全文获取类型
收费全文 | 1647篇 |
免费 | 27篇 |
出版年
2024年 | 3篇 |
2023年 | 8篇 |
2022年 | 19篇 |
2021年 | 19篇 |
2020年 | 72篇 |
2019年 | 54篇 |
2018年 | 46篇 |
2017年 | 50篇 |
2016年 | 51篇 |
2015年 | 37篇 |
2014年 | 38篇 |
2013年 | 192篇 |
2012年 | 90篇 |
2011年 | 87篇 |
2010年 | 75篇 |
2009年 | 103篇 |
2008年 | 75篇 |
2007年 | 110篇 |
2006年 | 106篇 |
2005年 | 100篇 |
2004年 | 80篇 |
2003年 | 73篇 |
2002年 | 68篇 |
2001年 | 30篇 |
2000年 | 45篇 |
1999年 | 12篇 |
1998年 | 2篇 |
1997年 | 7篇 |
1996年 | 2篇 |
1995年 | 2篇 |
1994年 | 2篇 |
1993年 | 5篇 |
1991年 | 4篇 |
1988年 | 1篇 |
1987年 | 2篇 |
1986年 | 1篇 |
1984年 | 2篇 |
1983年 | 1篇 |
排序方式: 共有1674条查询结果,搜索用时 46 毫秒
51.
Andre Gingrich 《History & Anthropology》2015,26(1):110-128
This chapter sets out to reconsider the interrelation and non-identity between tribal and kinship relations in South-Western Arabia's history through three cumulative methodological steps that are in part inspired by renewed debates on kinship in anthropology, but also by the École des Annales and other historians such as David Sabaean. A first step identifies different legacies of interactions between history and anthropology in the Euro-American academic record after 1945, and specifies their relevance for today. In a next step, prevailing relations between tribal structures and kinship relations will be assessed through a long-distance comparison between the medieval constellations in the Zaydi highlands of Yemen and elsewhere in Asia for an eleventh century time horizon. Thirdly, the outcome of this comparative analysis should then provide some indicators for a fresh assessment of existing source materials through anthropological perspectives, with special emphasis on gender, kinship and hierarchies. The argument concludes with a discussion of “multiple histories”, and how to approach and write them. 相似文献
52.
53.
Sha Wutian 《中国历史研究》2020,53(3):208-226
Abstract Cave 17 or the cave library is located on the northern wall in the hallway of Cave 16 in Mogao Caves, Dunhuang. The murals on the cover layer of Cave 16 are closely connected with the reason why the cave library was sealed. The transformation tableaux of the thousand Buddhas on the cover layer of Cave 16 seems to reflect the thought of the Final Dharma, which could be dated in the late Guiyijun period when Dunhuang was ruled by the Cao family. In 1052, the trend of the Final-Dharma thought flourished in the Liao Dynasty. With the frequent communications between the Guiyijun regime and the Liao, this trend came to Dunhuang and merged with the original thought of the Final Dharma in this region, which tremendously impacted the Buddhist community in Dunhuang. So the local Buddhist community made the transformation tableaux on the mural of Cave 16 and also transformed Cave 17 for storing Buddhist texts as a response to the coming Final Dharma. These activities seem to have led to the eventual sealing of Cave 17. 相似文献
54.
Mary Layton Atkinson 《政策研究杂志》2020,48(1):133-156
55.
56.
2016年8月,洛阳匾额博物馆前施工时挖出一件唐代石幢的幢身,据其刻铭可知,该石幢立于唐天宝三载(744年),为彭城县尉张悌所立,其上所刻经文为《佛说业报差别经·施灯明功德品》。经考证,该石幢应为唐代佛寺灯台的幢形灯身。此外,张悌为比丘尼之"养男"的身份也为同类刻铭中少见,为研究唐人的日常生活提供了重要的实物材料。 相似文献
57.
58.
59.
60.
Chinese popular music, inspired by pre-war Shanghai music known as ‘shidai qu’ (时代曲) (songs of the era) and evolving to include Canto pop and Taiwanese Mandarin songs, has always been popular among the Chinese in Malaysia. This music is featured on radio, television, karaoke, and performed by orchestras such as the Dama Chinese Orchestra (大马) to enthusiastic reception. The songs have a broad appeal that transcends time, generation, and place. Of significance is the observation that the music has become a cultural marker and musical heritage for Chinese in Malaysia and in the region. The paper looks at factors behind this development. 相似文献