Domestic Secrets: women and property in Sweden, 1600–1857

This article explores and analyses narratives in social report-books in the context of structural rationalization during the 1960s and 1970s in Sweden, which entailed large movements of people both in Sweden and Finland (as it did in other countries of Western Europe). The characteristics of the report-books are that they claim to depict the truth and to give voices to marginalized people with the aim to contribute to social change. The analysis dwells not only on the content of the books, but also on the narrative techniques employed. It is discussed how the authors were tied to their political context and the general discourse of social critique in their rendering of voices. The main questions of this article are: whose voices were paid attention to and how was home narrated and represented?

One kind of narrative content links home attachment to roots in a rural context, where home centres on reproduction of families, territorial claims and nature hugging. It is established through rhetoric of nature and timelessness, fathers passing inheritance on to their sons and a desire for a non-alienated existence in an archaic landscape. The narrative techniques used are based on an invisible narrator and on a travel narration with questions and answers. It is mainly male voices that are paid attention to. Female voices are to some extent heard but marginalized. Female bodily practices and habits are connected to positions as wives and daughters. The fisherman, the hunter, the woodlander and the farmer, are (re)presented as threatened male positions and therefore male bodies will in a near future be out of place. These narratives are framed by a patriarchal discourse where bodies are naturalized and made straight.

Quite another kind of narrative content is forward-looking, dealing with voices in a suburban context. The montage as a narrative technique is systematically used there, combining text and image. The didactic montage is intended to be educational, to enlighten people with the aid of pointers. This calls for activity on the part of the reader/observer, who is supposed to be given the impression of having interpreted the meanings independently. It is based on consciousness-raising as a feminist method for change. This narrative of home is about societal participation and resenting and resisting patriarchal distinctions such as public/private. It is framed by a feminist discourse where bodies are denaturalized and orientated at finding space for the displaced body to expand.     

Home and away: constructing family and childhood in the context of working parenthood

Little is known about children's views and experiences of their parents’ work?life reconciliation and how these are negotiated in everyday family practices. This article examines families' experiences of work?life reconciliation from both children's and parents' perspectives, drawing on a qualitative longitudinal study with 14 families in Scotland. Such experiences have implications for the spatial and temporal construction of family and childhood in the UK, where working parenthood is increasingly the norm.     

Diasporic dwelling: the poetics of domestic space

This article explores the politics of diasporic dwelling in domestic spaces. Heidegger's concept of ‘dwelling’ is popular in studies of diasporic life as it articulates a sense of belonging in mobility without the problematic connotations of rootedness conjured up by ‘home’. However, the way Heidegger's ‘dwelling’ functions in diasporic contexts is rarely considered, an absence this article seeks to address by exploring the concept in more detail, focusing in particular on ‘the fourfold’ and preservation. This discussion is grounded in the domestic spaces of two Palestinian women living in Britain. Drawing on in-depth interviews, the article explores how these women's houses, and particular spaces within them, enable and constrain their dwelling. I argue for greater attention to be paid to the expansive and integrative capacities of domestic space and demonstrate the need to address houses in their social context and as internally heterogeneous. This article also contributes to ongoing debates about material and symbolic dwelling and diasporic identities that include but also exceed territorialised belonging.     

‘Home is home be it never so homely’: Reading Mid-Victorian Slum Interiors

This article considers representations of the ‘slum interior’ as complex cultural narratives produced by urban investigators of the mid-Victorian period, including Henry Mayhew, Thomas Beames and George Godwin. Much existing scholarship on nineteenth-century slum narratives has tended to emphasize the use of sensationalism, hyperbole and tropes of colonialism to describe the dire living conditions of the very poor, a feature particularly apparent in the works of the 1880s. By focusing on writings from the period 1849–1865, this article pays attention to earlier conceptions and projections of slum interiors which were conceived as not altogether abject or ‘other’, but as ambivalent spaces that both defied, and invoked, Victorian forms of domesticity. Through close readings of their textual and visual form, I show how the paradoxical and ambivalent spaces of the slum interior reconfigure in meaningful ways the conventional relations of domestic architecture, inhabitants and their objects.     

Staging the Interior: The Public and Private Intimacies of Thomas and Jane Welsh Carlyle's Domestic Lives

‘Home’ is one of the most evocative and comforting words in the English language. It produces, at least in its idealized form, notions of safety, comfort, privacy, individuality and communion with family and friends. The supposed autonomy or permanence of home, however, is undermined frequently throughout one's life course revealing instead spaces of interactionism, public disturbance, discomfort, conflict, labour, stress and even violence. Reading Thomas and Jane Welsh Carlyle's voluminous letters one reads the emotional and psychological importance of ‘home’ and the vital necessity of the ideal world apart. The middle-class home was meant to stage a domesticated and comfortable private haven, withdrawn from public view and distant from the imperatives of the economy and politics, however, the house was also the physical representation, the outward ‘sign’, of the Carlyles' public identity. How the House looked and functioned – externally and internally – represented the Carlyles to the outside world. Home was, as Walter Benjamin alluded, like a sheltered theater box from which the occupants looked at the stage of the outside world and also the stage upon which the outside world cast its own critical eye on the action within. The necessities of life and the public fascination with the interior signify that private and public are largely mutable concepts. Any clear distinction between inside and outside, private and public are complicated as we look at the intimacies of the Carlyles' lives.     

