99世博会对昆明城市形象的影响研究

使用问卷调查数据,从世博会的形象、世博园与昆明的形象、世博园在潜在游客中的形象位置、世博园在昆明景区中的相对形象地位等四个方面研究'99昆明世博会对昆明城市形象的影响问题,通过量化研究,得出世博会和世博园都对昆明的形象产生了较好的推动作用、世博会结束后世博园的形象与世博会的形象认知产生了分离现象的结论,分析了世博园尚未成为来昆游客游览和旅行社组织旅游线路首选景点的原因。     

感知距离对旅游目的地之形象影响的分析——以五大旅游客源城市游客对苏州周庄旅游形象的感知为例

旅游目的地形象是影响旅游行为的一个重要因素,本文以苏州周庄为例,选择距周庄不同距离的五个城市(上海、南京、合肥、济南、成都)作为样本地,采用定量方法对周庄的旅游形象及距离对旅游形象的影响进行了调查。     

镜头压力下的东道主——西方学界关于旅游地原住民摄影态度的研究述评

旅游者常以照相机镜头表达自己的旅游欲求,行使其作为"观看者"和"拍摄者"(Photographer)的特权;旅游地土著居民也以通过在镜头前的反应表达其"被观看者"和"被拍摄者"(Photographee)的权力。二十余年来,西方学者对镜头压力下的东道主的态度与行为做了深刻剖析,指出他们有以下三个特征:恐惧与反感,谈判,以及将游客模式化。通过这几种方式,东道主得以建立合适的主客关系,即,照相机的限定性使用不会影响游客兴趣,也没有使旅游经济收益下降,同时当地人又建立起自己相对的隐私空间,一定程度地保护了自身文化免受外来游客的冲击。     

Images of the third world: teaching a geography of the third world

Abstract

This paper focuses on how to teach undergraduate students to analyse critically various received images of the Third World. This is achieved through the use of a detailed practical exercise which is based on poster, newspaper and map representation of the Third World. The concepts of identity, positionality and representation are reviewed and there is a discussion of how an awareness of these concepts should help students understand the influencing power of stereotypical images of distant others.     

A Review of “Cultures of the Erotic in Spain, 1898–1939, and A Virtual Wunderkammer: Early Twentieth Century Erotica in Spain”

Abstract

Christopher Rivers. Face Value: Physiognomical Thought and the Legible Body in Marivaux, Lavater, Balzac, Gautier, and Zola. The University of Wisconsin Press, 1994. xii + 275 pp.

Brian T. Fitch. The Fall: A Matter of Guilt. (Twayne's Masterwork Studies.) New York: Twayne Publishers, 1995. xii + 136 pp.     

From the stigmatized tattoo to the graffitied body: femininity in the tattoo renaissance

This article analyzes the spectacularly rising popularity of tattoos by showing that tattoos have become a spatial project in the largest sense: the way they participate in the creation of social space is different from that of tattoos before the Tattoo Renaissance. I explain this project as a shift from tattoos to body graffiti. In the past (predominantly male) tattoo-spheres could be located within the margins of society. Once an identity had been assumed through the adoption of a tattoo, the person could be assigned a particular geographical position within an urban sphere. Contemporary tattoos have this one-dimensional identifying function to a much lesser extent, which influences the way in which these tattoos create space. Within the new tattoo space, the skin does not wear the stigmatic mark, nor does it function as a screen of male desire, but it becomes a wall on which multiple desires are projected. In this sense, tattoos have become graffiti. I establish the particularity of the female tattoo as opposed to the masculine tattoo by focusing on an important element of the pro/contra discussion of female tattoos: the purity and ‘blankness’ of the female skin. Jean Baudrillard's concept of the blank female skin as a ‘void’ that men rush to fill with their own desires is central to this discussion. Finally, I show that the spatial function of narcissistically oriented female tattoos is at least partly established within the Suicide Girls interactive website.     

《中国帝王图志》——打造品读帝王文化的视觉盛宴

《中国帝王图志》以图说史、图文并茂,收录了中国历代帝王谱系和图片,内容全面。该书不仅为读者打造了帝王文化的视觉盛宴,而且还蕴含了一种图像学阐释和个人生活史解读的全新史学理念,也为读图时代的古史编纂和帝王文化出版的策划创意,开辟了值得重视的新径     

金子光晴的近代中国图像

终其一生,金子光晴都不隶属于日本主流意识形态的范畴。相对而言,他比较具有世界范畴的眼光,而较少狭隘的民族主义的立场。因为囿于日本本土的沉闷而希求一种解放的感觉,他对多元文化并存的五光十色的上海感到刺激和新鲜;因为并无对亚洲价值或东亚文化传统的强烈认同,他在对江南的历史旧迹表现出某种程度的欣赏时,也并未流露出特别的迷恋和陶醉;因为具有世界主义视野和人道主义精神,当他在京津一带看到日本人飞扬跋扈的征服者的姿态时,内心感到更多的是愤懑和痛楚。透过其所描述的中国图像,可管窥当时日本人中国观的一个侧面。     

澄怀昧象 悲悯人生——论京派文学艺术的“虚空”与“充实”

京派作家以清新恬淡的笔触抒写田园诗般的人生,传达出深沉的宇宙意识。本文试从中国古典美学角度入手,分析京派文学体现出的“虚空”与“充实”的境界。     

Cartography of the archaeological surveys taken from an Ikonos stereo-pair: a case study of the territory of Hierapolis in Phrygia (Turkey)

The paper analyses methods and issues connected with the elaboration of Ikonos stereo high-resolution satellite images to create a large-scale cartography for archaeological research. This methodology has been used on an area of the ancient territory of Hierapolis in Phrygia (Turkey), where archaeological surveys, developed by the Italian Archaeological Mission, are in progress. In particular, the study area is situated between the modern villages of Yeniköy and Küçükdereköy, for which neither cartographies suitable for ground surveys nor aerophotogrammetrical covers were available. In this area there are a lot of archaeological remains; in particular, a large Hellenistic and Roman settlement and its necropolises, and also an old Turkish settlement, now destroyed. An Ikonos image was ortho-rectified to obtain a space-map of the entire area. It was used to extract vectorial thematic elements (modern topography, hydrology, archaeological remains and traces, etc.) for the production of maps for archaeological research in the tolerances of a 1:10,000 scale.