Teatro crítico contra la conciencia en crisis: Nada que perder

ABSTRACT

In this article I introduce how the 2008 financial crisis appears in the Spanish recent drama. Although the impact of the crisis has been studied in other genres and artistic expressions such as narrative, poetry, or comics, this issue needs more attention in Spanish contemporary drama. The article proposes a critical analysis of Nada que perder (Bazo, Romero, and Yagüe, 2016). In this play, we can observe a new perspective of the crisis that not only holds the ruling class responsible for the situation, but also charges the ordinary people with irresponsibility and lack of public conscience.     

Changing histories and ethnicities in a Sámi and Norse borderland

Hedmark County is a large inland district in southeast Norway that represents the southern part of the Sámi settlement area, and a Sámi–Norse borderland. Centred on the municipalities Rendalen and Engerdal, the study investigates the long-term cultural and social processes involved in the construction and maintenance of a borderland using theories of ethnicity and cultural tradition. Over time, different groups of people have used the diverse landscapes, and two periods are highlighted: the Late Neolithic and the Bronze Age (2350–500 BC), and the Iron Age and the Middle Ages (500 BC–AD 1500). The focus is on how different groups of people used the landscapes as seen through variation in settlement, subsistence, borders and contact networks with neighbouring and distant regions.     

Las estrategias del juego áulico en las comedias mitológicas de Calderón de la Barca

This article studies the particular case of the mythological plays of Calderón that form a cohesive and recognizable set of works in certain circumstances. This kind of comedy is modulated by specific issues of reception, under the dominant global principle of playfulness, through the mechanisms of admiratio, and different strategies of courtly game that can be summarized in four basic areas: conventional comicity, the writing of a theater full of sensorismo, the importance of the intellect games, and finally, the strategies to point identity marks of a particular social group.     

Counter-narratives of coping and becoming: Karen refugee women’s inside/outside figured worlds

The purpose of our research is to understand the socially and culturally constructed architecture within which refugee women produce and negotiate identity. This ethnographic case study discusses findings from data collected through participant observation and informal interviews in two refugee camps along the Thai-Burma border. As Karen refugee women described their positionality within and negotiation between the socially constructed Inside and Outside Figured Worlds of the refugee camp, they depict the negotiation of a hybrid Third Space. Created at the intersection of the refugee camp structures that dominate individual agency and the discourses of gender and displacement that influence the social practices of women, this third space is characterized by the response strategies Karen women engage to support individual, family, and community health. Within the transformational spaces that refugee women constructed, the processes of coping and becoming reflected the relationship between structure and agency. Within these intersections a woman could express her resistance to a system that in its design represented a majority she was not a part of. As Karen refugee women moved to redesign their position within these systems, shifts in meaning of cultural norms resulted, inclusive of those that influence or define the role of women.