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61.
ABSTRACT

This essay examines the cultural significance of illuminated sporting addresses in Ireland at the turn of the twentieth century. Illuminated addresses were used in civic society as a means of commemoration, celebrating retirement and relocation for instance, and they were also physical expressions of public sporting events in Ireland. Illuminated addressees are documents which provide an insight into the cultural histories of late nineteenth- and early twentieth-century Irish sport. This essay pays particular attention to illuminated addresses sponsored by members of the Gaelic Athletic Association and also considers the significance of a late 1890s example which was funded by supporters of the Irish horse-racing which sheds light on the sub-culture of the Irish turf. Illuminated addresses are meaningful documents and this essay recovers, for the first time, some of their hidden history.  相似文献   
62.
    
ABSTRACT

The article explores the cultural diplomacy initiatives undertaken by the Republic of Cyprus (RoC) during Makarios presidency (1960–1977) in order to strengthen the state acknowledgement and visibility in the international scenery and promote a nation brand focused mainly on the Hellenocentric aspect of the Greek-Cypriots’ cultural identity. Cyprus, a recently independent state (1960), shaped its cultural diplomacy practices according to the political developments; on the escalation of bi-communal conflicts internally and the international insecurity provoked by the Cold War rhetoric. This paper aims to map certain state cultural initiatives in an attempt to make connections between the internal identity-building process and the external projection of cultural identity and gain a better understanding about how a small-sized state can pursue and project a nation brand abroad by practicing the diplomacy of culture.  相似文献   
63.
    
ABSTRACT

The article examines how the European Union has addressed the ‘trade and culture debate’ in its international trade agreements. From a cultural exception approach based on an attempt to detach culture from trade provisions, the European Union economic agreements seem to evolve to a broader and more holistic position aiming to promote cultural exchanges through cooperation, while still safeguarding policy space in cultural matters through its traditional cultural exception. The article provides an overview of the European positions to defend the specificity of the audio-visual services sector at the multilateral (World Trade Organization Agreements), regional and bilateral levels. It also examines how the implementation of the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions has led the European Union to negotiate cultural cooperation provisions in parallel to some of its recent bilateral and regional trade agreements and the way this Convention may impact the understanding of the ‘trade and culture debate’.  相似文献   
64.
    
ABSTRACT

This paper attempts to understand the cultural censorship practiced in contemporary South Korea, a liberal democracy, where cultural quangos were established after political democratization, following the arm’s length model. I will focus on the analysis of cases from the film industry which has been central to the censorship debate historically in Korea because of its popular appeal. The establishment of arm’s length cultural organizations laid the foundation for freedom of cultural expression which had been seriously curtailed under military rule. However, recent revelations of cultural blacklist cases under the two previous administrations are baffling to understand since rampant political censorship was practiced through ostensibly autonomous cultural organizations. The paper examines the ways in which the state constructed a ‘system of ideological censorship’ by using not only cultural quangos but non-cultural state apparatuses. In so doing, the paper emphasizes the role of non-cultural policy state institutions in the operation of cultural policy and the effect of state systems on cultural organizations. I draw upon the concept of defective democracy to understand the socio-political condition where these cultural organizations exist.  相似文献   
65.
    
ABSTRACT

This article explores conceptual frameworks for understanding Korea’s contemporary cultural policy by looking into the historical transformation of the culture-state-market relations in the country. It argues that Korea has become ‘a new kind of patron state’, which emulates the existing patron states in the West firmly within the statist framework and ambitiously renders government-led growth of cultural industries (and the Korean Wave) as a new responsibility of the state. The formation of Korea’s new patron state has been driven by a ‘parallel movement’ consisting of democracy and the market economy, which has defined the political and socio-economic trajectory of Korean society itself since the 1990s. Democracy has been articulated in cultural policy as cultural freedom, cultural enjoyment and the arm’s length principle; meanwhile, the market economy of culture has been facilitated by a ‘dynamic push’ of the state. After discussing the parallel movement, the article points out the tension, ambiguity and contradiction entailed in cultural policy of the new patron state.  相似文献   
66.
    
ABSTRACT

Emerging from research with the Afghan Heritage Mapping Partnership, a multi-year project using satellite imagery to detect, record and manage archaeological heritage, this paper examines the potentials of remote-sensing to not only monitor archaeological material culture, but also contemporary materiality as it is violently (re)assembled through conflict. Through systematic remote-sensed archaeological survey using diachronic imagery in Kandahar, Afghanistan, this work expands archaeological understanding of an under-surveyed region while exploring the impact of the region’s expansive military infrastructural footprint on cultural heritage. Further, this research considers the long history of landscapes of control and successive military occupations. Remote survey allows for continued generation of archaeological data during conflict, thereby enabling more thorough heritage management. Finally, this survey demonstrates that, although remote aerial technologies have been criticized as tools of violence, surveillance and control, satellite imagery can be used analytically to generate new understandings of and challenges to military infrastructural reach.  相似文献   
67.
    
Critical geopolitics has long recognised the role of history in geopolitics, yet popular geopolitics research is often ahistorical, focusing on ongoing conflicts without recognising the context of past wars and ideologies. In this paper, I review the literature on historical popular geopolitics. I use the literary technique of new historicism to evaluate the ways in which geographers have historicised popular geopolitics, in terms of their ideological contexts and influences on the present. Much of this work deals with various forms of media such as films and comic books, often read as products of their time or of their authors' ideologies. Some geographers, however, have been able to combine historicism with non‐representational methodologies to study embodiment, practices of consumption, and affect. I reflect that historicism is vital for understanding the continuity of geopolitics.  相似文献   
68.
    
Throughout the early modern period, the intellectual and symbolic value of globes ensured these objects enjoyed a broad cultural appeal. Consequently, their design was subject to a wide range of social, commercial and intellectual pressures. The ways in which the intellectual and cultural concerns of seventeenth-century England became manifest in the cartographic design, resulting in a culturally specific product with broad appeal to an English audience, are highlighted in the case of a terrestrial globe constructed by Robert Morden, William Berry and Philip Lea, c.1683?1690, now in the Whipple Museum, Cambridge. Since this particular globe was produced at an early stage in the history of English globe making, light is shed on the emergence of a national globe-making tradition.  相似文献   
69.
The Passover festival has been the ritual expression of Jewish cultural identity ever since the Old Testament got the form it has today. This article looks at the ways cultural identity was expressed in antiquity, critiques the traditional prioritising of the story of exodus over its biblical ritual expression in understanding ancient Jewish identity and explores various Pesah sacrifice instructions in Exodus 12 as an implicit polemical ritual discourse engaged in constructing a ritual of cultural distinction. The article pays close attention to the tension between the invented and the real of the instructions, and attempts to identify the possible cultural other against whom some of the Exodus instructions were constructed.  相似文献   
70.
The purpose of this paper is to investigate the relation between the economic resilience and cultural behaviour, resorting to the evidence provided by 20 Italian regions at the time of Great Recession. We consider specific cultural behaviours, which provide a specific meaning of culture; its relation with the economic resilience of regions is analysed. We document that higher levels of supplied and demanded quantity of cultural goods in a region are associated with higher regional economic resilience as measured by the ability of limiting employment drop; the relation with the considered cultural behaviours is weaker in the case of economic resilience as measured by the ability of limiting income drop. We propose possible explanations for this asymmetry.  相似文献   
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