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71.
Hye-Kyung Lee 《International Journal of Cultural Policy》2019,25(1):48-62
ABSTRACTThis article explores conceptual frameworks for understanding Korea’s contemporary cultural policy by looking into the historical transformation of the culture-state-market relations in the country. It argues that Korea has become ‘a new kind of patron state’, which emulates the existing patron states in the West firmly within the statist framework and ambitiously renders government-led growth of cultural industries (and the Korean Wave) as a new responsibility of the state. The formation of Korea’s new patron state has been driven by a ‘parallel movement’ consisting of democracy and the market economy, which has defined the political and socio-economic trajectory of Korean society itself since the 1990s. Democracy has been articulated in cultural policy as cultural freedom, cultural enjoyment and the arm’s length principle; meanwhile, the market economy of culture has been facilitated by a ‘dynamic push’ of the state. After discussing the parallel movement, the article points out the tension, ambiguity and contradiction entailed in cultural policy of the new patron state. 相似文献
72.
ABSTRACTWhilst Western societies may have reached ‘peak car’, young people are arguably the most significant group whose levels of car ownership, use and driving licence acquisition have declined. Against this backdrop, the paper discusses qualitative research conducted in Reading, UK, considering young people’s (aged 12–20) views about bus travel. Whilst current pricing structures (both in Reading and across the UK) often offer under 18s discounted travel, the paper explores young people’s intentions about future travel as young adults. Drawing upon theorisations around youth transitions, we discuss how young people expect their mobility patterns to change as young adults in complex, shifting, fluid ways, and to involve multi-modal travel. Young people construct complex choice biographies through which they plan pathways to navigate these mobility transitions. Although a small-scale study, this paper also offers some insights into the challenges, complexities and limitations of researching mobility intention. 相似文献
73.
Emily Boak 《Journal of Conflict Archaeology》2019,14(2-3):143-162
ABSTRACTEmerging from research with the Afghan Heritage Mapping Partnership, a multi-year project using satellite imagery to detect, record and manage archaeological heritage, this paper examines the potentials of remote-sensing to not only monitor archaeological material culture, but also contemporary materiality as it is violently (re)assembled through conflict. Through systematic remote-sensed archaeological survey using diachronic imagery in Kandahar, Afghanistan, this work expands archaeological understanding of an under-surveyed region while exploring the impact of the region’s expansive military infrastructural footprint on cultural heritage. Further, this research considers the long history of landscapes of control and successive military occupations. Remote survey allows for continued generation of archaeological data during conflict, thereby enabling more thorough heritage management. Finally, this survey demonstrates that, although remote aerial technologies have been criticized as tools of violence, surveillance and control, satellite imagery can be used analytically to generate new understandings of and challenges to military infrastructural reach. 相似文献
74.
Alexander J. Harby 《Geography Compass》2019,13(1)
Critical geopolitics has long recognised the role of history in geopolitics, yet popular geopolitics research is often ahistorical, focusing on ongoing conflicts without recognising the context of past wars and ideologies. In this paper, I review the literature on historical popular geopolitics. I use the literary technique of new historicism to evaluate the ways in which geographers have historicised popular geopolitics, in terms of their ideological contexts and influences on the present. Much of this work deals with various forms of media such as films and comic books, often read as products of their time or of their authors' ideologies. Some geographers, however, have been able to combine historicism with non‐representational methodologies to study embodiment, practices of consumption, and affect. I reflect that historicism is vital for understanding the continuity of geopolitics. 相似文献
75.
Tamara Prosic 《SJOT: Scandinavian Journal of the Old Testament》2019,33(1):42-64
The Passover festival has been the ritual expression of Jewish cultural identity ever since the Old Testament got the form it has today. This article looks at the ways cultural identity was expressed in antiquity, critiques the traditional prioritising of the story of exodus over its biblical ritual expression in understanding ancient Jewish identity and explores various Pesah sacrifice instructions in Exodus 12 as an implicit polemical ritual discourse engaged in constructing a ritual of cultural distinction. The article pays close attention to the tension between the invented and the real of the instructions, and attempts to identify the possible cultural other against whom some of the Exodus instructions were constructed. 相似文献
76.
The purpose of this paper is to investigate the relation between the economic resilience and cultural behaviour, resorting to the evidence provided by 20 Italian regions at the time of Great Recession. We consider specific cultural behaviours, which provide a specific meaning of culture; its relation with the economic resilience of regions is analysed. We document that higher levels of supplied and demanded quantity of cultural goods in a region are associated with higher regional economic resilience as measured by the ability of limiting employment drop; the relation with the considered cultural behaviours is weaker in the case of economic resilience as measured by the ability of limiting income drop. We propose possible explanations for this asymmetry. 相似文献
77.
Pedro Luengo 《Imago Mundi: The International Journal for the History of Cartography》2017,69(1):85-98
The idea of cartography as an example of Western imposition or process of cultural transfer is one that has long fascinated scholars interested in the margins of empires. This article analyses the maps in the possession of Manuel Agote, a Spanish factor in Canton at the end of the eighteenth century. The focus is on the use made by Agote of a Chinese map of Hainan, together with the European maps available already in China for commercial interests, and the way this reflects the cultural dialogue that was operating among local and foreign cartographers engaged in similar European mapping activities in the region. 相似文献
78.
In the sixteenth century Jews began to produce maps showing the Exodus to the Promised Land. My aim in this article is to show that, through unique compositions of written biblical references and pictured symbolism (both Jewish and Christian), maps such as the Mantua map (1560s) and, a century later, the Amsterdam Haggadah [Passover] map (1695) were a means of constructing Jewish cultural memory and identity in the Diaspora and fostering aspiration for a second salvation through a return to Zion. I also explore the Jewish approach towards the biblical land as this was reflected in the maps. 相似文献
79.
Montserrat Iniesta 《Romance Quarterly》2017,64(3):147-159
ABSTRACTIn the autumn of 2005, the museum of Vilafranca del Penedès (Catalonia, Spain) programmed a cycle of cultural events in order to commemorate the thirtieth anniversary of Francisco Franco's death. Among them, the performative one-piece exhibition Listen, Franco! The Purgatory for a Dictator showed a bronze sculpted bust of the dictator (belonging to the museum collection) and invited citizens to freely participate and “tell to him” all they would have liked to say if they had had the opportunity to. The unusual shape of the event and the high level of participation made the exhibition become a media success. However, a last-day surprising performance experience—as a result of which the bust was “vandalized” or, should I better say, “re-signified”—became a source of reflection about the boundaries between preservation and transmission of cultural heritage, as well as about museums as places for collective elaboration of public memory. This case appears as a catalyzer of a cultural crisis that exploded after 2008, and a prefiguration a new exhibition around another sculpture of the dictator, which took place in Barcelona in 2016. 相似文献
80.
Mauro Jiménez 《Romance Quarterly》2017,64(4):206-214
ABSTRACTIn this article I introduce how the 2008 financial crisis appears in the Spanish recent drama. Although the impact of the crisis has been studied in other genres and artistic expressions such as narrative, poetry, or comics, this issue needs more attention in Spanish contemporary drama. The article proposes a critical analysis of Nada que perder (Bazo, Romero, and Yagüe, 2016). In this play, we can observe a new perspective of the crisis that not only holds the ruling class responsible for the situation, but also charges the ordinary people with irresponsibility and lack of public conscience. 相似文献