The dynamics of global visual effects and games development industries: lessons for Australia’s creative industries development policy

The paper critiques the focus of creative industries policy on capability development of small and medium sized firms and the provision of regional incentives. It analyses factors affecting the competitiveness and sustainability of the games development industry and visual effects suppliers to feature films. Interviews with participants in these industries highlight the need for policy instruments to take into consideration the structure and organization of global markets and the power of lead multinational corporations. We show that although forms of economic governance in these industries may allow sustainable value capture, they are interrupted by bottlenecks in which ferocious competition among suppliers is confronted by comparatively little competition among the lead firms. We argue that current approaches to creative industries policy aimed at building self-sustaining creative industries are unlikely to be sufficient because of the globalized nature of the industries. Rather, we argue that a more profitable approach is likely to require supporting diversification of the industries as ‘feeders’ into other areas of the economy.     

European solidarity: a semantic history

Abstract

‘European solidarity’ is one of the most frequently used words in contemporary public discourse, but what does it mean? This article investigates the historical and semantic background of the term in English, French, German, Italian and Spanish since the French Revolution, when ‘solidarity’ became a political keyword for the first time in European history. With the founding of the Holy Alliance in 1815 the idea of ‘European solidarity’ as an instrument for achieving political order on the continent emerged. A historical longitudinal analysis via the Ngram Viewer reveals that the frequency of ‘solidarity’ follows or depends on certain crisis moments in history, such as revolutions, wars or economic troubles. ‘Solidarity’ belongs to the history of emotions and propaganda but is not a stable value system that consolidates political culture. It also seems to play a greater role in the national rather than in the European context. As a European political expression, ‘solidarity’ is not genuinely European but borrowed from the national political vocabulary. Moreover, the article outlines the semantic field of ‘European solidarity’ by showing linkages between ‘solidarity’ and other words.     

How Much Do We Actually Know? A Comparison of the Organization of Preventive Archaeology in Romania and in Europe, 2000–15

This study focuses on the organization of preventive archaeology in Romania and several other European countries over the last fifteen years. It provides data comparing the number and density of archaeological sites in Romania identified as a result of large-scale investment projects. It also discusses some important aspects regarding the financial and human resources involved in preventive archaeological excavations in Romania and other European countries. The paper attempts to outline the steps that need to be taken in Romania to ensure the continuing preservation of archaeology. These are: 1. A proper understanding of the importance of certain sites in comparison to others; 2. An accurate understanding of the importance of Article 9 of the Valletta Convention, which focuses on the concept of ‘public awareness’; 3. Prioritizing archaeological projects with useful results; 4. The creation of accurate digital databases, using GIS platforms. Ultimately, it is argued that we need to excavate, but we need even more to preserve, capitalize, and promote the archaeological patrimony, to facilitate the access of the public to archaeological sites, and to make people understand why it is crucial to protect our monuments.     

Melanesians and Music on the Move: South Sea Island Shipboard and Plantation Performance in Queensland, 1860s–1906

Taking a historical ethnomusicological approach, this article argues that shipboard and plantation music and dance practices cast new light on the ways South Sea Islanders (SSI) acted out agency and asserted new identities as they became tangled up in the dynamics of colonial encounters. Trading ships started to operate in Melanesia in the 1840s and island men were quickly attracted to the nautical life. Contact with the West brought opportunity but also exploitation when in 1863 the recruitment of Islanders for farm and plantation work in Queensland began. As they ventured into the unknown on recruiting ships, Islanders engaged in performance in order to establish cross-societal bonds with villagers from islands other than their own, and also with European sailors and settlers. Experimenting with any and all modes of sound making, SSI looked to music as a source of enjoyment and a means of individual and collective self-advancement. They took instruments, repertoire items, and gramophones back to their home islands as evidence of their familiarity with the wider world, and as creative resources to employ in the changing times ahead of them. Those who remained in Queensland at the beginning of the 20th century faced the challenge of how to integrate and indigenize the new musical ideas, and transform them into life – and community-sustaining expressions.     

