Pharmacy as a means of propagating the Lutherian doctrine of justification

Pharmacy serving to propagate the Lutherian doctrine of justification: "Christus as a pharmacist" is an interconfessional, but confessionally differentiated symbolic motif (Sinnbildmotiv) of Christian folklore art in German-speaking countries. The article investigates the sociocultural conditions and prerequisites (German bible translation, religion and confession, piety, pharmacy, chymiatry, chemistry, apothecary training and status) for transfering the old metaphor and idea of Christ as a physician to the new vision of Christ as a apothecary who prepares and dispenses his heavenly medicine all by himself. In the early 17th century (especially in the 1610's) these requirements were fulfilled, so that the oldest known witness to this motif transfer (picturing the so-called Heilandsruf of Matthew 11, 28), a genre picture of 1619, will be the first pictural version of this motif in general. It was created by the protestant Painter Mich(a)el Herr of Nuremberg. In the abstract and reduced form of a devotional picture this motif then became widespread in churches and vicarages, in monasteries and their apothecaries as well as in private houses (with small altars: Herrgottswinkel). The oldest yet known examples are works from around 1630. For the first time during the Thirty Year's War, it served in this form for propagating the Lutherian justification doctrine (now referring to Jesaja 55, 1), saying that the belief in Christ is enough to be released from all sins (sola fide). Around 1650, as a reaction to that, a catholic version of the devotional picture was created, claiming and picturing that in contrast eucharist is the highest and real, healing medium' of Christ to redemption. All pictures of this version avoid quoting Jesaja 55, 1, whereas all protestant pictures quote this verse from the Bible word-for-word.     

Taphonomy of Burnt Burials: Spatial Analysis of Bone Fragments in Their Secondary Deposition

Examining recently excavated burnt burials, we explore the potential of spatial analysis to contribute to the understanding of changes that human body goes through during burning and relocation to the place of secondary deposition. Artificial heat decomposition of a body is a complex process that consists of several stages of intentional manipulation with the body. Each stage can be biased by several accidental factors which then significantly change the final archaeological record. We focussed on the post‐burning stage, especially the pathways of bone fragments to secondary deposition. We investigated spatial distribution and weight of bones in urns and pits and asked whether it is possible to observe their intentional arrangement. The trend of bone arrangement could be distinguished in most cases. Bones of peripheral parts of body were typically situated at the bottom; skull bones were usually concentrated in the upper part. However, the weight underrepresentation of all investigated burials was apparent. Deposition of selected burnt bones suggests their careful collection from the pyre and complex post‐mortem manipulation. Our detailed analysis aims to reconstruct particular steps executed during funeral rites of past populations. Copyright © 2016 John Wiley & Sons, Ltd.     

The Effect of Terrain on Entheseal Changes in the Lower Limbs

One of the main factors involved in entheseal changes (EC) aetiology may be related to the physiological limits of biomechanical loading fixed during bone development, such that higher load during childhood and the adolescent growth spurt leads to a lower frequency of EC during adulthood. In this sense, it is possible that ECs may be related to overloading beyond an individual's normal physiological limits as established during childhood and adolescence. This meta‐analysis tested this aetiological possibility by studying the influence of terrain on the entheses of the lower extremities. The hypothesis is that individuals who inhabited rugged terrain have lower EC than those living in flat terrain. This is because biomechanical loads associated with rugged terrain will lead to a higher normal capacity (defined during skeletal development) mitigating the probability of overloading compared to those living in flat terrain who will therefore have a higher frequency of ECs. To test this, papers reporting EC frequencies in the lower limbs were analysed alongside the local terrain. Terrain was defined into two categories: flat or rugged based on altimetry profile, i.e. the average elevation gains and losses along four specific paths (North‐South, East‐West, Northwest‐Southeast, Southwest‐Northeast). Odds ratios were calculated to compare rugged and flat terrain. The overall results are consistent with the hypothesis that overloading is a factor in EC aetiology. However, when the analysis is conducted by sex and side, this general trend does not always occur. Limitations such as the lack of standardized age ranges could be affecting the outcome, i.e. older individuals have a higher frequency of ECs. The findings of this analysis suggest that the theoretical assumptions associated with the cause of ECs require further testing and evaluation. Copyright © 2017 John Wiley & Sons, Ltd.     

On the Trail of the Oldest Domestic Cat in Poland. An Insight from Morphometry,Ancient DNA and Radiocarbon Dating

It is believed on the basis of archaeozoological research that the domestic cat appeared in Central Europe during the Roman Period. In Poland, the domestic cat is a common species in medieval deposits. Only a few finds of cat remains of pre‐medieval age have been reported from Poland to date, including several specimens from deposits older than the Roman Period, dated to the pre‐Roman Period and even the Bronze Age. To clarify the earliest history of the domestic cat in Poland, the paper presents a review of the available published cat remains and adds some data about newly discovered remains. Combined methods of morphometry and ancient DNA were applied to enable distinction of wildcats and domestic cats. The domestic cat remains were radiocarbon dated. In six cases of domesticated cat reported in the literature, five were positively taxonomically verified, both by morphology and by genetic analysis, and one was recognised as a European wildcat. According to radiocarbon chronology, the oldest studied find is dated to the fourth–third century bc and represents a wildcat. Only two individuals of domestic cat – skeletons from Łojewo and Sławsko Wielkie, both from Kuyavia region (central‐northern Poland) – represent the Roman Period (first–third century ad ), and they are the oldest confirmed domestic cats in Poland. Copyright © 2015 John Wiley & Sons, Ltd.     

