基于文化创意产业的历史街区提升改造研究——以南锣鼓巷为例

本文以南锣鼓巷为例,剖析了基于文化创意产业的历史街区改造与提升方式。分析结果显示:在历史街区发展文化创意产业是一种新型的改造与提升方式,二者关系密切,互利共生;发展文化创意产业需以不破坏历史街区风貌为前提,主要应该注意开店位置、扰民现象、墙体的颜色、门窗的颜色及质地、遮阳棚放置、空调等、灯光强度等因素;发展本地文化为主要创意来源的文化创意产业是避免"千城一面"的绝佳途径,不仅可以传承保护当地文化特色传统,还可以有效避免其他城市或地区的抄袭和复制。     

In search of a Mediterranean creativity. Cultural and creative industries in Italy,Spain and Turkey

The Mediterranean region has been increasingly receiving attention in recent years. This is due to the heterogeneity of the countries composing it, which raises several problems in business collaborations, but also unfolds several cross-national economic opportunities among Mediterranean countries. The analysis of cultural and creative industries can be useful to show that this area has many similarities, making intercultural exchange and cross-national economic development possible. This research starts from the comparison of three main Mediterranean countries situated both in Europe and outside, Italy, Spain and Turkey, and aims at highlighting the most striking similarities and differences of their features. The creativity specialization found in this region is alike, which allows us to begin to discuss the idea of a Mediterranean creativity.     

Feeling at Home: Gender and Creative Agency at Red House

Much has been written about Red House, the home of Jane and William Morris between 1859 and 1865, as an example of architectural innovation and a place of artistic fellowship. In accounts by Morris's contemporaries and subsequent scholars, Red House has also been represented as a site of conviviality, creativity and youthful idealism, where a utopian way of life proved unable to withstand the vagaries of mature responsibilities. This essay reconsiders the happy memories attached to Red House and explores how the affective investments that linked people, spaces and objects were created and enhanced by a shared process of creative improvisation there. Drawing on recent scholarly work on feelings, emotions and affect, this essay pays particular attention to the gendered experience of intimacy and creativity at Red House and seeks to redress a tendency to discount women's creative agency in the household. In the web of relationships at Red House, expressed and enacted through practices of creative labour and hospitality, Jane Morris and Georgiana Burne-Jones articulated an increased capacity for agency not merely as aesthetic objects but as creative subjects.     

Chance,Creativity, and the Discovery of the Nerve Growth Factor

This essay analyzes the history of the Nerve Growth Factor (NGF) discovery, relating some of the principles of the theory of scientific creativity to the cognitive and personal qualities of the scientists that participated in the discovery, particulary Rita Levi-Montalcini and Viktor Hamburger. The discovery of NGF is especially attractive for the history of science as it involves chance, luck, creativity, and some extraordinary scientists.     

Creativity in 3D: Poets and Scientists Converge on Writerly Invention

Abstract

Data from interviews with accomplished poets is used alongside findings from neuroscience, to examine three aspects of writerly invention: automaticity, emotional knowledge, and the social dimension. Writerly invention references the creative process writers use to originate ideas via writing. It is shown that a three-dimensional view of writerly invention becomes tenable when scientific findings are viewed in a consilient manner with the introspections of poets. In addition, a call is made for the sciences to help elucidate a mind-state found to be germane to writerly invention — the receptive stance.     

Creating a niche,building a community: a case study of young small-scale creative workers in Daegu,South Korea

The global trend of garnering the innovative potential of creative economy has also accelerated in South Korea where ‘creativity’ has recently become a nationwide buzz word. While economic instrumentality underpins the global proliferation of creativity discourse, it has been argued that the contemporary cultural sector is affected by neoliberal norms and hyper-competitive individualism. Notwithstanding such disciplining of creativity, this paper attempts to look into the complexity of cultural work which cannot be solely explained by the ascendant neoliberal ethos. To this end, the paper draws upon interviews carried out in 2016 with youth cultural workers, particularly who commit to independent, small scale creative work, in the city of Daegu. Based on an exploration of their locally oriented moral motivations and how they describe and practice their own work, the paper aims to discuss the ways in which they contribute to local cultural ecologies through their socially engaged creative work.     

Re-framing the Geography Dissertation: A Consideration of Alternative,Innovative and Creative Approaches

This paper reviews the opportunities and challenges for re-framing the purpose, process, product and assessment of final-year geography dissertations. It argues that the academic centralities of critical thinking, analysis, evaluation, effective communication and independence must be retained, but that the traditional format limits creativity and innovation. Re-imagining capstone projects has implications for students, faculty, departments and institutions, but greater diversity could enhance its relevance to students and employers, better aligning the student experience with the academic interests and future career demands of the 21st century graduate.     

试论李维汉统一战线理论的几个特点

李维汉长期从事统一战线工作,对统一战线理论有诸多创造性研究,是党内外公认的统战理论家.其统一战线理论是毛泽东思想的重要组成部分.考察李维汉统战理论所体现出的时代性、规律性和创造性的特点,并且揭示李维汉深入实践、重视理论与实际相结合的科学精神,以及实事求是、与时俱进的理论品格,这对于在新的历史条件下推动统一战线工作的开拓与发展具有重要的指导意义.     

国外创意旅游内涵研究

创意旅游从旅游活动发展伊始便在实践层面一直存在,但直到近几年才由理查德(Greg Richards)和瑞蒙德(Crispin Raymond)首先在真正意义上提出。这一概念的提出,主要源于西方社会创意趋势(creative turn)的出现,并且逐渐蔓延到经济、社会的各个层面。创意旅游因创意趋势被正式提出,因源于创意而具有天然的独特内涵,这也使得它与"传统的旅游形式"相区别,首先表现为创意旅游具有极强的"活动参与性"。特别值得强调的是,这种区别更多的表现为本质上的差别而不仅仅是时间上的先后次序及形式上的改变。     

多样性、创造力与城市增长

是经济多样性或是产业专业化更有利于技术创新和城市增长是近几年来学界争论的问题。传统的研究方法,多利用经济分类(包括标准产业分类和专利分类)数据来探究产业构成与知识溢出和经济增长之间的因果关系,但这种方法并不能清晰地说明不同环境下知识溢出的具体过程,从而对有关争论无法给出令人信服的结论。本文通过比较人造事物与自然生物的演化差异,发现人类创造力的特性与技术创新的本质在于把现有的、以前不相关的资源或技术进行有效的组合。虽然专业化城市在特定城市体系中也能够促进技术创新及经济增长,但从单体城市的层面看,产业多样性较专业化不仅有利于各种不相关的事物的组合,而且还能提供创新者所需的企业家精神氛围和更大的集聚经济,因此更利于城市的长期增长。