards did not have a word equivalent to landscape, and they used words like pueblo, pago and pintura instead, depending on the context. This paper describes the general characteristics of the altepetl in Central Mexico and focuses on its representation by analysing some maps made after the conquest in the area of Cholula, current State of Puebla. The comparison of Landschaft, pueblo and altepetl in historical context is pertinent for cultural geographers since it was during the sixteenth century that the concept of landscape, as we know it today, was taking shape.  相似文献   
53.
ABSTRACT

This paper proposes a classification of the risks threatening archaeological sites in southern Iraq and suggests some possible remediation to better preserve them. This has been possible thanks to a research methodology that combines remote sensing and ground control on a sample of 558 sites documented by the Iraqi-Italian QADIS survey project. A three-tier typological framework has been created illustrating the risks jeopardising the cultural heritage of the region. This research showed that the most impacting risks are the ones caused by agricultural activity, despite current narratives which mainly focus on looting and violent destruction. To get at the root of the problem, current laws protecting cultural heritage in Iraq are analysed, as well as how the cultural authorities are organised on the ground. Improving the organisation of the SBAH, engaging the local communities towards the issue of sites’ protection and introducing preventive archaeology are among the solutions proposed.  相似文献   
54.
The paper explores the use of ancient and historic material cultures and architectures within the recent resurgence in public commemoration in the UK. Using the case study of the National Memorial Arboretum (Staffordshire), the study focuses on how ancient designs (including prehistoric, classical and medieval styles and forms) interleave with the arboreal, geological and celestial themes of the memorial gardens. Together these designs serve to create a multitude of temporal poises by which auras of commemorative perpetuity and regeneration are projected and sustained. The paper proposes that archaeologists can bring their expertise to bear on the investigation of the complex, varied allusions to the past within contemporary landscapes of memory.  相似文献   
55.
Abstract

This paper explores the case of the Khami archaeological site, whose degradation by the local communities in recent years was as a result of socio-economic problems caused by the collapse of the Zimbabwean economy combined with the inability of the Zimbabwean government to support the site. We argue that the negative attitude by the local communities towards the management of cultural heritage sites is embedded in the colonial history of the country, and has been driven by the socio-economic difficulties emanating from the collapse of the Zimbabwean economy in recent years. We begin by explaining the history of Khami, its architecture, and the local communities residing around it. We then show and assert that the subsequent degradation of Khami and the landscape around it by the local communities is linked to the socio-economic problems of the country and poverty, which emanated from the collapse of the Zimbabwean economy. In the end, we contend that the economic constraints are part of the reasons why the local communities have from time to time failed to respect the importance of protecting cultural heritage sites in the country.  相似文献   
56.
From the late eighteenth century onwards, increasing numbers of visual artists came to identify with their nations and with the homeland and its people. This development was strongly influenced by growing national cultural support and regulation of the arts by academies, art schools, museums and art markets in Western Europe. On a subjective level, the Rousseauan movement of a ‘return to Nature’, Herder's espousal of vernacular cultural self‐expression and, above all, the widespread Romantic cult of authenticity, were potent influences on the inner self‐identification of visual artists after 1800, and were manifested in the novel importance accorded to landscape and rural genre painting in Western Europe. Here I consider the role of national sentiment, the ‘return to Nature’ and the cult of authenticity, first in landscape paintings by Paul Sandby, J. M. W. Turner and John Constable in early nineteenth‐century Britain, and then in the rural genre paintings of Jean‐Francois Millet and Jules Breton in nineteenth‐century France and Josef Israels, Anton Mauve and Vincent Van Gogh in the later nineteenth‐century Netherlands. Their work reveals how nineteenth‐century visual artists became inwardly identified with the ‘land and its people’, and how they in turn contributed, especially through prints and engravings, to the dissemination of national imagery and a cultural nationalism.  相似文献   
57.
新文化地理学视角下的文化景观研究进展   总被引:5,自引:2,他引:3  
向岚麟  吕斌 《人文地理》2010,25(6):7-13
论文梳理近三十年英美新文化地理学有关文化景观的研究脉络,介绍文化、意义和表征等基本概念。按哲学基础将其分为社会马克思主义影响下的景观面纱、生产研究,语言学影响下的景观文本研究,知识建构论的景观作为梭子,女性主义影响下的景观作为凝视,以及景观想象与身份问题研究。多元化的哲学基础和研究方法开拓了研究视野,也促进了人文地理学研究范式的转变。  相似文献   
58.
张蕾 《人文地理》2010,25(3):90-95
城市形态学主要是指对城市的物质肌理、以及塑造其各种形式的人、社会经济和自然过程的研究。本文在对城市形态相关概念进行界定基础上,回顾了国外城市形态学的研究历程、三大主要流派的特点与成就,并以英、德、美、法等国当代城市形态学研究文献为基础,对该学科的当前进展进行了综述,最后提出我国相关研究存在的问题,以及国外城市形态研究所具有的重要启示与借鉴。  相似文献   
59.
书法景观是近期人文地理中出现的新的研究领域,以洞穴石刻为主体的洞穴书法景观的研究目前尚非常缺乏。本文通过对桂林市域1659个历史石刻的分类统计,首先梳理了洞穴石刻,同时结合洞穴石刻总数分析评价了旅游洞穴的吸引度。其次,划分了石刻的形式类型和内容类型,进而归纳为6大类旅游相关类型-亦即景点建设、粗放旅游、深层体验、群体旅游、景点历史、民俗,并进行了洞穴石刻相应的分类统计,分析了不同朝代洞穴旅游的兴衰状况和结构变化特征。  相似文献   
60.
On reductionism and emergence in geomorphology   总被引:1,自引:0,他引:1  
Much geomorphological enquiry has been devoted to the understanding of landscapes via the construction of models based on the relationships between process and form. This paper examines the philosophical, theoretical and practical problems involved in bridging the gap between studies of geomorphological processes and explanations of landscape development. It argues that process geomorphology is essentially reductionist and discusses the practical and logical limitations of such an approach to science. It suggests that landscapes are emergent phenomena and, by drawing from the philosophical and practical lessons derived from the physics of non-linear systems, demonstrates that they are not amenable to reductionist explanations.  相似文献   
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