A Feminist Network in an Artists’ Home: Mary and George Watts,George Meredith,and Josephine Butler

This interdisciplinary, historicist-feminist paper (combining literary and art historical perspectives as well as an awareness of historical context and an application of recent feminist theory) explores the feminist affiliations of the Victorian artists Mary and George Watts, focusing specifically on their close friendships with the writer and women’s suffrage supporter George Meredith and the women’s rights worker Josephine Butler. It introduces the Wattses’ own anti-patriarchal conjugal creative partnership before investigating their relationships with Meredith and Butler through a reading of Mary Watts’s unpublished and hitherto untranscribed diaries (which record their interactions) as well as a discussion of George Watts’s paintings (particularly his portraits of Meredith and Butler in his ‘Hall of Fame’). This paper thus offers an unprecedented insight into the Wattses’ personal and professional relationships as well as their progressive socio-political positions, reclaiming them as early feminists who were part of a wider emergent feminist community. This paper’s discussion of the Wattses, Meredith, and Butler provides new perspectives on the connections, works, and views of these public literary, artistic, and feminist figures as well as the ways in which they supported and promoted the women’s rights movement that escalated over the course of the second half of the nineteenth century. It thus offers a fuller understanding of these figures as well as of the rise of early feminism in the Victorian period.     

Interaction during mental health floating support home visits: managing host–guest and professional–client identities in home-spaces

Mental health work has been transformed by ‘shifting geographies of care’ from institutions to care in communities, in particular by the emergence of support located within home-spaces. This article studies a floating support service targeted at people with mental health problems and contributes to research on post-institution and home care geographies. The data contain 17 audio-recorded home visits conducted by professional care workers. An ethnomethodological analysis informed by geographies of care in home-spaces shows how the home as a material space has consequences for conversations and the relations between the service users and workers. The parties orient to two relational and shifting identity pairs in their ‘home-space talk’: a host–guest pair (social call talk) and a professional–client pair (targeted intervention talk). Professional–client pair dominates, and in this sense floating support produces institutionalization of home-spaces. However, social call talk that enables service users to act as hosts governing their home-spaces has important functions. Orientations to hosts and guests create symmetry and trust among the parties that encourages recovery promoting interaction. The article also demonstrates the applicability of the methods developed in the geographies of mental health and home in the ethnomethodological interaction analysis, and the other way round.     

Experiencing ‘moments of home’ through diaspora tourism and travel

Whilst the relationship between diasporic communities and tourism has been explored in the tourism literature, it has generally been underpinned by a limited consideration of the notion of home. Based on ethnographic research with an Iranian diasporic community in the South Island of New Zealand, this paper explores the different ways in which this diaspora community engages with travel and tourism to (re)produce and taste ‘home’. It is argued that the notion of home should be viewed as incomplete, contingent and fleeting, rather than fixed and permanent, specifically within the tourism context. The concept of ‘moments of home’ is presented to illustrate how diasporic communities use travel and tourism to find, maintain or make home when away from their original homeland. Thus, ‘moments of home’ is proposed in order to allow a more complex and dynamic understanding of the relationship between diaspora tourism and home.     

瘟疫来自中国?——14世纪黑死病发源地问题研究述论

根据德米西等人的记载以及考古学的发现,可以肯定黑死病自亚而欧的传播趋向。但在黑死病的发源地问题上,学者们颇有争论,特别是中国受到了较多的关注。但从词源学的角度来看,黑死病源于中国的论断很可能是个谣传。鼠疫自然疫源地在中亚地区自东而西连绵不绝的分布,使我们目前很难断定到底哪一处是瘟疫的发源地;而只有在断定了瘟疫在中亚各地爆发的时间次序,才有可能进一步考证其准确的发源地。从某种意义上说,整个中亚都是黑死病的发源地。     

位置选择——人类基本空间行为之一

这是作者关于行为地理学的系列论文之一。文章提出位置选择是人类的基本空间行为之一,是人文地理学研究的内容。论文论述了位置选择的意义,影响因素和基本规律,同时,就居住地的选择研究意义和影响因素作了初步分析,并阐述了传统农业社会和现代城市居住地选择的差异。