An Osteobiography of a 19th‐Century Dog from Toronto,Canada

A 19^th‐century dog burial uncovered from a historical homelot in Toronto, Canada, provided a unique opportunity to reconstruct the individual's osteobiography. Of particular interest are the dog's very large size and a suite of skeletal pathologies. Recovery of a nearly complete skeleton combined with the use of X‐rays and micro‐computed tomography (micro‐CT) allowed for a discriminating differential diagnoses. Stable isotope analyses were applied to investigate questions of diet. Results reveal an individual who suffered greatly from disease towards the end of his life and hint at its owners attitudes towards dogs. The interdisciplinary approach applied to this case study highlights the potential information obtainable from pet burials. We argue that better analyses and reporting of pet burials will help address research questions targeting broader themes related to human–animal relationships. Copyright © 2015 John Wiley & Sons, Ltd.     

A New Methodology and Classification System for Describing Three‐Dimensional Particle Formats: Application to Clastic Lithic Products of Archaeological and Geological Origin

A new classification system is proposed to describe the volumetric formats of clastic lithic products of geological and archaeological origin. In order to build this operative classification, the rectangular block or cuboid is established as the standard geometric format to represent their three‐dimensional format (the X‐axis being length or long diameter, the Y‐axis being the width or intermediate diameter, and the Z‐axis being the thickness or short diameter) on a two‐dimensional diagram. To obtain this graph, each absolute coordinate (X, Y, Z) defining the prisms is projected on to an auxiliary plane with a new set of relative coordinates (x, y, z), expressed as the percentage of their sum. The projection generates a triangular diagram on which the indices of elongation and flatness are represented. A geometric transformation converting the triangular diagram into a quadrangular diagram has been produced in order to better represent the scatter points. Then, a double scale is necessary: (i) an absolute scale to quantify the indices, and (ii) a relative scale to calculate where the graphic locus is projected. This new graph also allows us to work with statistical parameters. Finally, two classic examples of applications selected from the literature are shown.     

X‐ray Diffraction and SEM Investigation of Wall Paintings Found in the Roman Temple Complex at Horvat Omrit,Israel

In the present study, the fragments of wall painting found in the Roman Temple Complex at Horvat Omrit were analysed for the first time using the non‐destructive techniques of X‐ray diffraction (XRD) and scanning electron microscopy (ESEM) equipped with energy‐dispersive X‐ray spectroscopy (EDS). The application of these methods enabled unambiguous identifications of the pigments and plaster components of the samples. Quantitative information on mineral composition, crystallite size and elemental composition of each studied paint layer and plaster was collected. Based on the results of the XRD and EDS analyses, the green pigment was identified as celadonite. It was revealed that the Egyptian blue pigment does not contain impurities of tin and lead, and this excludes the use of bronze scrap in its synthesis. Comparison of the mineral composition of the paint layers indicates that a wider palette of colours was obtained by mixing the available mineral pigments. The study of cross‐sections of painted specimens revealed the usage of slaked lime for plastering. The obtained results give a new insight into the wall painting technique employed by ancient artists at Horvat Omrit, in northern Israel.     

Evidence of Metallic Plating on Archaeological Artefacts by Voltammetry of Microparticles

Voltammetry of microparticles using a paraffin‐impregnated graphite electrode (VMP/PIGE) was applied as a very local and non‐invasive analytical technique in order to investigate the presence of remains of metallic plating on two ferrous and one cuprous artefact from the medieval period. The analyses have been performed locally and selectively on regions presenting particular features, such as texture, cohesion and colour differences. The results confirm local differences in chemical composition, leading to conclusions about the presence of metallic plating on these artefacts.     

Image‐Based Modelling from Unmanned Aerial Vehicle (UAV) Photogrammetry: An Effective,Low‐Cost Tool for Archaeological Applications

The recording and 3D modelling of complex archaeological sites is usually associated with high capital and logistical costs, because the data acquisition must be performed by specialists using expensive surveying sensors (i.e., terrestrial laser scanners, robotic total stations and/or ground‐penetrating radar). This paper presents a novel, low‐cost, user‐friendly photogrammetric tool for generating high‐resolution and scaled 3D models of complex sites. The results obtained with unmanned aerial vehicle (UAV) photogrammetry of an archaeological site indicate that this approach is semi‐automatic, inexpensive and effective, and that it guarantees quality.     

Electron Microprobe Analysis of 9th–12th Century Islamic Glass from Córdoba,Spain

Twenty‐six samples from domestic assemblages of 9th–12th century Córdoba were subjected to electron microprobe analysis. The results reveal two main compositional types. The first, encountered in 13 of the samples, seems to result from the combination of plant ashes with high‐impurity sand, and has some contemporary parallels from Syria and Egypt. The second type is a lead–soda–silica glass, encountered in a relatively high proportion of the glasses (11 of the 26 sampled), possibly formed by the addition of lead metal to existing glasses and with very few known parallels. These are among a very small number of results available to date on the chemical composition of glasses from medieval Spain, and the presence of a high proportion of lead–soda–silica glasses is particularly interesting, possibly indicating a technological practice unique to, or originating in, the western Muslim world.