Crowded kitchens: the ‘democratisation’ of domesticity?

Building on previous work concerning the gendered nature of domestic space, this article focuses on the kitchen as a key site in which gendered roles and responsibilities are experienced and contested. As men have begun to engage more frequently in cooking and other domestic practices (albeit selectively and often on their own terms), this article argues that kitchens have become ‘crowded’ spaces for women. Drawing on evidence from focus groups, interviews and ethnographic observation of kitchen practices in South Yorkshire (UK), we suggest that men's entry into the kitchen has facilitated the expression of a more diverse range of masculine subjectivities, while also creating new anxieties for women. Specifically, our evidence suggests that family meals may be experienced as a site of domestic conflict as well as a celebration of family life; that convenience and shortcuts can be embraced by women without incurring feelings of guilt and imperfection; that cooking is being embraced as a lifestyle choice by an increasing numbers of men who use it as an opportunity to demonstrate competence and skill, while women are more pragmatic; and that kitchens may be experienced as ‘uncanny’ spaces by women as men increasingly assert their presence in this domain. Our analysis confirms that while the relationship between domestic practices and gendered subjectivities is changing, this does not amount to a fundamental ‘democratisation’ of domesticity with significantly greater equality between men and women.     

‘I've had it with them!’ Younger migrant women's spatial practices of conformity and resistance

This article examines how younger migrant women from Turkey maneuver the public and private spaces of their everyday lives in a neighborhood in Germany, and how they challenge and affirm the patriarchal practices and gender norms that husbands, fathers, and older migrant women seek to impose within and outside private homes. Younger migrant women selectively comply with gendered and generational norms of veiling and dress, while at the same time also reworking gender roles, and avoiding and transgressing masculinist spaces. Younger migrant women's practices and spatial representations in mental maps reveal the complex entanglements of compliances and resistance, and dispel simple assumptions of being overwhelmingly victimized by their potentially violent men that are so prominent in contemporary Western societies.     

Unpacking the discursive Irish woman immigrant in eighteenth- and nineteenth-century Newfoundland

From the late 1600s to the early 1800s, Irish migrants journeyed to Newfoundland to take advantage of opportunities in the lucrative Newfoundland cod fishery. Focusing on the eighteenth and nineteenth centuries, this essay explores constructions of Irish-Newfoundland womanhood as articulated by local British officials, the Catholic Church, and male-centred family history narratives. These discourses located women at the margins of early settlement experiences or rendered them invisible altogether. Yet Irish-Newfoundland women were able to negotiate their own subjectivities within this discursive terrain, finding spaces for identity construction in the disjuncture between rhetoric and lived experiences. Some resided more immediately under the hegemonic gaze and struggled to break free from dominant narratives. But most became essential workers in household fishing production outside the capital of St John's, and their vital contribution as shore crews gave them considerable power and authority both in their households and in the broader community. Performing demanding physical work on stages and flakes (elevated wooden structures) or in gardens and fields, carrying out various economic activities in their own right, they were hardly the unproductive, unruly bodies of British official discourse or the passive flowers of civilisation narrated from Catholic pulpits. And far from being absent from the migration story, they were central players in community formation and the economic life of the island. In this historical context, proximity to/distance from hegemonic knowledge production created variations in identity construction within a group often represented in the literature as homogeneous and powerless.     

社会性别视阈内的“怡红公子”像

本论依照“女性主义——性别诗学——男性研究”研究路径,分别阐释不同研究立场的性别理论构建和发展,从“贾宝玉”身上窥见性别文学批评的演进过程。女性主义文学批评提供了崭新的视角,发现了一个“不一样的贾宝玉”。但这类研究普遍地关注“受难的女性”,从而忽视了男性角色在文本中的价值和作用,或者简单地将男性角色与父权制做对等处理,因此很难全面地揭示社会生活的复杂性。性别诗学,可谓是女性主义自我反思的结晶。相对来说,它能更多地考虑到男性角色的文学和社会的功能意义。但这些在男性研究者来看,仍嫌不够,不能全面地解决男性面临的问题。男性研究至今还仅仅停留在社会学领域,不如女性主义那样广泛地与文学批评接触,但笔者认为,其主要理论在“贾宝玉”的性别研究上仍具有重要意义。     

Gender Equality and Decent Work in Australia

In 1998 the International Labour Organization (ILO) advanced the notion of ‘decent work’ as a way to enhance opportunities for women and men to obtain productive work in conditions of freedom, equality, security and human dignity. This concept is now both salient and contested in national and international policy debates. In a 2008–09 campaign, the ILO asserted that ‘gender equality [is] at the heart of decent work’. This article examines appeals to decent work in Australian parliamentary discourse and proposes how best to make use of the concept. It argues that gender equality is fundamental to decent work.

