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41.
叶剑 《中原文物》2005,(4):51-53
民族文物是人类文化遗产的重要组成部分,是反映古代不同社会形态以及生产、生活状况的活化石.它填补了史籍记载的缺失和田野考古的不足,为人类社会发展史研究提供了珍贵的实物资料,在科学研究、发展旅游业、繁荣民族经济等方面具有重要价值.民族文物是中华民族的珍贵遗产,应及时抢救保护.  相似文献   
42.
Abstract

This paper deals with the use of military or militarized experts for cultural property protection (CPP) during times of conflict. CPP activities generally take place within a juridical framework that gives obligations for all parties involved, primarily the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict, and attention is paid to various implications and challenges that occur when implementing military CPP obligations within this framework. To illustrate matters, the paper details a speci?c case study from the author’s own ?eld experience in the safeguarding of the archaeological site of Uruk in Iraq. Aspects, including economic, legal, ?nancial, and educational implications, are presented and these are especially relevant since they apply (to an extent) to other situations, such as the recent cultural disasters in Egypt, Libya, and Syria. The Uruk case study is used to suggest a number of key elements that are vital for the implementation of an effective CPP strategy in the context of military operations. Overall, the importance of international cooperation, training, and education, along with the assistance of civil reach-back capabilities, is emphasized. The paper argues that an effective way to protect Cultural Property during armed conflicts is through military channels and with military logistics and tools. To ful?l CPP in agreement with International Humanitarian Law (IHL) joint preparations in peacetime are necessary. The handover of military initiated CPP projects to civil authorities has to take place as soon as the situation permits. The paper concludes with a set of recommendations.  相似文献   
43.
The aim of this article is to analyse the theoretical origins and character of Giuseppe Mazzini's idea of the nation and the wider tensions within nationalist thinking. In particular I will ground Mazzini's idea of national self‐determination on his distinction between rights and duties and finally his republican (and in this sense political, not ethnic) view of the nation‐people. It will emerge that, even if Mazzini shared a voluntaristic idea of the nation, he none the less had a clear perception that the argument of popular consensus needed to be limited (and legitimated) by normative principles, which for him were true democratic principles. Mazzini's originality and modernity lay in his capacity to avoid being a universalist in the old cosmopolitan sense without becoming a relativist. He faced the tension between universality and national identity by making the former concrete and inclusive: universality meant humanity which revealed itself through and within each nation, and was synonymous with democracy. Democracy at home is the premise for democracy abroad: this is Mazzini's legacy.  相似文献   
44.
The Risorgimento was the process of independence and unification of the Italian nation between 1848 and 1860, and has remained a powerful symbol of Italian politics ever since. Elaborating on Jan Assmann’s concept of cultural memory, the article discusses the Risorgimento at crucial moments in twentieth-century Italian politics: the 1911 anniversary of unification, the elaboration of the Risorgimento during fascism, the re-appropriation of the Risorgimento by the left and by the Resistance during the 1930s and 1940s, the general semantic space carved by the post-war democratic forces on both right and left with reference to the Risorgimento, and the sudden return to the memory of the Risorgimento in the 1990s and afterwards. The aim of the article is to understand both continuities and changes in the reference to the Risorgimento in twentieth-century political discourse, and to put into perspective Italy’s ‘particular’ road to modernity within a comparative European frame.  相似文献   
45.
Since the late 1980s, Taiwan has been engulfed in waves of both democratisation and integration with mainland China. These two waves have pulled identity reconstruction in Taiwan in two different directions. In the process of democratisation, a shift to a majoritarian system encouraged a Taiwanese renaissance on the political platform and consequently led to the deconstruction of Chinese identity. On the other hand, in the 1990s, with the high mobility of capital and people across the Taiwan Strait, close economic ties could have put the brakes on Taiwan independence movements. Hence, this paper uses random coefficient models to explore how the democratic transition and increasing cross‐strait relations brought about psychological and structural mechanisms that motivated people to opt for identity change in Taiwan. It also attempts to investigate how people dealt with the dissonance between rising Taiwanese nationalism and the economic interests that deterred a radical Taiwanese identity.  相似文献   
46.
    
