‘We Can Always Go Back Home’: critical lessons in helping to safeguard and promote the Singing and Praying Bands living tradition

Abstract

The article examines the process of promoting, with a view to safeguarding, the centuries-old Singing and Praying Bands living tradition, an African American musical and spiritual expression that is distinctive to the Chesapeake Bay region of the US. Discussed within the context of US public folklore, the process is understood as a co-intervention, representing an active partnership between the Bands’ community and public folklorists (including the authors) in attempting to reach new members as a means of keeping it alive. The article underscores the need for ‘bottom-up’ approaches in safeguarding living cultural traditions, bringing to light the potential strengths of public folklore work and the benefits its theories and methodologies can bring to the intangible cultural heritage discourse. Moreover, it analyses how community agency has been exercised, and community needs accommodated, through the dialogue-driven, collaborative intervention process. It also investigates how a nuanced view of ‘authenticity’ has been shaped, with regard to changes the living tradition has undergone, and is currently understood by those who embody it.     

Putting the drum in conundrum: Guadeloupean gwoka,intangible cultural heritage and postnationalism

Since 2004, Felix Cotellon, the president of the centre for traditional music and dance on the island of Guadeloupe, has spearheaded a grass roots campaign to see gwoka inscribed on the UNESCO’s list of Representative Intangible Cultural Heritage of Humanities. The move has been surprising, even controversial. Gwoka, a drum-based music and dance, has been used as a symbol of Guadeloupean cultural identity and resistance against French colonialism since the late 1960s. Moreover, Cotellon has had a long association with separatist activism. However, because Guadeloupe remains a French overseas department without a seat at the UN, the petition to add gwoka to the ICH list had to be sponsored by the French state. Following a successful bid, gwoka is now listed as representative of the culture of a French region. In this article, I draw from my ethnographic work as well as my own involvement in the committee that drafted Guadeloupe’s application to trace the complex network of individuals, who are shaping gwoka’s transformation from weapon of national resistance to symbol of humanity’s cultural diversity. I argue that these individuals shape and operate within a ‘zone of awkward engagement’ that allows for the emergence and expression of a postnationalist political subjectivity.     

Heritage-making ‘from below’: the politics of exhibiting architectural heritage on the Internet – a case study

The ‘digital revolution’ created new opportunities for private persons to participate in the public discourse on architecture and architectural heritage. But has this new ‘participatory culture’ also triggered democratic polyphony and a questioning of dominant (expert) values and knowledge? And when considering official Internet representations – is there a proactive policy involving citizens? Taking the ‘virtual life’ of the Vienna Werkbund estate (1932), a modernist icon listed as a national monument in 1978, as a case study, the present examination tempers exaggerated hopes. The analysis of private and official websites shows that new information and communication technologies foster the expression of different viewpoints only to a limited extent. Although residents use the Internet to voice criticism, actors situated outside expert culture primarily reaffirm the estate’s cultural value and act as co-producers of the dominant discourse. Focusing on official heritage, this paper not only provides evidence for the perpetuating function of new digital tools but also reveals the power relations that underpin paternalistic cultural mediation. Given the technological possibilities of involvement, it criticises official web representations for the exclusion of ‘the public’ and raises the fundamental question of what the digital mediation of cultural heritage in democratic societies should look like.     

The meaning of place in the anthracite region of Northeastern Pennsylvania

The Anthracite Heritage Project was founded to uncover one of the most tragic incidents in US labour history, the Lattimer Massacre. Initially, this work complemented the existing commemorative practices found in the anthracite coal region of Northeastern Pennsylvania. The various communities tend to remember a coal heritage that includes the story of migration, labour and survival. Recently, a new immigrant population has entered the region, and they are facing many of the prejudices and xenophobic fears that the European immigrants faced several generations ago. The history of the Lattimer Massacre, as well as other archaeological work that focuses explicitly on issues of immigration, has enabled the Anthracite Heritage Project to use and expand heritage to confront the racist tendencies found in the established community. The use of bridging social capital is one strategy being used to help better integrate the new population in this economically depressed area of Northern Appalachia.     

Wilderness use,conservation and tourism: what do we protect and for and from whom?

