Artur Hazelius and the ethnographic display of the Scandinavian peasantry: a study in context and appropriation

Artur Hazelius (1833–1901), founder of the Nordiska Museet and the Skansen Open-Air Museum, was a pioneering figure in the practice of ethnographic display in Europe. Hazelius achieved Europe-wide recognition following his presentation of Swedish and Scandinavian peasant ethnography at the Paris Universal Exposition of 1878, where his displays were reviewed positively in the international press. This paper argues that the significance of the Hazelian ethnographic project was embedded in overlapping contextual frames with centres in Stockholm and Paris. If the displays most readily spoke to a general concern with the decline of traditional life as rooted in the countryside, they arguably took on other, different and occasionally conflicting meanings as they were moved from one exhibitionary context to another. Whereas in Stockholm the ethnographic displays were inscribed in the conciliatory rhetoric of Scandinavism, the exhibitionary setting of the exposition universelle imposed an interpretative frame defined by the logic of a competitive nationalism. For Nordic audiences, the scenes reflected the positive historical significance of the peasantry in the unfolding narrative of Scandinavian political modernity; for the French audience, however, those same scenes were either applauded for their life-likeness or seen as reflective of the ethnographic richness of the ‘kingdom of Sweden’.     

Debt,distraint, display and dead men’s treasure: material culture in late medieval Aberdeen

ABSTRACT

This paper uses the burgh court records of Aberdeen to explore the material culture of medieval Scottish townspeople. Four main areas are explored: the use of pawning and pledges to facilitate commercial transactions and maintain solvency; the practice of distraint as a means of coercion and debt recovery; the passage of burgesses’ moveable goods to their heirs; and the significance of clothing in public display. Precious metal objects featured prominently among the goods deployed to enable their owners to fulfil their obligations although the poor sometimes had to part with the most basic goods. For some in Aberdeen, the sixteenth century saw a rise in ownership of luxuries, including expensive clothes, although this may not have spread to ordinary people in town and country, and possession itself was, for some, insecure. Nonetheless it is clear that Scotland participated in the growing consumerism evident elsewhere in later medieval and Renaissance Europe.