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61.
What is the dynamic value of the creative industries from the economic perspective? This paper seeks to answer this question by proposing four models of the relationship between the creative industries and the whole economy, then examining the evidence for each. We find that growth models fit the data well, but not everywhere. We discuss the methodological and empirical basis for this finding and its implications for economic and cultural policy.  相似文献   
62.
It is a core element in Richard Florida’s popular theory on growth to be able to attract the creative class to a geographical area. But Florida is not very specific on which kind of amenities are important for attracting and keeping the creative class. The purpose of this paper is to analyse which kind of cultural activities the creative class is actually using. Which kind of cultural activities does the creative class use more intensively than other groups in society? This paper presents new empirical results on preferences for leisure and culture. Richard Florida’s theory can be, and has been, criticised – especially on the issue of causality. The analyses presented in this paper show that being part of the creative class has an independent and significant role in explaining preferences for leisure and culture.  相似文献   
63.
媒介-空间辩证法:创意城市理论新解   总被引:1,自引:0,他引:1  
李蕾蕾 《人文地理》2012,27(4):44-48,82
本文采用思辨方法,以作者对现代城市空间的观察,以及"媒介物"和"媒介表征"在城市空间的渗透,作为出发点,探讨媒介与城市空间的辩证关系,增进有关媒介和城市及其相互作用的认识。文章指出媒介-空间辩证法的知识基础,来自于新兴交叉学科"媒介与传播地理学";然后对媒体的空间性和空间化过程及其在城市空间的具体表现和可能影响,进行了初步分析,建立了媒体与城市空间的交互分类体系;通过借用"媒介的物化"和"物的媒介化"思想,将媒体与城市空间的辩证关系,与创意城市的理论探讨相关联,指出媒介-城市空间辩证法对于创意城市的理论建构,具有重要的启发意义。  相似文献   
64.
从建构主义的角度,研究广州红专厂的空间功能置换和游客感知,空间功能的置换具体表现为物质载体工业建筑和机器设备的外观改造及用途变化,而游客感知则通过分析游客对工业遗产空间的感知情况,探讨空间置换后产生和传达出的意义。通过比较这些意义与工业遗产价值的关系,可以更好的理解工业遗产空间的消费主义改造方式,也可以更好的理解创意产业空间所体现的当今社会对工业遗产的态度。研究发现,游客将红专厂理解为一个文化艺术和休闲消费的场所,而不是工业文明的记忆空间。红专厂工业空间的创意产业园式改造,传递出的已经不是工业文化的内涵,而是新的消费意义,实际上是工业文化向消费文化转变的过程。这种再利用方式与真正意义上的工业遗产保护是有所偏离的。  相似文献   
65.
Neo-Liberalism as Creative Destruction   总被引:5,自引:0,他引:5  
Neoliberalization has swept across the world like a vast tidal wave of institutional reform and discursive adjustment, entailing much destruction, not only of prior institutional frameworks and powers, but also of divisions of labor, social relations, welfare provisions, technological mixes, ways of life, attachments to the land, habits of the heart, ways of thought, and the like. To turn the neoliberal rhetoric against itself, we may reasonably ask: in whose particular interests is it that the state take a neoliberal stance and in what ways have these particular interests used neoliberalism to benefit themselves rather than, as is claimed, everyone, everywhere? Neoliberalism has spawned a swath of oppositional movements. The more clearly oppositional movements recognize that their central objective must be to confront the class power that has been so effectively restored under neoliberalization, the more they will likely themselves cohere.  相似文献   
66.
This special issue brings together creativity and enterprise through the geographies of the creative industries. In recent years the focus of academic debate has privileged business and corporate economies, and so this issue seeks to contribute both empirically and theoretically to the burgeoning literature of creative industries. Economic geography offers a rich domain through which to engage with these debates, exploring the nuances of creativity and enterprise. Our aim, as well as bringing together a set of interesting papers, is to contribute critically to understanding the organization and spatial structure of creative industries and the broader creative economy.  相似文献   
67.
This paper argues that it is important for urban scholars and practitioners to comparatively appraise the differential forms of local embeddedness of cultural quarters. Such appraisals can help to realize more sustainable practices of cultural quarter anchoring within neighbourhoods. The case study of Leipzig, Germany – a city that deploys both ‘creative city’ and ‘cultural industries’ models of urban development within a context of post-industrial, post-socialist transformation – is used to examine the adaptive re-use of a former cotton-spinning mill, the Baumwollspinnerei, into an internationally renowned cultural quarter. The POSES Star Framework is developed as an analytical tool to systematically outline multiple local embeddedness dynamics (political, organizational, social, ephemeral, and spatial) of a cultural quarter within a neighbourhood and within a specific urban planning and policy context. The application of the POSES Star Framework to the Baumwollspinnerei reveals that internal organizational concerns for site development and marketing are prioritized over external engagements with Leipzig's urban planning and cultural policy discourses.  相似文献   
68.
Abstract

Drawing from the last five years of chimurenga, