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91.
Current methods of sexing archaeological cattle bones, in particular the metapodials, are based upon past research into contemporary breeds and this work embraces a limited sample size, spread across a vast geographical area. Although the separation of cows and bulls is not in question, there appears a great deal of subjectivity in the literature concerning the identification of castrated beasts. Living bone is in a dynamic state of equilibrium with the rest of the body and responds to increased loading, that is, an increase in weight of the beast or stress/strain through strenuous movement, by remodelling. If cows and oxen are performing the same work, as for example in ploughing, then loading on the bones will be similar. These bones will thus respond by remodelling in corresponding fashion, and hence any morphological and metrical distinctions will be clouded. Horn-cores are less subject to these constraints, although in some cultures there may be loading on these bones, for example through attaching the harness to the horns for ploughing. The Chelmsford cattle horn-cores constitute waste from some industrial activity and it is argued in the text that horn-working is the most likely candidate, together with possibly tanning. Sexing of the bones strongly indicated male animals, with few females being present. A procedure for detecting castrated cattle (oxen) is presented, the results of which suggest an equivalent ratio of oxen to bulls.  相似文献   
92.
汉代郡治之县,在同郡属县中秩级最高。由张家山汉简《二年律令·秩律》载录的各郡辖县秩级,可探知西汉初年某些郡的治所: 陇西郡治所为上邽县;上郡治所为高奴县;北地郡治所为彭阳县。此外,西汉初年汉中、河东、河内三郡治所也可以凭借《秩律》得到进一步限定。《秩律》在西汉初年郡治研究上的价值需要得到重视。  相似文献   
93.
锶同位素分析技术在考古学中的应用研究   总被引:1,自引:0,他引:1  
在考古化学这个新领域内,考古学家们经过努力,成功地将锶同位素分析技术运用于考古学领域,通过对遗址中人类骨骼的锶同位素分析来对古代人类的迁移情况进行研究。由于考古材料间存在着差别,各个实验室所采用的方法和实验步骤间也存在一些差异,因此还没有统一的分析方法和步骤,至今仍处于进一步的探索之中。在我国的考古学研究中,这项技术还处于起步阶段,迄今为止还未见到相关的研究成果。本文主要对这项技术在考古学上应用的原理及研究中注意事项进行了较为详细的论述,并且计划今后进行这方面的实验研究,希望能为国内同仁进行这方面的研究时提供些许借鉴。  相似文献   
94.
有明一代,河南省曾进行了三次土地丈量活动:第一次在明初洪武年间,丈量出的土地数字仅是当时开垦的土地数,不能反映全省实有的土地数量。第二次在明中期嘉靖年间,是在一种错误思想的指导之下进行的,丈量之后又以“符合原额”为宗旨,大量进行了折亩活动,故丈量出的土地数字既不能反映当时河南省的开垦耕种数,也不能反映当时实有的土地数字。第三次是在明中后期万历年间进行的,指导思想明确,法令严格,方法得当,丈量出的土地数字既能反映当时河南省的开垦耕种数,又代表了全省实有的耕地数字。  相似文献   
95.
本文系“马臀烫印与番马画鉴定”系列研究之第三篇论文。该文与下期发表之《臀部的破绽:由马臀烫印质疑波士顿本<胡笳十八拍册>之版本年代》并合.藉由图像分析、风格分析、马臀烫印等三种研究角度,检证波士顿美术馆本《胡笳十八拍图》册、台北故宫本《胡笳十八拍图》册、大都会博物馆本《胡笳十八拍图》卷等存世三种具代表性的刘商谱系版本.从而质疑波士顿本作为刘商谱系“笳拍图”图像系列中年代最早、内容最精之祖本的论点。  相似文献   
96.
Archaeological research in the Mimbres region (southwestern New Mexico) has focused on the post-A.D. 500 ceramic/agricultural occupations, especially the Mimbres Classic period (1000–1130). This work has advanced general anthropological issues regarding mobility, land use and human impact, and the concept of abandonment. Deeper understandings of some of these issues require more detailed demographic estimates, which in turn are dependent on methodological advances, particularly studies of site use life. Research on the production and distribution of Mimbres pottery—famous for its naturalistic black-on-white designs—is advancing rapidly. Although the designs have been well illustrated and much discussed, more systematic anthropological research on Mimbres design style is badly needed. Various aspects of Mimbres social and ideational realms (e.g., household and community organization, social hierarchy, the symbolism of the pottery designs) have received some attention but await new perspectives derived from current social theory.  相似文献   
97.
