后消费时代城市文化资本空间生产状况解析

近年来,以文化资源为消费目标的空间克隆生产逐渐成为我国城市营销发展的重要手段。本文从新马克思主义视角切入,以消费社会大众心理研究为基石,以"文化资本"为理论依据,探索文化进入市场循环生产的模式,并结合当代中国文化消费空间生产性状况,揭示其"异质的同质化"与文化认同偏差的弊病:一方面推崇所谓异质多样的空间以迎合大众消费心理;另一方面市场经济体制下文化与资本的结合,使文化不可避免地沦为市场的奴隶,最终导致文化断层。文章最后在简要对比国内外文化资本空间生产状况的基础上,套用资本循环理论探讨其症结之所在。     

Children's perceptions of and attitudes towards,transport modes: why a vehicle for change is long overdue

Overreliance on car transportation impacts negatively on children's health, safety and well-being. This paper presents research that investigated children's perceptions of, and attitudes towards, transport modes. Primary children completed a pictorial questionnaire (n?=?486), 119 participated in focus groups (n?=?27). The findings suggest that children learn about transport modes from different interacting sources, both through experiential and vicarious mediums. The author concludes that the social emphasis on cars can have an intellectual impact that is detectable in the perceptions and attitudes of many children. It is argued that current policy for reducing car use in the UK has a narrow focus and does not address the role of social and cultural factors in car usage and dependency. Suggestions for new initiatives aimed at the family and the media are described.     

The Gravity of Archaeology

One of the defining features of the material culture of space exploration is the fact that much of it is “out there”: in orbit around celestial bodies and on planetary surfaces. In outer space, we have to rethink the meaning of place. Cartesian coordinates must be replaced with equations of motion to describe the ceaseless movement of heavenly objects in relation to centres of gravity. Archaeological sites in space are not solid condensations of artefacts, hundreds or thousands of years compressed into layers perhaps only centimetres deep. The materials of an archaeological deposit become rather a cloud or swarm. But for both Earth and space, gravity is the structuring force. In this paper I want to reconceptualise archaeological sites according to their position in the gravity well, using dynamical systems and Riemann surfaces. I then consider the Mir space station as an example of a site existing simultaneously on Earth and in orbit, as a preliminary excursion towards a frame of reference that can be used to effectively conduct an archaeology in outer space.     

Producing liminal space: gender,age and class in northern Ontario's tree planting industry

Drawing upon qualitative data, this article examines how tree planters in northern Ontario, Canada engage with liminality in terms of gender, class, age and space. In doing so, it provides insight into concepts of gender liminality and the variegated experiences of males and females in liminal space. The article focuses on four aspects of the liminal engagement. First, the spaces of tree planting are liminal as they are marked by homelife and worklife, but dominated by neither. Second, gender performances are liminal, as males perform masculinities seldom necessary or appropriate – yet often valorized – in their permanent communities, while females (who make up nearly half of the workforce) are offered opportunities to work and succeed in a traditionally male industry. However, success often requires that they adopt certain masculine traits. Third, most tree planters are in the interstitial age of ‘youth’, somewhere between adolescence and adulthood. Finally, tree planters are generally members of affluent urban middle-classes, yet the work they perform is more readily associated with rural or peripheral working-classes.     

飞天图像流变考论

飞天形象的渊源,学术界有两种观点,一,从印度传播而来;二,由中国传统文化中的羽人与受希腊文化影响的印度有翼天使融合而成。作者根据考古材料,从佛教传播和图像学的角度,对羽人与飞天发展的动态过程及演变轨迹进行考查,认为飞天萌芽于印度,发展于中亚、西域,成熟于中国,并且这一演化过程不是一条直线,而是一个反复交替进行的过程。     

The Universe will be televised: space,science, satellites and British television production, 1946–1969

