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111.
Viking Metal, Pagan Metal and their relatives represent subgenres of Black and Folk Metal characterised by their historical and mythological references, their incorporation of folk melodies alongside traditional music and instruments, and the use of contemporary material culture and dress. Like earlier folk-rock traditions, these subgenres have often steered an interesting course between the hedonistic tendencies which can accompany rock music (the ‘rock “n” roll lifestyle’) and an educational role: metal as heritage and specifically as heritage interpretation. In this paper, the authors explore these various connections through conversations with members of two prominent bands (Týr and Heidevolk) who gave research seminars at the University of York in 2012 and 2013. The connections between music making, landscape, performativity and narration are prominent in both cases, and form the basis of this study.  相似文献   
112.
ABSTRACT

For the last two decades, the polysemous notion of ‘scale’ has drawn an increasing amount of attention among scholars studying heritage policies and practices, often with regard to UNESCO conventions. Significantly, in many of these works, terms such as ‘global’, ‘national’ and ‘local’ are connected to categories of ‘scale’ or ‘level’ that are taken for granted by the scholars who use them to guide their analysis. This paper, in contrast, promotes a different, constructivist understanding of the notion of scale. From our perspective, there is an added value to be found in focusing—without using any preconceived or external conception of scale—on the ways in which stakeholders conceive of and use scale throughout the processes of heritage making. Using the case of alpinism and the creation of its file for submission to the Intangible Cultural Heritage list, we show that the interest of this approach lies in its comprehensive ability to highlight how people define, elaborate and use scale in order to qualify their practices or to achieve specific goals.  相似文献   
113.
Abstract

Belgium has a long tradition of consultative commissions, responsible for the preservation of heritage. In the 1940s and 1950s, Belgian archaeologists expressed a need for such an institute, specifically competent for archaeology and the supervision of excavations. Only in 1965, the first members of a National Commission for Excavations were appointed. They had modest powers, but were able to advocate the value of archaeological heritage and, to a limited extent, supervise fieldwork performed by amateurs. The Commission was also asked to prepare a legal text that would protect archaeological heritage. However, ratified laws were not accomplished and, despite much regret of Belgian archaeologists, the Commission was abolished in 1979.

During the 1980s, Belgium underwent several state reforms which ultimately resulted in the complete regionalization of archaeology (1988–89). Throughout this period, a shift in opinion occurred between Walloon (French-speaking) and Flemish (Dutch-speaking) archaeologists. This resulted in different arrangements of governmental agencies responsible for immovable heritage and archaeology. Nonetheless, as UNESCO had recommended in 1968, all three Belgian regions (including the Brussels-Capital Region) installed advisory commissions that were involved in the preservation in situ of archaeological remains. However, these consultative bodies had little influence on politics and policy. Especially in Flanders, the Archaeological Council achieved very little. Probably, the lack of continuity retained the Council from building up a reputation and authority. Nevertheless, advisory commissions for archaeology do make sense in Belgium. They provide a necessary ‘forum’ to discuss problems and to express undivided opinions; they form a ‘channel’ to communicate with policy makers; and they present an ‘instrument’ for advocating the preservation of archaeological heritage.  相似文献   
114.
Abstract

Digital technology has changed our approaches to cultural heritage documentation radically and promises to continue to bring rapid changes. Photographic and non-photographic (graphic) documentation tools are merging in one process, in which digital photographic technology is the main base. Due to digital technology, there is an increasing gap between specialist technicians and non-technical users involved in heritage documentation. 3D approaches are still not popular among users in cultural heritage. However, in order to build a bridge between the specialist and non-technical users, a dialogue between them needs to be developed, not only to discuss issues of data precision and 3D accuracy, but also visualization production systems, which can now easily be achieved by modern digital photographic technology.

This paper presents a comparative evaluation and synthesis of cultural heritage documentation methods and survey techniques currently available, focusing on the needs and requirements of non-technical users of heritage documentation. It attempts to clarify some new aspects in cultural heritage documentation and to assess the impact of current technology. The paper undertakes a comparative evaluation of the potential application of digital methods in documentation — and examines issues such as quality, accuracy, time, costs and specific skills required — from pre-electronic techniques (hand measurement) to 3D laser scanning, which today represents the most advanced technology available for measuring and documenting objects, structures and landscapes.  相似文献   
115.
《Public Archaeology》2013,12(1):27-47
Abstract

