Living through,living with and living on from breast cancer in the UK: creative cathartic methodologies,cancerous spaces and a politics of compassion

This paper contributes to a growing literature exploring the embodied emotions involved in death studies. It does so through a creative cathartic autobiographical account of living through and on from breast cancer. In presenting this ‘storifying experience’, this UK-based paper has three key aims: first, it attempts to counter the disjuncture between the fleshy and emotional cancer journey I have travelled through and the sometimes abstract, disembodied accounts of cancer circulating in some geographical texts; second, it reveals some geographical insights that are uncovered through the use of creative cathartic methodologies which unsettle commonly held discourses about dying and surviving; and third, it poses some troubling questions for geographers working in this field with respect to the methodologies, politics and emotions of such research. In the paper, I argue that employing a creative cathartic methodology gestures towards ‘an opening into learning’ that provokes emotional enquiries about what it means to be taught by the experience of (traumatised) others. In particular, I advocate for a politicised compassion that both cares for those who are living through, with or living on from life-threatening illnesses and also cares about the complex conditions that shape their experiences, both within and beyond the academy.     

The Cognitive Function of Music. Part II

Abstract

Ancient and contemporary theories of the cognitive functions of music are reviewed and compared with the hypothesis (advanced in Part I) that music performs a fundamental cognitive function, helping to maintain psychic balance in the face of the diversity of the world. Considering historical evidence of the evolution of cultures and consciousness, a parallel evolution of music as a powerful and unifying emotional mechanism is demonstrated and recent cognitive experiments that have confirmed this hypothesis are summarized. The neural mechanisms of music include mental representations which unify the entire life experience. It follows that music is fundamental in making human evolution possible. The human mind and our human cultures would not exist as they do today without music. Future theoretical and experimental research directions are outlined.     

ARE EMOTIONS A KIND OF PRACTICE (AND IS THAT WHAT MAKES THEM HAVE A HISTORY)? A BOURDIEUIAN APPROACH TO UNDERSTANDING EMOTION

The term “emotional practices” is gaining currency in the historical study of emotions. This essay discusses the theoretical and methodological implications of this concept. A definition of emotion informed by practice theory promises to bridge persistent dichotomies with which historians of emotion grapple, such as body and mind, structure and agency, as well as expression and experience. Practice theory emphasizes the importance of habituation and social context and is thus consistent with, and could enrich, psychological models of situated, distributed, and embodied cognition and their approaches to the study of emotion. It is suggested here that practices not only generate emotions, but that emotions themselves can be viewed as a practical engagement with the world. Conceiving of emotions as practices means understanding them as emerging from bodily dispositions conditioned by a social context, which always has cultural and historical specificity. Emotion‐as‐practice is bound up with and dependent on “emotional practices,” defined here as practices involving the self (as body and mind), language, material artifacts, the environment, and other people. Drawing on Pierre Bourdieu's concept of habitus, the essay emphasizes that the body is not a static, timeless, universal foundation that produces ahistorical emotional arousal, but is itself socially situated, adaptive, trained, plastic, and thus historical. Four kinds of emotional practices that make use of the capacities of a body trained by specific social settings and power relations are sketched out—mobilizing, naming, communicating, and regulating emotion—as are consequences for method in historical research.     

Intimate mobilities: emotional embodiment and queer migration

This paper offers theoretically-informed empirical insights into queer migration in the contemporary West. Understanding the rationales, patterns and outcomes of migration is important for scholars researching the life experiences of gay men, lesbians and other non-heterosexuals. This paper advances knowledge of queer migration by interpreting interview data from thirty-seven gay and lesbian Australians. The analysis is prompted by a qualitative and narrative turn in migration studies, and the urgings of new mobility studies to account for the embodied and emotional dimensions of migration. Interrogating gay and lesbian Australians' migration narratives over the life course, I scrutinise the emotionally embodied nature of queer migration. I focus on the body as a vector of displacement, and explore how emotions, desires and intimate attachments shape queer mobilities. Respondents particularly emphasised the roles of ‘comfort’ and ‘love’ in relocation decisions. I found that these feelings interleaved with three patterns of emotionally embodied queer migration in the data—coming out, gravitational and relationship migrations. The embodied affects of comfort played a key role in coming out and gravitational migrations, while the exigencies of love underpinned relationship migration.     

