苏州市旅游者目的地消费支出空间分布特征研究

基于2003年江苏省国内游客抽样调查资料,选择以苏州为目的地的来自188个地级市的3337份有效游客样本,在综合考虑社会经济要素的基础上,采用相关分析等统计学方法进行研究,结果显示:旅游者在苏州市的目的地消费支出空间分布特征曲线分为两个阶段:递增阶段和停滞阶段。采用同样的方法对江苏省内游客样本进行了研究,结果验证了这种空间分布特征的可靠性。从不同细分消费项目角度的进一步研究发现,住宿、餐饮消费项目对总体消费的空间分布特征贡献最大,娱乐消费项目对总体消费的空间分布特征贡献较大,而其它消费项目贡献不显著。     

访沪国内游客旅游行为空间特征研究

在现场访谈获取访沪游客在沪旅游行为资料数据的基础上,根据不同访沪经历类型游客到访景区(点)的空间与时间数据统计,运用核密度估算方法,得出到访上海国内游客的空间行为特征:①首次访沪、第二次访沪和多次访沪游客的旅游空间行为集聚呈现"中心城区单核型-中心城区单核外溢型-城、郊并举多核型"变化模式;②首次访沪游客在沪旅游时间较长,日均到访的景区(点)数较多,而第二次、多次重游上海的游客在沪旅游时间相对缩短、日均到访景区(点)个数相对缩减,具有只针对单一景区(点)出游的倾向;③游客单次在沪旅游时间和到访景区(点)个数的缩减和单一景区(点)的出游趋向,意味着多次访沪游客已具备以上海为目的地的潜在度假旅游动机。据此,讨论了我国城市旅游发展中重点拓展休闲度假旅游,建设城、郊并举"多核心"旅游空间行为集聚区等问题。     

基于传播学视阈的西安旅游业创新发展初探

现代旅游业的竞争让旅游业的创新势在必行,本文从传播学的视阈论述了旅游与传播、旅游业与文化创意产业的关系,进而提出旅游业创新的两个基点:创新思维模式与延伸价值链。从信息传播的角度讨论了西安城市形象及旅游发展存在的问题,最后,提出西安市可在城市品牌经营及文化创意产业两方面创新思路,促进旅游产业的发展。     

‘Just looking’: domestic workers' consumption practices and a latent geography of Beijing

The post-socialist Chinese city has been an important site to explore the formation of modernity in its everyday shape and manifestations. A common way of understanding urban experiences is through the prism of consumption. Rural migrants in the city cannot compare with urban residents in terms of their consumption level, but they are seen to be equally enthusiastic in partaking in consumption, and their identities are also believed to be (re)shaped by consumption practices. Drawing on several years' extensive ethnographic research in Beijing, this article suggests that these scenarios cannot adequately account for the diversity and complexity of rural migrants' experience in the consuming city. In this article, I put forward a methodological argument for considering the lived spatiality of ethnographic subjects in conceiving and considering consumption. Then, through an investigation of how migrant domestic workers use urban spaces, I consider the ‘dialectic of freedom and constraint’ which marks their agency and their individual choices and decisions. Finally, I explore the social production of space by considering migrant domestic workers' ‘subversive’ behaviours within rather than in opposition to the capitalist commercial logic and space. This discussion demonstrates that consumption practices are at the same time spatial practices, and despite the many obstacles and constraints, migrant domestic workers are actively availing themselves of the opportunities that the city has to offer. This creative process is crucial if we are to gain a new and more nuanced understanding of consumption as a social practice. I further argue that it is also a process by which rural migrants hold on to their sense of dignity and self-respect in an environment of exclusion and discrimination.     

假日旅游高峰对旅游生态环境的破坏及对策分析

假日旅游带来的客流高峰对旅游生态环境造成多层次、多方面的破坏,本文对此进行了较为详尽的分析,并从时间分流、客源分流、信息分流、价格分流和景区分流等角度,对解决假日旅游高峰问题提出建议和措施.     

美国城市旅游

美国城市旅游对我国发展都市旅游有借鉴意义。本介绍了美国在散客旅游方式、旅游交通、城市旅游资源开发、旅游宣传资料以及旅馆业经营方式方面的一些做法。     

旅游线路设计与优化中的运筹学问题

旅游线路设计问题是旅游规划研究中一个重要的问题,本文把运筹学的方法引入旅游研究,探讨旅游线路的优化设计问题。基于定量分析与定性分析相结合的认识,本文重点是展示运筹学方法、图论方法的应用潜力,而没有着力于具体的技术细节。     

国内旅游团利益相关者利益格局均衡发展模式探究

一直以来,很多学者和业内人士把国内旅游团＂旅游服务质量问题＂归结为导游的素质,并探索过多种改善途径,虽取得了一定成效,但仍未达到根本解决的目的.本文从＂利益相关者＂角度思考该问题,认为其症结主要在于各主体间利益关系的失衡,因此尝试通过构建国内旅游团利益相关者利益格局均衡发展模式来解决这一问题.     

Turkey and Erdoğan’s rising “Lausanne Syndrome”

In this article, I analyze the rise of the “Lausanne Syndrome” in Turkish politics during the twenty‐first century through the prism of ontological security theory. The arguments are presented through the examination of the legacy of the “Sèvres Syndrome”, the impact of the Turkish‐Israeli diplomatic break‐up during the 2010s on the Turkish self‐narrative, and the declaration of the second war of independence following the failed coup attempt of 2016. The “Lausanne Syndrome” serves both as a domestic and foreign policy tool, as it relates to Erdo?an’s search for ontological security and geopolitical strategy.     

Fashioning the Domestic Novel: Rewriting Narrative Patterns in Margaret Oliphant’s Phoebe,Junior and Dress

This article argues that in her 1876 novel Phoebe, Junior, Margaret Oliphant used fashion and dress as a means to rework and modernize the narrative patterns of the domestic novel. In a volume entitled Dress, written for Macmillan’s ‘Art at Home’ series in 1878, Oliphant developed a mode of dress that privileged the adaptation of prevailing forms and fashions to the needs of the individual body. Oliphant saw such an individualist approach to dress as a modern understanding of fashion that favoured change and the adaptation of prevailing styles over the imitation of dominant social and aesthetic forms. This article links Oliphant’s understanding of fashion in her Dress volume with the revisionary narrative process that she exemplified in her writing of Phoebe, Junior. Returning to her series of novels charting the Chronicles of Carlingford after a number of years, Oliphant marked in sartorial terms the social and aesthetic changes that had occurred since the publication of her penultimate Chronicle, Miss Marjoribanks, in 1866. Revising in Phoebe, Junior her earlier novel, the trope of female creativity that linked the pen with the needle, and the conventional narrative patterns of the domestic novel, Oliphant posits a model of artistry based around the image of scissors and a process of cutting in order to create.