Modelling diversity: cultural district policies in Doha and Singapore

ABSTRACT

Over the last twenty years, cities around the world have seen the multiplication of cultural district projects, which aim to concentrate cultural organisations in a circumscribed urban space, or to label a neighbourhood’s cultural scene. This paper examines the adoption and adaptation of a globally circulating cultural policy model as an instrument of urban governance. Moving away from the notion of policy transfer, understood as a neutral and unidirectional process through which successful culture-led development models spread to other contexts, I show how local actors mobilise external references to position themselves in a transnational cultural policymaking field, and construct their city as a model. I compare the multi-scalar politics of urban modelling in Doha and Singapore, where globally circulating culture-led development models have been introduced not only as instruments of economic growth, but also as diversity management tools. On the one hand, cultural districts serve as discursive nation building/branding instruments to project an imagined identity locally and internationally. On the other hand, urban elites can mobilise cultural districts to make strategic shifts in the diversity management discourse, through an engagement with the urban environment, and the co-optation civil society actors at multiple scales.     

Applied spatial modelling in the twenty-first century: the Wilson legacy. Looking back and looking forward

ABSTRACT

In this paper, we review the contributions of Alan Wilson to geography and regional science over a period of more than 50 years. Beginning from theoretical insights, mathematical models and spatial analytics methods for cities, the research becomes somewhat more applied in the 1980s. The notable impact of this work in a business and commercial setting is in marked contrast to a relative lack of traction in a public policy environment. Reasons for this are explored. In more recent times, the advent of big data has started to generate transformational approaches to geographical problems. We argue that years of accumulated experience from the study of more abstract problems within less well-instrumented systems was a precursor to this. Finally, we argue that through working with a ‘family’ of modellers, the skills available to meet these challenges is significantly more extensive than could have been the case in the absence of such a programme. It is a legacy which is at once inspiring, durable and hugely significant.     

Encountering Alan Wilson,filling the gaps in data sets (from the knowns to the unknowns) … and disciplinary history/progress

ABSTRACT

This essay outlines my interactions with Alan Wilson over more than four decades, focusing on my early work on gravity models and then my adoption of his entropy-maximizing procedure in the study of disaggregated voting patterns. Using that example, the essay explores its implications for the study of disciplinary history.     

Cultural policy archetypes: the bathwater and the baby

ABSTRACT

Cultural policy archetypes have been fundamental to comparative cultural policy study and continue to be influential in both everyday and scholarly characterizations of national cultural policy systems. This paper explores the proposition that cultural policy archetypes reflect what people believe to be true about culture – their cultural ideologies. Cultural ideologies are integral to the formation of cultural policy and, thus, must be considered in any theory that hopes to measure the extent to which and explain why cultural policies differ. Cultural ideologies embody ideas about why culture is important and how it should be governed. Those ideologies spotlight certain administrative mechanisms, overemphasizing their role in systems that actually are deeply administratively hybrid. This makes archetypes poor tools for analyzing the mechanisms of cultural policy; however, because archetypes tell us about cultural ideologies in straightforward and powerful ways, it is essential that they continue to be a part of comparative cultural policy study.