西方古典文献学的名与实

以希腊文、拉丁文为载体的西方古典文献学,希腊文作"philologia"。在近代西方各国学界在根据各自的语言整理、研究古文献藉以溯源其共同的"古代"过程中,西方古典文献学的名称与内容在不同历史时期、不同语境中均曾发生过变化,但总体上的沿革类似于中国古典文献学或传统文献学,即由校雠而校雠学而文献学,最终被冠之以"古典的"则意在强调"希腊、拉丁的"这一属性。     

Some New Vergilian Loci and Second Thoughts on Old Ones*

I. The text of Ecl. 3.100–102 is discussed and evaluated: quam is defended against quom and Cartault’s proposal [1897. Étude sur les Bucoliques de Virgile. Paris: Armand Colin] Hisce cutes – not adopted by editors and hardly visible in later apparatus critici, but recommended as worthy of attention by Heyworth [2015. “Notes on the Text and Interpretation of Vergil’s Eclogues and Georgics.” In Virgilian Studies. A Miscellany Dedicated to the Memory of Mario Geymonat [Studia Classica et Mediaevalia 10], edited by H.-C. Günther, 195–249. Nordhausen: Traugott Bautz] – is both brilliant and necessary. II. Based on grammar and context the abl. risu at Ecl. 4.60 is taken as modal: “Begin, little boy, to recognize (get to know) your mother with your smile”; then the final lines (62–63) must be restored to comply with Quintilian’s figura in numero (9.3.8) as qui risere (plural) followed by hunc “such a one” (singular); this change in number is shown to be in accordance with the use of a generalizing hic to denote quality. – III. At G. 2.22 I propose quos … vias construing reperire with two accusatives. – IV. At G. 2.266–268 I furnish parallels for similem … et as “like to” supporting Heyworth’s mutata … semina. – V. Rejecting my earlier position on A. 9.462–464 I now give a repentant vote in favour of Conte’s punctuation [2009. P. Vergilius Maro. Aeneis [Bibliotheca Teubneriana]. Berlin: De Gruyter] while at the same time adding an argument in its favour.     

福泽谕吉的中国批判与日本民族主义

日本近代启蒙思想家福泽谕吉蔑视亚洲,对中国、朝鲜乃至亚洲进行了颇为极端的批判和诟骂。他申言“脱亚入欧”,主张用武力干涉中朝事务,尔后又为战争辩诬。其言行与帝国主义行为适相表里,与二战后日本美化侵略逃避战争责任之遁词亦若合符节。剖解福泽的极端民族主义及其思想遗患,不仅有助于理解日本民族主义之思想根源,还将有益于对福泽思想之复杂性进行整体性把握和认识。     

《四库全书总目》史部提要的理论价值

清代乾嘉时期学者编纂《四库全书总目》,其中的史部书籍提要不仅对历史文献的考异纠谬具有重大价值,而且是中国古代史学批评方面的一项系统工程,包含着非常鲜明的史学批评标准和原则,为乾嘉史学乃至整个中国古代史学的理论与方法论增添了极其厚重的内容。     

Hamashita Takeshi's research on regional Chinese history

ABSTRACT

Challenges to the historical rise of “Western-centrism” in non-Western countries are surfacing: the Japanese scholar Hamashita Takeshi, who supports a “regional concept of China,” is one of the strongest voices in this movement. Hamashita suggests that the theories of the “Asian economic circle” and the “tributary system” can be combined to form a theory of a “regional Asia,” thus reconstructing the perspective of research on Chinese and Asian history. The regional Asia model is a composite of the network model, maritime model, and the regional model. Based on the regional concept of China, Chinese history can be studied from various perspectives, such as China as a network, maritime China, and regional China; one can thus develop a long-term view on Chinese, Asian and global history from a spatial perspective, a peripheral perspective, and an Asian perspective.     

顾千里的校勘学--思想与方法

顾千里是清代著名校勘学家,“不校校之”是他校勘学思想的核心与灵魂。其校勘学思想地形成,受传统校勘思想,特别是宋人校勘思想的深刻影响。顾氏的校勘学思想和方法,对校勘学的发展产生了深远影响,有些甚至已成为当今古籍整理校勘学科中的基本原则。     

Antimodernist Antecedents in Early Canadian Modernism: Archibald MacMechan’s “A Ballade of Canadian Literature” and F.R. Scott’s “the Canadian Authors Meet”

ABSTRACT

Archibald MacMechan’s regular column in the Montreal Standard entitled “The Dean’s Window” (1906–1933) is an important index to educated antimodernist literary values. MacMechan brought his reading of world literature into his appraisals of the Canadian scene, through his groundbreaking work, Headwaters of Canadian Literature(1924). In a 1912 “Dean’s Window” column, MacMechan, a published poet, opened with a poem of his own, “The Ballade of Canadian Literature,” which anticipated F.R. Scott’s “The Canadian Authors Meet”—itself a seminal work of early Canadian modernism. By no means binaries, the degree to which modernism and antimodernism could resemble each other is manifest in MacMechan’s and Scott’s poems, even though Scott’s poem eviscerates the Canadian Authors Association, an organization of which MacMechan was a founding member.