Contemporary rural imitation: a Tardean analysis of five Danish rural parishes

The objective of the article was to update Tarde's approach by directing attention to the rural space and the concept of rural imitation. It analyses an empirical study of people settling in five Danish rural areas using Tarde's key concepts of imitation and monads. Mixed methods were employed, including surveys, participant observation and photo-ethnographic interviews. The data analysis applied the grounded theory approach to add a structural dimension to Tarde's approach. The analysis revealed that Tarde's approach and his key concepts of imitation and monads can be used to develop contemporary perspectives on rural experiences. The pivotal point in the rural–urban relationship is the ability to be in contact with an identity constructed from decisions about specific emotional states and a sense of the present. Within a broader perspective, this view of identity building based on rural settlement in nature calls for attention to health studies regarding how nature is associated with coping and how it can help relieve stress, one of contemporary society's most common ailments. The analysis suggests the existence of a triangle of monads in contemporary rural imitation. This triangle of monads is what stabilises, reproduces and supports the creation of rural identities.     

Feminist geographies and participatory action research: co-producing narratives with people and place

Abstract

This review offers thoughts, queries and hesitations regarding articles drawing on participatory action research (PAR) published over 25?years of Gender, Place and Culture. It foregrounds the interconnections and overlaps between PAR and feminist geographies, and considers a continuum of participations-collaborations-actions-knowledges co-produced across a range of interrelated feminist methodologies. I emphasise epistemological commitment as central to PAR, pointing to work in GPC that evidences critical approaches to research process, embedded in feminist perspectives regarding how scholars re-produce the world and/as act/ing in the world, particularly in attending to shifting, situated and complex subjectivities and power inequalities. Working together with participants is vital, through an ethic that centres participants’ voices, as actors in their own lives. Highlighting the emotional and embodied geographies that weave through such research and writing, this review suggests deepening and strengthening interdependences and a feminist ethos of care as researchers, to further foreground diverse stories and voices, work towards social and spatial justice, and co-produce progressive changes with people and place.     

Estate youth and complicated migration in Malaysia's oil palm plantations: the emotions of leaving and connecting back

ABSTRACT

This paper investigates the emotional relationship young Tamil Indians have with oil palm plantations they are leaving behind or have left behind. Working in a small town in Malaysia, as well as in a large estate, we show how communal and individual aspirations of migration shape young people's mobility. While young people recognize the poverty and marginalization of plantation life, they continue to be emotionally and affectually connected to plantations through socio-cultural and spiritual practices. Post-migration we show how youth maintain estate connections, and argue that the pull back towards plantations is contrary to state-sponsored ideologies of modernization. Not all young people feel the same pull; many try to distance themselves from their estate roots through consumption and other social practices. Responding to calls for researchers emotions to be present in youth research, the paper also briefly reflects how adult emotions shape our understanding of young people's emotions of migration.     

The emotional geography of a mine closure: a study of the Ravensthorpe nickel mine in Western Australia

This paper engages with the literature on emotional geographies to report on a case study of the emotions surrounding the closure of a nickel mine in the shire of Ravensthorpe in the south-west of Western Australia in January 2009. Two themes from the affect-infused narratives of pre- and post-mine community members are outlined. The first, which challenges constructions of the closure as a purely industrial and economic concern, focuses on the intense feelings the shut-down invoked amongst participants. The second theme explores the way in which the owner of the mine, BHP Billiton, worked to suppress and regulate affective reactions to the closure and thus reveals the highly political nature of emotions.