This article presents and analyses a method of public communication in archaeology carried out by a group of researchers within a non-formal educational framework, as a contribution to public archaeology in Argentina. This project included diverse activities, such as archaeology workshops for children and teenagers, which took place in museums in four cities located in three regions: Paraná (North-east), Tres Arroyos and Lobería (Pampas), and Lamarque (Patagonia). A conceptual evaluation is presented based on the application of a non-participational observation methodology, that includes the analysis of posters made by those attending the workshop and surveys conducted by the archaeologists at the culmination of the activity. This study suggests that workshops can be one of the most effective strategies employed by researchers to publicly communicate archaeology, and therefore can be of use to other research teams that have as their objective the democratization of knowledge generated in scienti?c-academic spheres.  相似文献   
116.
《Public Archaeology》2013,12(4):221-241
Abstract

Florida waters are home to the remains of such diverse watercraft as galleons, freighters, sailing yachts, steamboats, and prehistoric canoes. Managing these resources, especially regarding questions of access versus preservation, can be a daunting task. Florida’s Underwater Archaeological Preserves programme is an experiment in public participation to further both the awareness and the preservation of submerged heritage through site conservation and interpretation, incorporating various stakeholders during each step in the process. The logic in Florida’s Preserves programme is that an involved public given free access to a shipwreck site can be an ingredient for, instead of a hindrance to, preservation. Although one of several programmes worldwide, the concept that sets Florida’s Underwater Archaeological Preserves programme apart is its use of public involvement to promote education that fosters attitudes of conservation and preservation. If the public feels a share as stakeholders in the preservation of their maritime heritage, then submerged cultural resources will be more effectively protected.  相似文献   
117.
none 《Public Archaeology》2013,12(4):242-254
Abstract

The term ‘heritage crime’ has been recently brought into the spotlight by English Heritage — the organization tasked with protecting England’s heritage assets — and is attracting an increasing amount of attention from individuals and organizations from a range of disciplines. Heritage crime includes recognized crime types (such as arson, criminal damage, theft, and graffiti) but arguably has a greater impact on the country’s legacy for future generations because of the types of sites affected. This paper presents an initial examination of our understanding of heritage crime, and limitations to that knowledge. The paper contributes an initial typology to facilitate future interdisciplinary discussions of the problems facing heritage assets, and presents a possible route for expanding our ability to tackle this problem. Whilst this is an initial foray into the world of heritage crime, it is hoped that this paper will act as a stimulus for further discussion and action.  相似文献   
118.
This paper presents a choice experiment study of a proposed wetland restoration project which aims to preserve archaeological artefacts from Stone Age villages which are presently buried within the topsoil. Wetland restoration can avoid destruction of the artefacts due to agricultural cultivation and drainage, and in addition improve biological diversity and recreational opportunities. The results indicate that even though the artefacts are not visible or usable for the population of today, but may contain information and potential value for future generations, the strongest preferences displayed is for ensuring permanent protection of archaeological artefacts, rather than biological diversity and recreational opportunities. The results are discussed in relation to the Prospect Theory: people value a loss of cultural heritage higher than a gain of new cultural goods or services. This insight is of general interest to cultural economics and cultural policy, especially with respect to heritage protection.  相似文献   
119.
Abstract

Archaeology is a destructive discipline, and, unfortunately, the majority of methods employed by archaeologists to record and preserve the archaeological record consist of two-dimensional representations of three-dimensional (3D) subjects. Recent breakthroughs in 3D technology, however, have the potential to revolutionize the discipline. In recent years, multiple software suites capable of generating spatially accurate, photorealistic 3D models with a series of digital photographs have become available. Following a successful season of field testing in 2011, the Tel Akko Total Archaeology Project (Akko, Israel) expanded the use of Agisoft’s PhotoScan Pro—one of the commercially available software suites—to test the accuracy and suitability of the program for archaeological applications at multiple scales. After two years of field testing, it is clear that the implementation of PhotoScan Pro in archaeology facilitates unprecedented accuracy in field recording and digital heritage management, and provides a new outlet for the dissemination of archaeological data.  相似文献   
120.
Abstract

The Caribbean archipelago is a series of independent island nations and overseas departments, territories, colonies, or commonwealths of developed countries. About 250 generations of human occupation in the Caribbean have produced a blend of traditions sometimes called a “cultural kaleidoscope.” Eight thousand years of shifting cultural identities are recorded in archaeological, architectural, documentary, and ecological records, and in memories and oral traditions known as “heritagescapes.” Caribbean heritagescapes are increasingly threatened by a combination of socioeconomic needs of modern society, ineffective governmental oversight, profit-driven multinational corporations, looters, and natural environmental processes. Balancing the needs of society against the protection and management of heritage requires careful thought and measured dialogue among competing stakeholders. Here we review the status of heritage in the Caribbean and offer a way forward in managing a diminishing supply of heritage resources in the face of current socioeconomic demands, and the unique legislative environments of independent island nations and overseas possessions of developed countries.  相似文献   
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