This essay uses material from the British Broadcasting Corporation (BBC) archives to show how space-related technoscientific activities played a key role in the development of BBC television. The essay focuses on a crucial period when this influential cultural institution transitioned away from radio as their primary broadcast medium in the 1930s and 1940s to reluctantly embrace television in the 1950s and 1960s. Space-related activities, including astronomy, cosmology, rocketry, aerospace engineering, astrophysics and interplanetary research, played a key role in the modernization of BBC television broadcasting in two intersecting ways. Space-related material provided informative, yet popular, programmatic material that helped BBC television compete in an increasingly commercialized media market, and, later, space projects supplied technologies that impacted on the mechanics of broadcast production and transmission. The profile and prestige of space as a topic, in particular, its visuality, the drama of exploration it presented, and its association with celebrity scientists like Bernard Lovell and Fred Hoyle, meant that such programming became a crucial business asset for the BBC and a professional asset for ambitious producers who saw its commercial potential. Following the launch of Sputnik in 1957, space technology became further intertwined with the development of British broadcasting as the fields of satellite communications and broadcasting transmissions infrastructure converged. In particular, BBC producers promoted the potential development of communication satellites within their television programming by portraying such satellites as plausible and necessary for the advancement of civilization, and most crucially, as a prospective British Space Race achievement.     

Branded cities: outdoor advertising,urban governance,and the outdoor media landscape

Abstract: In many cities both rich and poor, new forms of outdoor advertising are emerging with potentially significant implications for the nature of the urban public realm. Public–private partnerships for advertising‐funded provision of basic items of urban infrastructure such as bus shelters, street signs and public telephones have grown as a result of structural changes in the advertising industry and shifts towards neoliberal forms of urban governance. This article critically interrogates the implications of these new outdoor advertising arrangements for the urban public realm, and argues that they have potentially harmful consequences for the accessibility and diversity of the outdoor media landscape. It then proposes three strategies for the democratisation of that landscape. These strategies are not premised on an outright rejection of outdoor advertising, but rather seek to contest the monopolistic capture of outdoor media by public–private partnerships involving urban authorities and outdoor advertising companies.     

Planning Sustainability: Intergenerational and Intragenerational Justice in Spatial Planning Strategies

Abstract: Subsequent to the Brundtland Report (World Commission on Environment and Development 1987, Our Common Future), sustainability has been set up in many countries as a mission statement of cross‐sectoral policies. Sustainable development carries the normative notions of equity, empowerment and environmentally sensitive economic development. Thus, it seems to suggest a fundamentally different vision to neoliberal dogma, which is at the same time described as dominating all socio‐political processes. This paper intends to explore the relation between these two discursive framings of contemporary policies through the example of German spatial planning guidelines. More precisely, it addresses social justice as one pillar of sustainability and how it is operationalised in spatial planning policies in Germany. This may exemplify how the seemingly opposing discourses interact in policy practices. The empirical analysis suggests that the ways in which the German spatial planning report focused on social space in territorial terms promotes an economistic and truncated view of social justice, one which fosters the neoliberal idea of regional competition for global capital and reduces socio‐spatial justice to territorially equally distributed economic inclusion.     

Worker Co‐operatives and Spaces of Possibility: An Investigation of Subject Space at Collective Copies

Abstract: If we are to understand the organization and growth of capitalist space, should we not also seek to understand the organization and expansion of noncapitalist economic spaces? In contrast to methods employed by theorists such as Harvey, Smith and other geographers focused on capitalist space, the diverse economies framework opens up to investigation such noncapitalist spaces. In this paper, using Gibson‐Graham's “politics of possibility”, I explore the production of work space and time in a growing worker owned co‐operative copy shop in order to gain insight into the organization and growth of co‐operative space. I argue that, in this instance, co‐operative growth emerges from the transformative experience of workers having a say in their daily work lives, having equal authority to govern work space and time and to appropriate and distribute surplus.     

“玄奘画像”解读——特别关注其密教图像元素

西安兴教寺所存玄奘石刻像与日本现存无名氏画玄奘像,所携带的历史信息超出了图像本身。作者认为,这一源于早期行脚僧图像的出现,是由于玄奘西行求法的成功,刺激了社会民众对行脚僧的认同,加之西来传法僧的大量涌现,于是在唐末、尤其是在宋代,出现了一批行脚僧图像,并由初时的胡僧梵相,变为汉僧模样,进而附会到玄奘的图像创作上。而在日本所存著名的"玄奘画像",事实上可能是一个具密教性质的僧人图像。作者试图通过有关这一图像的文献解读,全面分析该图像所包含的历史信息。