论神话意象意蕴衍生的基本类型

神话意象的意蕴衍生可分为整体性意蕴衍生和个体性意蕴衍生两种基本类型。整体性意蕴衍生是神话意象与特定历史情境相结合的结果,体现出社会群体的认知、情趣和理想;个体性意蕴衍生既有单个神话意象意蕴发生衍生的情况,也有作为个体的哲学家、文学家和艺术家等对神话意象进行再创作进而形成的意蕴衍生情况。这两种类型相互交织、共同发展,构成了神话意象意蕴衍生的基本模式。     

中国海外利益的政治风险与侨务公共外交

论文对中国海外利益及其政治风险这两个概念进行了界定;把海外利益按照类别分为海外安全利益、海外经济利益和海外形象利益;从国家对外资源投资、企业海外并购以及华商海外经营三方面,分析了中国海外利益面临的主要政治风险,认为在新一轮国际格局变动时期,中国海外利益面临的政治风险在加大。鉴于华侨华人是保护中国海外利益的重要依托力量,中国应拓展侨务公共外交的特殊渠道,并提出了未来侨务公共外交的努力方向。     

Object-based landform delineation and classification from DEMs for archaeological predictive mapping

In this paper we report the results of an experiment with automated landform delineation and classification from digital elevation models (DEMs) using object-based image analysis (OBIA). Archaeologists rely on accurate and detailed geomorphological maps to predict and interpret the location of archaeological sites. However, they have been using high-resolution DEMs primarily for visual interpretation and expert-judgement classification of landform. OBIA can perform these classifications much faster and in a more objective fashion. The method was tested on a study area in the south east of the Netherlands. It is concluded that OBIA is a suitable technique for quick and objective delineation of landform, but needs an improved conceptual framework adapted to the local situation and archaeological questions to better identify and interpret the derived landform objects.     

William Alexander’s Image of Qing China

William Alexander was the official draughtsman of the Macartney Embassy. His pictures of China covered a wide range of themes. Each theme represented a certain purpose. Landscapes, architectural drawings, and portraits constituted the majority of the drawings, which reveal the Embassy’s enthusiasm for obtaining visual knowledge of a variety of aspects in the society of China. The drawings of still life, costume, native species, and religious ceremony occupied the remainder, and provided the audience with a more intricate impression of China. In comparison with other European and some earlier generation artists’ works, Alexander’s pictures convey a peculiar British idea of China at the time, and hint at the potential crisis between the two countries.     

Annie Moore and the archives of displacement: towards an immigrant history of the present

Annie Moore, the first immigrant to enter the USA through the Ellis Island immigrant processing station, stands as an originary figure of the so‐called golden age of European immigration to the USA in the late nineteenth century. The contemporary archivization of the Irish immigrant Annie Moore in the Ellis Island Museum, New York and the Cobh Harbour Heritage Centre in County Cork, Ireland repeats the democratic rhetoric of immigration which underpins the foundation of the USA, as well as the national imaginary of Ireland. Yet in so doing, this archivization effaces the hierarchies of race and class that have historically underpinned the democratic rhetoric of immigration. With reference to Jacques Derrida's work on the archive and hospitality, this article expands on a performance‐based critical art intervention into the archivization of Annie Moore entitled ‘Calling Up Annie Moore’. Focusing on the blindspots, ellipses and discontinuities which the archive represses, the article traces the different histories and experiences of immigration which the art intervention disclosed.     

To name or not to name: reflections on the use of anonymity in an oral archive of migrant life narratives

This paper draws on an oral archive project on narratives of return migration in contemporary Ireland, as the basis for a discussion on the potential of life narrative research to destabilize meta-narratives and to contribute to the mapping of transformative geographies. It is argued that this kind of research requires the creation of safe spaces within which participants can tell their stories and articulate counter-narratives. At the same time, it is important to make their voices available to a wide audience and to recognize their authorial roles. There are contrasting perspectives in oral history and life narrative research on the use of anonymity to protect participants' identities, which reflect different disciplinary traditions and practices. The paper reflects on these different perspectives and on the process of designing a research project that draws on multiple methodological influences. It concludes that it is possible to facilitate access to these voices, while at the same time providing safe conditions for the articulation of counter-narratives, by providing anonymity where possible and desirable in agreement with the participant.     

上海市中心城空间意象的媒介表征

随着全球化的不断深入,市民对巨型城市空间要素的认知在很大程度上依赖于媒介材料的传播,各类媒介所建构的城市功能等级序列表征了特定群体对空间意象的选择性传递。本文以上海市中心城为研究对象,通过媒介文本中地名词频的统计分析,来探索不同的互联网媒介所蕴含的空间意象。研究首先回顾了媒介语言与城市空间意象关联的理论,追溯、梳理了采用媒介材料进行地名采集分析空间意象的方法,并建立了比较不同类型媒介所蕴含的空间意象的理论基础;第二,实证研究中,对经济新闻文本中的地名进行词频捕捉,按照标志性建/构筑物、道路、河流、地段进行分类统计,并通过空间累积计算描述了上海市中心城区的空间意象;第三,研究进一步比较了经济新闻报道与市民网络文本在空间意象方面的异同性。     

丽江木氏土司档案文献评述

丽江木氏土司在统治滇、川、藏纳西族地区的数百年间,形成了内容丰富的碑碣、摩崖、谱牒、图表、传记、书、亲供册等,本择其要对其载体形式、内容构成、史料价值和某些学术观点作了评述,希望有助于这一珍贵档案献的发掘、整理和研究。     

祖夷羿新解

器又叫亚其器 ,北京、辽宁喀左一带偶有所见。本文根据器徽文的形体特征分析 ,认为它是矢镞形演变、增繁而来的人形 ,是我国古代东方夷人崇拜的箭神、射神夷羿或后羿的神象。     

基于内隐联结测验的旅游目的地形象偏好测量研究

传统的旅游目的地形象测量只关注旅游者外显层面的认知过程,即测量旅游者外显评价,而忽略了对旅游者内隐认知的测量。本研究将内隐联结测验引入旅游目的地形象研究领域,同时结合自陈式问卷以香港和韩国为例探讨旅游目的地形象外显测量结果与内隐测量结果是否存在差异。研究结果表明,被试对香港和韩国的外显旅游目的地形象的认知不存在显著差异,而对两地内隐旅游目的地形象的认知存在显著差异。本研究有助于推进旅游者行为的内隐认知研究,同时丰富旅游目的地形象的测量方法并对旅游目的地营销具有重要的实践意义。