1998年世界劳工组织提出了“体面工作”的概念以促进男女在自由、平等、安全和尊严的条件下从事有益的工作。这个概念在国家和国际的政策辩论中都占有显要的位置。国际劳工组织在2008、2009年的活动中,强调性别平等位居体面工作的核心。本文考察了澳大利亚议会的相关言论,并对使用好这个概念有所建议。作者认为性别平等是体面工作的基础。     

Problematizing silences in intangible heritage: unsettling historical records of women in protests

Abstract

This paper addresses questions of women’s visibility in constructed histories, as well as levels of recognition concerning their participation in politics through historical narratives. In particular, historical narratives representing women in protest in the context of waterfront heritage zones associated with the shipbuilding industry are examined, based on examples of two public art projects: Strong Women of the Clydeside: Protests and Suffragettes from Govan’s Hidden Histories led by the artist t s Beall in the Govan area of Glasgow, Scotland and Shipyard is a Woman by Arteria Association and Metropolitanka in Gdansk, Poland.     

The family,sexual morality and gender identity in the communist tradition in Italy (1921–1956)

This essay will compare the model of the communist family during the era of Palmiro Togliatti's ‘partito nuovo’, beginning with the famous ‘svolta di Salerno’ in 1944, with the model outlined when the Italian Communist Party (PCdI) was first founded in 1921. The sources used vary, spanning memoirs, literature, the press and autobiographies of political activists. The aim of this essay is to expand the research on the ‘communist tradition’; to examine the characteristics of both its theoretical thinking and pedagogic structure; to explore the nature of its propaganda; and to study the individual experiences of activists.     

No Italian Stalingrads. The C.G.I.L. and the working class in the northern industrial heartlands, 1945-1955

ABSTRACT

This article challenges conventional wisdom on the northern Italian industrial heartlands during the first decade after the Second World War. For there still exists a certain mythology about the post-war proletarian north as a region that was both intensely political and united in purpose. What this article demonstrates is that the ‘industrial triangle’ of Genoa, Milan and Turin was far more divided than historians have assumed. By revisiting the manifold (wildcat) strikes, trade union demonstrations, and factory occupations of the early post-war years, it shows the industrial north to be divided along both social and geographical lines. In doing so, it sheds fresh light on the series of defeats that the main Italian trade union confederation (C.G.I.L.) suffered in the late 1940s and early 1950s. It argues that these defeats were due as much to the explicit politicization of labour struggles and their exclusive focus on the interests of skilled workers as to the hostile socio-political climate in which the C.G.I.L. had to operate.     

基于性别制度的中国城市结构的历史演变

本文从中国性别制度和城市结构的历史变迁出发,通过对中国封建社会、半殖民地半封建社会、社会主义计划经济时期、社会主义市场经济时期四个历史阶段的女性生活和城市特征进行考察,分析了不同的性别结构与城市空间结构之间的关系,即:以及在不同的性别制度下女性社会生活在城市空间中的具体体现,即:集权制城市中女性空间的附属性、二元城市中女性空间的隔离性、单位制城市中性别空间的同一性、消费性城市中女性空间的主导性。随着消费文化的发展,女性将对中国城市化进程和空间结构演化产生越来越重要的影响。     

上海创意产业园区的空间分异研究

创意产业园区是一种新的生产空间组织,90年代末以来在一些国际著名大都市中发展迅速。本文试图通过分析上海创意产业集聚园区的空间分布特点和形成机理,研究上海创意产业集聚的时空变化规律。研究表明,上海创意产业园区的分布具有以下两个特点:由黄浦江和内环线围合而成的半环状地带和苏州河沿岸地带,因传统的老工业区,老仓库、老厂房分布集中,伴随传统工业逐步迁出市区,这些旧城建筑为创意产业的发展提供了理想的地理空间;东北、西南地区是大学集中分布地带,是知识溢出的空间,知识型创意产业园区相对比较集中。上海创意产业集聚空间的规律,折射出上海创意产业发展的道路。