The occurrence and implications of post-mortem ‘pink teeth’ in forensic and archaeological cases

On sectioning six of eight externally well-preserved teeth taken from four skeletons from Medieval Chichester they displayed a superficial similarity to teeth described in the forensic literature as ‘pink teeth’. This article reviews the occurrence of ‘pink teeth’ in forensic specimens and describes the teeth from Chichester using a variety of analytical techniques. We conclude that, despite the similarities, the pink coloration in the archaeological specimens has a different cause from the forensic samples, and that in archaeological contexts the pinkness is probably related to post-mortem change brought about by saprophytic fungi. However, the exact cause of the coloration remains unexplained. We discuss briefly the implications of this observation for dental ageing techniques and other studies of archaeological teeth.     

War Trauma and Alcoholism in the Early Writings of Charlotte and Branwell Brontë

During and after the Napoleonic Wars, there was an outpouring of military-based biographical writing never before seen in British history. Over 200 military memoirs were published either as standalone entities or in periodicals such as Blackwood’s Edinburgh Magazine and The United Service Journal. As a result, the experiences of ordinary soldiers were brought to the forefront of Britain’s public consciousness. Although many of these memoirs glorified war, a number revealed the psychological damage war inflicted on the British male population and explicitly exposed the horrors of combat to a domestic readership. Furthermore, this explosion of life writing also exposed a connection between suffering and alcoholism, consolidating trauma as a post-war, national problem. The Brontës, typically recognized as canonical, Victorian authors, first participated in this military-based literary movement. This article attempts to reposition and establish two of the siblings – Charlotte and Branwell – as significant post-war commentators. By focussing on their military reading, it will become clear how they vicariously processed and reimagined war trauma and addiction through their Glass Town and Angrian sagas. Not only will this article argue that the introduction of military biography into British society generated wide-scale recognition of war trauma, despite its absence within contemporary medical discourse, but it will also argue that the young Brontës’ literature is an important historical source for understanding and re-evaluating the public response to post-war military masculinity.     

William Rutherford Sanders (1828–1881) and his neurologically fertile years (1865–1868)

ABSTRACT

William Rutherford Sanders (1828–1881) was an Edinburgh physician who occupied the Chair of Pathology at the University of Edinburgh from 1869 to 1881. All of his published output between 1865 and 1868 was concerned with neurology. In arguing that a patient did not have paralysis agitans, Sanders (1865) employed the term “Parkinson’s disease” for the first time in the English-language literature to distinguish between the disorder that Parkinson (1817) termed “paralysis agitans” and other types of shaking palsies. He contributed a major chapter on the same topic to Russell Reynolds’s A System of Medicine (1868). Sanders also investigated the innervation of the palate and facial muscles (1865), and in 1866 recorded the autopsy findings in two cases of aphasia. Here, for the first time in the English-language literature, he described findings that supported Broca’s location of the representation of speech to a particular area of the left cerebral hemisphere.     

Klippel‐Feil syndrome in an Early Hungarian Period juvenile skeleton from Austria

The excellently preserved skeleton of a juvenile from the Early Hungarian Period (10^th century AD), recently excavated in Gnadendorf (Lower Austria), displays typical symptoms of Type II congenital ‘Klippel‐Feil syndrome’ (KFS): fused cervical vertebrae 2 and 3, and fused thoracic vertebrae 2 and 3. Other features observed in this skeleton clinically reported for KFS include a basilar impression and a spina bifida occulta. The bilateral symmetrical hypoplasia of the basilar part of the occipital bone is probably also linked to this syndrome, as well as the constricted external acoustic meati, which almost certainly led to hearing impairment. A cranial lesion and its possible consequences are discussed in the context of the specific KFS alterations. Copyright © 2006 John Wiley & Sons, Ltd.     

INTO CLEANNESS LEAPING: THE VERTIGINOUS URGE TO COMMIT HISTORY

Surely one of the key issues in historiography is how to account for those mind-boggling and sometimes extremely bloody events in which we enter something really, sublimely new. In this essay my point of departure is that retrospectively it is almost impossible even for the historical actors themselves to get access to the contingent, irrational, "sacrilegious" aspect of the sublime event they brought about. In order to get a grip on the evanescent essence of the historical sublime, I propose to bring to a head, instead of leveling down, the tension that characterizes all historical and biographical discontinuities: the tension between the fact that discontinuities are made by the participants, yet are portrayed by these very participants as having come as a surprise. I will argue that discontinuity is not a regrettable side-effect of our ambition to attain goals that are in line with our identity, but that every now and then we give in to the urge to cut ourselves loose from our moorings. A key concept of the perspective that with sublime historical events "in the beginning is the deed" is vertigo. Vertigo may feel like a fear of falling, but really it is a wish to jump, covered by a fear of falling. Vertigo predisposes, as psychoanalysts say, to "counterphobic" behavior. Giving in to vertigo is a strategy for escaping from an unbearable tension by doing something—by breaking apart from what one used to cherish, by eating the apple, by committing an "original sin". Making history—in the sense of embarking upon something that is as sublimely new as the French Revolution or the First World War—thus is not a matter of pursuing some interest but of willfully fleeing forward into the unknown.     

Toward a topography of national trauma: mapping the past onto the future of American nationalism

Since the inception of the United States, many of those who have spoken for and to the nation have struggled to define and defend a coherent American nationalism. This article proposes that one of the reasons for this lies in the fault lines inherent in the invented traditions that underpin American, as many other nationalisms. Determined by warfare and by the desire for land, and frequently defined in racial terms, they have undermined more than they have stabilized the nationalist structures they seek to support through what they have excluded from the national imaginary. In common with other settler nations, in fact arguably with most Western nations, America's nationalist narratives struggle to serve as cohesive foundation myths. They represent the lasting legacies of national trauma derived from the nation's violent colonial past and the severing of the imperial bond in the eighteenth century, chattel slavery, and the civil war it caused, and westward expansion and the imperative toward hemispheric control. Through the mapping of a topography of national trauma predicated on these national traditions and located within the tensions arising from warfare, land, and race, scholars can better comprehend the still frequently acrimonious debates over American nationalism that persist today.