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41.
Guy Podoler 《亚洲研究评论》2017,41(3):424-440
The National Museum of Korean Contemporary History, which opened in 2012, has been the focus of a heated controversy between the progressive and conservative camps over the “proper” ways to represent South Korea’s turbulent history. I build on the relationship between heritage, collective memory and national identity, and argue that the division that typifies South Korean society has implications that extend beyond socio-political issues. Anchored within a broader discursive context, the museum became an important memory carrier involved in the process of debating the issue of national identity. Although no agreement has been reached regarding the “proper” historical narrative the site should exhibit, the museum has nevertheless offered an opportunity to shape a form of national identity that can embrace a more complex perspective on the country’s contemporary history. At present, though, this contentious site has demonstrated the extent to which the legacy of the conservative–progressive divide remains deep. I offer a discursive context that is useful for the study of current debates over heritage sites in South Korea, while the overall analysis illuminates the idea that the “present-centred” management of heritage in national museums can, potentially, play a part in the process of forming more intricate notions of national identity. 相似文献
42.
基本建设考古是当前考古工作的重要组成,在国家经济建设大背景下,是一项长期艰巨的任务。本文对贵州基本建设考古历程、成果、状况进行梳理,提出问题与对策,力促此项工作顺利开展。 相似文献
43.
建设博物馆数字化的科普平台,加强了对馆藏文物的保护能力,促进了博物馆的历史文化教育和传播功能,具有重大的现实意义和深远的历史意义。本工作将介绍其构建方法:采用全景拍摄、三维扫描等数字化信息采集技术,对博物馆建筑的内外景、重点馆藏文物进行信息采集,构建虚拟的历史遗迹遗存、网上博物馆,将实体博物馆以数字化方式完整呈现,通过互联网/移动互联网提供身临其境的虚拟参观服务;采用二维码、电子标签、混合定位等技术,为现场观众提供自助音视频文化科普导览服务;策划制作面向广大青少年的反映中国历史文化遗产的4D影视科普作品及建设面向普通观众开放的博物馆4D动感影厅工程播放系统,以此构建博物馆数字化科普平台。 相似文献
44.
芥川龙之介一生共创作了148个短篇作品,涉猎女性形象的作品共76篇,其中女性形象色彩浓重38篇,涵盖知识女性、劳动女性、农妇甚至妓女等多个层面。这些形形色色的女性形象不仅如实地反映了作者的审美指向及其女性观,也浓缩了当时女性所处的社会地位和境遇。本文将其女性形象分为古典、现代与中国题材三大类,在分析芥川对女性所持态度的同时,考察作为大正时期知识分子的精英,其笔下诸多女性形象的文化内涵。 相似文献
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46.
Janette Deacon 《Journal of Archaeological Method and Theory》2006,13(4):376-396
Rock art conservation has developed hand-in-hand with the increased pace of tourism, yet the two activities tend to remain
in opposing camps. Policies and guidelines have been developed for cultural heritage and cultural tourism and there is a widely
accepted range of principles in place, but a theory of sustainable rock art tourism is only in its infancy. To mature, the
discipline needs research into the interaction of key elements that affect the long-term conservation of frequently visited
rock paintings and engravings in their original setting, as well as consideration of social and economic factors that drive
tourism and the public interest in rock art. 相似文献
47.
Richard Mackay Justin McCarthy Andrew Sneddon Graham Wilson 《International Journal of Historical Archaeology》2006,10(4):299-310
In 2002 Melbourne’s Casselden Place excavation provided a window into the urban past opened by an innovative relationship between the development industry, heritage consultancy and La Trobe University. The project demonstrated that with the support of consent authorities and the co-operation of the development industry, collaborations between the academic world and heritage consultants could be highly successful. The Casselden Place Project made a significant contribution to the ‘slum debate’ in Australia and delivered an enhanced understanding of the cultural, social and scientific significance of an inner-city block, and shed new light on a notorious chapter in the city’s history. 相似文献
48.
说花园庄东地甲骨卜辞的“丁”——附:释“速” 总被引:2,自引:0,他引:2
最近公布的殷墟花园庄东地甲骨卜辞中,多次出现一位当时还活着的、称为“丁”的人物,从卜辞内容可以看出其地位甚高。本文主要通过指出这批卜辞中与历组一类占卜同事的一组卜辞,肯定了“丁”就是当时的商王武丁。以“丁”称呼时王武丁,究竟应该如何解释尚待进一步研究。同时,也可以进一步推定这批卜辞的时代,当为武丁晚期而非整理者认为的“武丁前期”。此外,这批卜辞中多次出现的一个整理者隶定作“”的字,应释为“速”,意为“召”、“召请”。旧有殷墟卜辞中一个或释读为“眚”、“软”、“喘”等的字,应释为“” ,读为咳嗽之“嗽”。 相似文献
49.
Andrew W. Hall 《International Journal of Historical Archaeology》2008,12(2):146-156
This article presents a case study of how the PAST Foundation partnered with other agencies and organizations to develop a
successful public outreach website focusing on the Gulf of Mexico “Deep Wrecks” project in the late summer of 2004. 相似文献
50.
DAVID LOWENTHAL 《Nations & Nationalism》2008,14(2):369-392
ABSTRACT. The wealth, variety and seaborne accessibility of Mediterranean societies since late prehistory have made the region's cultural heritage the world's most widely acclaimed. But since the fall of the Roman Empire the Mediterranean has been increasingly disadvantaged, its history compromised, its legacy beleaguered. Two millennia of invasion and rapine, religious vendetta, foreign conquest, imperial dominion and colonial subjugation have left Mediterranean peoples with fewer resources and weaker infrastructures than those of transalpine and transatlantic nation‐states. The consequences for the care and control of Mediterranean heritage are parlous. That heritage is both the region's self‐defining pride and its economic mainstay, yet a crippling burden to protect and maintain, let alone to interpret and celebrate. It is everywhere beset by natural and human attrition. Weathering and erosion, illicit excavation and pillage, tomb robbery and the international antiquities market exact tolls that legal codes and police forces are all but impotent to stem. Recent social and political trends suggest potential remedies for some of these dilemmas. 相似文献