For many people today, the idea of wilderness conjures up meanings and images referring to wild, remote, and untrammeled natural areas, which need protection from human presence and utilization. Institutionally, the first Wilderness Act was prescribed in the United States over 50 years ago and the wilderness conservation originates from the establishment of the first national parks in North America in the nineteenth century. First conservation and wilderness areas and related legal acts provided a model on how to organize and manage conservation areas globally. However, this created ‘fortress’ model of global conservation thinking, separating wilderness, and nature from culture and people, has recently been increasingly challenged by views calling for more people-centered approaches in natural resource management. In addition, the tourism industry has become an increasingly important user and socioeconomic element of change in wilderness areas, which has created new kinds of utilization needs for the remaining wild environments. Thus, there are different ways to understand what wilderness is and for and from whom we are protecting those areas. This paper aims to overview some of the key perspectives on how wilderness environment are contextualized, used, and contested: as units of strict conservation; resources for livelihoods and raw materials, and/or tourist products. The purpose is to point out that while we have different and often conflicting understandings of what wilderness is and what it is for, there are also potentially symbiotic relations between different views which could help us to protect the remaining wilderness areas. This is the case especially in the Global South, where the sociopolitical pressures of economic utilization of the remaining wilderness environments are currently the sharpest.     

Cultural Heritage Documentation and Conservation: Three-Dimensional (3D) Laser Scanning and Geographical Information System (GIS) Techniques for Thematic Mapping of Facade Stonework of St. Nicholas Church (Pisa,Italy)

This article reports the mapping of the stones, including marbles and brick masonry, used for building the facade of the medieval Church of St. Nicholas (XI century ad), one of the most interesting churches in Pisa, due also to the nearby famous octagonal bell tower. Mapping of stone materials was performed using a computer-aided design (CAD)/geographical information system (GIS) software package for storing and processing spatial information of the ashlars, obtained using three-dimensional (3D) laser-scanning data, combined with high-resolution images, and stone-to-stone observations. Based on collected data, the facade of the Church of St. Nicholas appeared mostly composed of rocks belonging to the metamorphic Tuscan sequence, quartzites, and marbles from Mt. Pisano area. Other types of rocks were also observed, as black limestones quarried at some kilometers northwest from Pisa in the Monti d’Oltre Serchio area, white Apuan marbles and Macigno sandstones. Conversely, intarsia appeared mainly made up of serpentinite and, subordinately, red limestones laid in white Apuan and Mt. Pisano marbles.     

Daylight as a Design Strategy in the Ottoman Mosques of Tunisia and Algeria

This study investigates daylighting design in Tunisian and Algerian mosques from the Ottoman era. It aims to constitute a daylight-based architectural design knowledge which might serve the built heritage preservation as well as supports contemporary environmentally friendly mosques’ and building design. An intensive literature review and a field work research have been undertaken in Tunisia and Algeria in order to survey daylighting devices in the Ottoman mosques era. Nine Tunisian and 14 Algerian mosques, from the Ottoman era, constitute the study corpus. First, an inventory of architectural components and their associated daylighting strategies was carried out. This collected data is then examined by means of a building conformation lecture based on typological, topological, and morphological analysis. This research reveals the existence of an interrelated set of daylighting devices and structural models governing rules in the Ottoman mosque model, site conditions, and previous local architectural styles.     

Seismic Assessment of a Historical Masonry Building in Switzerland: The “Ancien Hôpital De Sion”

This article presents the results of the evaluation of the seismic safety of the Ancien Hôpital de Sion, an important Swiss architectural heritage building, situated in the Canton of Valais, the region with the highest seismic hazard in Switzerland. Three-dimensional Applied Element (AEM) modeling of the whole structure has been performed and validated. The adopted modeling strategy, together with nonlinear dynamic analysis, was able to represent the actual behavior and failure mechanisms typical of complex masonry structures, in addition to a good computational efficiency compared to other available numerical approaches. The local collapse mechanisms have been also studied through a kinematic limit analysis based on rigid block rotation. Both linear and nonlinear approaches have been followed together with the capacity spectrum method. The results provided by the different methodologies have been compared with the aim to provide possible insights concerning a general procedure for the assessment of the safety of such type of structures.     

Shadows on the landscape: an inquiry into the value of some Australian places

In 1922, Australian places connected with a solar eclipse were of world‐historical significance as they were associated with empirical confirmation of Einstein's general theory of relativity. They also formed a major part of Australian national consciousness, although they have since reverted to lost geographies. An exploration of Australian reception of eclipse science leads to questions of official heritage construction and stereotypical national identity. An argument is presented for the importance of intangible heritage at national, communal, and individual levels. At the complex intersection between memory and identity, place value is investigated within wider social‐political formations with emphasis on participation across perceived boundaries of social class, gender, and ethnicity, including the valuable role of Aboriginal peoples.