Pharmacy serving to propagate the Lutherian doctrine of justification: "Christus as a pharmacist" is an interconfessional, but confessionally differentiated symbolic motif (Sinnbildmotiv) of Christian folklore art in German-speaking countries. The article investigates the sociocultural conditions and prerequisites (German bible translation, religion and confession, piety, pharmacy, chymiatry, chemistry, apothecary training and status) for transfering the old metaphor and idea of Christ as a physician to the new vision of Christ as a apothecary who prepares and dispenses his heavenly medicine all by himself. In the early 17th century (especially in the 1610's) these requirements were fulfilled, so that the oldest known witness to this motif transfer (picturing the so-called Heilandsruf of Matthew 11, 28), a genre picture of 1619, will be the first pictural version of this motif in general. It was created by the protestant Painter Mich(a)el Herr of Nuremberg. In the abstract and reduced form of a devotional picture this motif then became widespread in churches and vicarages, in monasteries and their apothecaries as well as in private houses (with small altars: Herrgottswinkel). The oldest yet known examples are works from around 1630. For the first time during the Thirty Year's War, it served in this form for propagating the Lutherian justification doctrine (now referring to Jesaja 55, 1), saying that the belief in Christ is enough to be released from all sins (sola fide). Around 1650, as a reaction to that, a catholic version of the devotional picture was created, claiming and picturing that in contrast eucharist is the highest and real, healing medium' of Christ to redemption. All pictures of this version avoid quoting Jesaja 55, 1, whereas all protestant pictures quote this verse from the Bible word-for-word.  相似文献   
98.
This paper examines the rock art of the nyau secret society of eastern Zambia and central Malai. The art dates principally from the nineteenth and early twentieth centuries. It has been known to researchers since the 1970s but has given up few of its secrets. I examine the questions of why the art was made and why the tradition ceased. Key to answering these is the realization that the art belonged to a specific historical and geographic context: the era and area where nyau was forced to become an underground movement because of its suppression by Ngoni invaders, missions, and the later colonial government. The art provides us with detailed insights into the way nyau has served in the process of overcoming and manipulating the traumatic social changes faced by Chea society in the last few centuries.Cet article examine l'art rupestre de la société secrète de nyau au est du Zambia et Malai centrale. L'art date principalement aux dix-neuvième et bas vingtième siècles. Recherchers ont su l'art depuis les années soixante-dix, mais ils ont appris peu de ses secrets. J'examine les questions de pourquoi l'art était fabriquer et pourquoi la tradition a cessé. Pour résoudre ces questions c'est important à réaliser que l'art était à sa place dans un milieu spécifique d'histoire et géographie: au temps et place où nyau était forcer à devenir un mouvement clandestin à cause de sa répression par les envahisseurs Ngoni, les missions et, plus tard, le gouvernement colonial. L'art nous donne les aperçus détaillé sur comment nyau a servi dans le procès à surmonter et manipuler les changements traumatiques que la société Chea a bravé dans les siècles récents.  相似文献   
99.
As elsewhere in affluent, western nations, the direction, complexity and pace of rural change in Australia can be conceptualised as a multifunctional transition in which a variable mix of consumption and protection values has emerged, contesting the former dominance of production values, and leading to greater complexity and heterogeneity in rural occupance at all scales. This transition has been explored in accessible, high-amenity landscapes driven by enhanced consumption values. Less attention has been directed to remote, marginal lands where a flimsy mode of productivist occupance can, in part, be displaced by alternative modes with the transitions being facilitated by low transfer costs. Such is the case in Australia's northern tropical savannas where an extensive mode of pastoral occupance is selectively displaced by alternative consumption, protection and Indigenous values. This transition towards multifunctional occupance is most readily documented by mapping changes in land tenure and ownership over the last three decades. Tenure changes have been accompanied by new regimes of property rights and land ownership, including: native titles derived from common law; non-transferable, common-property Aboriginal freehold tenures; transfers of pastoral leases to Indigenous and conservation interests; expansion of conservation lands under public tenures; and revisions of the rights and duties of pastoral lessees. Future occupance scenarios remain unclear, given the sensitivity of this frontier zone to national and global driving forces.  相似文献   
100.
This paper presents a revised version of the Coimbra method for recording fibrocartilaginous entheses. The method itself is the only biologically appropriate recording method for fibrocartilaginous entheses that scores features separately, thereby ensuring that the aetiology of individual features can be studied. The method divides the enthesis into two zones, scoring the relevant features in each zone. These features represent either bone formation or bone destruction and include erosive lesions, fine and macro‐porosity, and cavitations. The revised method includes a new feature, textural change, which is scored as absent or present when it involves 50% or more of the surface. All other features are now scored as zero (absent), one or two with the higher score representing greater expression of the feature. This change in scoring has led to the reduction of inter‐observer error with approximately 80% agreement for overall feature scores for both the common extensor origin and subscapularis insertion. The simplification of the scores and the reduction in inter‐observer error mean that the method is now recommended for widespread use. Copyright © 2015 John Wiley & Sons, Ltd.  相似文献   
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