Favelas and the divided city: mapping silences and calculations in Rio de Janeiro's journalistic cartography

This article aims to challenge the widespread consensus that Rio de Janeiro is a divided city by deploying two concepts in critical cartography: cartographic silences and cartographic calculations. As a kind of unconquered territory, a terrae incognitae, favelas were silenced on many of Rio de Janerio's maps over the last century. When these places began to be mapped, and converted to terrae cognitae, power relations often become even more apparent because of the intention to make it legible for purposes of intervention. By analyzing maps published in the mainstream Brazilian press throughout the last century, this article explores how national press often portrays Rio de Janeiro as a city divided between formal neighborhoods, where the state apparatus can ensure the rule of law, and favelas, where parallel politics enforce local forms of governance. In order to disseminate this image of the city, maps can play an important role, locating different urban zones and reinforcing old stereotypes. Despite many studies that focused on both material and embodied forms of state presence within favelas, maps can be an important source of information to understand persistant representations of favelas as excluded and divided places.     

Globaler Pflanzentransfer und seine Transferinstanzen als Kultur‐, Wissens‐ und Wissenschaftstransfer der frühen Neuzeit

In three steps, the polyvalent phenomenon of global plant transfer will be analysed. Starting from the model of cultural transfer, the latter one will be discussed in combination with network research. Finally, the connection of various instances of transfer such as botanical gardens, ships and islands will be established. The fact that botanists take part in the process of transfer increasingly and from the middle of the 18th century onwards control the plant transfers in all phases emphasises the entwinement of science and colonialism.     

Im Dienste der Wissenschaft: Der Centro de estudios históricos und die Begründung eines liberalen Nationalbewußtseins in Spanien (1910–1936)

In the Name of Science: the Centro de Estudios Históricos and the shaping of a liberal national conciousness in Spain (1910–1936). – The Centro de Estudios Históricos was founded in 1910 by the Junta para Ampliación de Estudios. The main goal was to create a modern scientific system, but the researchers of the Centro also attempted to reinterpret some aspects of the Spanish Culture. We also try to have a new insight into how Spanish History and Culture was apprehended by those intelectuals in order to create the cultural basis of a new Spanish nationalism. The philological school of Menéndez Pidal or the historical school of Sánchez‐Albornoz played an active role in trying to find out the cultural roots of the Spanish Culture. They strived for providing the Spanish nation a cultural background.     

20世纪30年代法国军事辩论的惨痛教训

1940年法国战败,军事理论落后是其重要原因之一,而祸根在30年代的军事辩论时就已经种下。30年代法国军事辩论的主要内容是如何认识坦克集群战争。艾蒂安纳、杜芒克、戴高乐等人根据当时欧洲新的军事思潮,主张坦克战;反对派昧于历史新趋势,简单化地、过分乐观地认为,法国已经建立可靠的防线,法军已拥有足够的坦克,坦克只需掩护步兵,而组织坦克部队进攻将是一种冒险,敌人即使突破或绕过防线仍旧无法取胜。1940年法国的溃败,对这场军事辩论做了实际的总结。法国关于坦克集群战争的辩论和它屈服于坦克集群的事实,为我们提供了若干颇有价值的启示：军事理论的辩论一般具有长远意义;必须认识传统的力量及其限度;军事上的正确判断是打败对手的基本条件之一;必须看到军事理论、战争皆和社会生产、国家经济密切相关;落后的军事理论与压制先进军事思想的政策,势必对国家民族造成不可弥补的损失。     

White matter—Maximien Parchappe and the integration of articulate language

ABSTRACT

The Imperial Academy of Medicine of Paris met in the spring of 1865 to discuss the localization of speech. One of the participants was Maximien Parchappe (1800–1866), an alienist whose research interests lay in the cerebral cortex. This article addresses Maximien Parchappe’s concept that the cognitive elements of language—such as the translation of thoughts into words, the will to express them, and the means to do so—reside within the cortical gray matter, and that they are integrated through white-matter fibers. In so doing, Parchappe anticipated Carl Wernicke’s linking of the posterior aspects of the dominant frontal and temporal lobes in verbal expression, and Jules Dejerine’s linking of the angular gyrus and Wernicke’s area in the understanding of written language. Functional imaging has revived interest in language as a network of neuronal aggregates and has given new relevance to Parchappe’s concept of the functional organization of language.     

Pure and impure gestes: the generation of history in Jean d’Outremeuse's Myreur des histors

ABSTRACT

Scholars have long debated the place in medieval historiography of Jean d’Outremeuse's Myreur des histors, a universal history in celebration of Liège written in French around 1399. The abundance of Old French epic material in a chronicle that, according to its author, contained translations of only Latin sources, was once a source of outrage. The Myreur now holds significant interest, however, for its evidence of late medieval narrative strategies. This study demonstrates the Myreur's deliberate adaptation of epic material to glorify Liège. The author reimagines the Carolingian past as a source for future historical narratives by knowingly altering the genealogical framework of the chanson de geste universe. Carrying tales of sexual impurity, he describes the demise of the Carolingian line and transforms figures from epic to function within his linear history. This inventive approach allowed him to create a new hero- and history-generating lineage for his universal history.     

Gendered viewing,childbirth and female authority in the residence of Alice Chaucer,duchess of Suffolk,at Ewelme,Oxfordshire

ABSTRACT

This article examines the visual culture of the late medieval great residence from the perspective of the female gaze. In 1466, the widowed Alice Chaucer, duchess of Suffolk (c.1404–75), moved several items from her London and East Anglian houses to her principal residence at Ewelme, Oxfordshire. A unique set of inventories reveals that the move anticipated the birth and baptism of one of Alice’s grandchildren at that manor house. Focusing on the tapestries displayed in the main rooms of Alice’s residence, this article argues that the rituals surrounding the birth of Alice’s grandchild – and their occurrence within a female-headed household – provided a gendered viewing context, which both informed, and was informed by, their iconography. It considers how the mutually constitutive relationship between space, iconography and ritual would have authorised an event centred on female bodies, whilst also articulating Alice’s authority as household and family matriarch.