This article introduces the concept of platform nations to capture an important recent shift in the way nations and nationalism operate in the public domain. If the rise of the internet initially led to a weakening of state control over public expressions of national belonging, the growing monopoly of platforms enables states to reassert control over national imagination, while also opening doors for other political and corporate actors to interfere in the process. This shift appears to be contributing, at least in some parts of the world, to a disciplining of national imagination online, partially reversing the trend to greater democratisation seen in the early stages of the internet.  相似文献   
47.
    
The rise of Artificial intelligence (AI) heralds potentially profound impact on the Chinese calligraphic landscape (CCL). Considering AI's increasing agential capacities, the anthropocentric conception of CCL that presupposes the priority of human identities, emotion, and creative work has been challenged. However, geographers remain quiet about AI-induced transformations up to date. To fill the research gap, this paper seeks to infuse more-than-human geographies into CCL. By taking a post-human approach, cultural geographers would have a novel understanding of human being in the creation of CCL. This paper initially discusses three prominent changes brought by deep learning (DL) in such landscape: a new ontological actor, transitory, and represented space. Responding to these transformations, the paper reconceptualizes the CCL as a post human term and unravels socio-spatial practices and diverse more-than-human geographies beneath such landscapes through three recent foci, namely robotic approaches to the CCL via DL, modeling experience brought about by AI, and human-AI collaboration for the creation of the CCL. Ultimately, this paper inspires geographers to profoundly comprehend CCLs in an era of AI. Through all these attempts, this paper advances insights into CCLs as more-than-humans-made.  相似文献   
48.
    
Abstract

The female body has been in the foreground of nation-building in Iran especially since the 1930s projects of modernization, when unveiling women and adaptation to Western clothing became a crucial factor of bolstering modern Iranian national identity as opposed to a religion-based national identity. After the 1979 Revolution, the Islamic dress code became compulsory and female imagery depicting modesty and piety became a source of national identity. Although the representation of women's bodies in nationalist discourses has been subject of different studies, women's representation in official online outlets is still understudied. This article discusses how women's bodily appearance and representation in official online outlets feed into the nationalist discourses in Iran. Three key cases between 2014 and 2017 are addressed: (i) actress Leila Hatami kissing a man at the 2014 Cannes Film Festival; (ii) the public debate on women's entrance to sports stadiums in 2014–2015; (iii) the public revelation of actress Taraneh Alidoosti's tattooed forearm in 2016. Data were collected from multiple Iranian official online platforms and a critical discourse analysis was undertaken to analyse different forms of discursive articulation regarding women's bodies and national identity. Drawing on feminist literature inspired by the Foucauldian concept of biopolitics, the article discusses the ways in which women's bodies are discursively constructed to illustrate a uniform Islamic nationalistic discourse.  相似文献   
49.
    
This paper reflects on the value of cultural policy research, particularly when such research forms part of projects that seek to produce insights or ‘outcomes’ that are useful to non-university research partners. The paper draws from the author’s involvement in a project examining cultural diversity in the arts that was funded as part of the Australian Research Council’s Linkage Project scheme. It addresses Eleonora Belfiore’s provocation that this kind of instrumental cultural policy research routinely amounts to ‘bullshit.’ However, in order to understand the critical function of such research, there needs to be greater attention to the lifeworlds of cultural policy and the multiplicity of the policy-making process. This multiplicity both complicates the possibilities for usefulness in policy research, at the same time that it enables such research to be generative in unpredictable ways.  相似文献   
50.
    
While public support for culture has become a less self-evident privilege than in the past, the economic evidence for benefits a society gains from these goods has become essential for both cultural economics and cultural policy. The aim of our study is to investigate socially preferred ways of allocating scarce public resources among municipal theaters in Warsaw. The problem investigated is a current issue for local policy-making, but in a broader sense, it illustrates how state-of-the-art stated preference methods can be employed to support cultural policy. We find that inhabitants of Warsaw assign a positive value to the broader accessibility of the theaters, and their willingness to pay for making them a truly public good (by introducing a program of highly discounted tickets) exceeds the costs of such a policy. However, we also find that the cost-benefit relationship varies across theaters with different types of plays in their repertories. Our results imply a different level of socially efficient support for experimental, drama, children’s and entertainment theaters.  相似文献   
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