Establishing an Ideologically Coherent History

This article analyses the historical culture of the Swedish Social Democratic Worker’s Party (SAP) during its formation in the last decades of the 19th century. Utilizing the theoretical concepts of myth and conceptual metaphor, the sense-making aspects of historical narration are studied, especially the way coherent stories are told, in which the movement under formation is made part of a long history leading to a desirable future. The SAP utilized history both morally-defensively and tactically-offensively. The moral use of history depicts Jesus, Münster, and the French Revolution, establishing the righteousness of revolt. The revolutions of 1848 and the Paris Commune, during which the workers are seen as acting more independently, are depicted in a way that draws attention to tactical aspects; lessons are learned on how the workers should act in a revolutionary situation. As has been shown to be the case regarding national narratives, the sense-making mechanisms of historical narration also tend to appeal to issues of identity. The metaphorical conceptualization of ideas and movements as individuals and families further underlines these issues.     

Narratives in Anecdotes,Memory and Interlocutors: An Early Engagement with Neville Alexander’s Story

In this article, I present a story about South African Marxist and activist-scholar Neville Edward Alexander. As historians, social scientists and intellectuals embedded in the humanities, a part of the job we have awarded ourselves or that we assume to be part of our disciplinary reasoning, our intellectual orbit, is to bring to life the periods that, and the people about whom, we reflect. This we do through writing and telling stories, often constructed with a “moral message” of sorts. In these acts of writing and story-telling, objectivity plays a disputed and a precarious role, and misrepresentations could be conscious or unwitting. The lack of objectivity in bringing to life the period and the people we talk about in our stories, in our exaggeration and our understatement about what we have read, about what we have heard, and then about what we write, is part of an academic’s narrative. These human traits of exaggeration and understatement can lead to historical error. In this early exploration of seeking answers to the questions, “Who is Neville Alexander?” and “What can we learn from his writings?” I offer two anecdotes about the man. My proposition is that overcoming historical error does not rest exclusively with factual verification. It has to factor in an appraisal of the ideological intention or even political wish of the people telling the stories, in written texts and orally, and of the interlocutors’ context that we recover in our historical studies. In writing this preliminary sketch of Alexander, I take a detour into higher education issues, particularly the field of doctoral studies, and I paraphrase some of the concerns that have been raised by Alexander. I conclude this introductory study with some thoughts on Alexander’s contributions to social change, to “race,” and to language policy and multilingualism.     

李鸿章集外文考论

李鸿章系晚清重臣,其个人文集是学者研究晚清历史的重要史料。安徽教育出版社于2008年1月出版的《李鸿章全集》,为学术界全面深入研究李鸿章带来了极大方便。然因载籍甚众,全集难免有遗珠之憾。笔者在查阅相关资料的过程中,发现李鸿章的七篇集外文,兹加以迻出,并略作考述,以供再版时参考。     

中国社会文化史研究:25年反省与进路

我国史学界社会文化史学科兴起25年来,经过了前十年"兴起奠基期"、继十年"发展兴盛期"、近五年"深化扩散期"三个阶段。学术贡献有:理论方法创新,开辟史学新生长点;推动中国近代史研究超越"革命史范式"及"现代化范式",走向"本土现代性";关注民间社会,挖掘内在社会文化资源。存在问题与瓶颈:学科意识模糊,研究"碎片化",平面描述性、意义稀薄及理论缺失。当今社会转型呼唤社会文化史的理论创新成果,未来将会引起关注的"关键论题"有:民间社会、社会治理、生活方式、价值系统。这几个"关键论题",可能会成为社会文化史学者为中国社会发展理论创新作出贡献的生长点。     

Enacting nationalism through youthful mobilities? Youth,mobile phones and digital capitalism in a Lao‐Vietnamese borderland

Mobile phone use has become a defining feature of what it means to be young, and the relatively remote Lao‐Vietnamese borderland area that is the focus of this study is no exception. Drawing on Benedict Anderson's Imagined Communities, this article investigates the interplay between the everyday styles of being young, the forces of digital capitalism and the enactment of nationalism. We do this with a focus on ethnic minority youth's appropriation of the mobile services offered by Viettel, the most popular mobile services provider in the study area and owned by the Vietnamese Ministry of Defence. We suggest that the everyday performances of being young, revolving around the mobile phone, are affected by the forces of digital capitalism. We further suggest that the cultural context of Viettel's digital capitalism is embedded in a fabric of Vietnamese nationalism, leading ethnic minority youth, consciously and unconsciously, to enact nationalism through their everyday styles of being young.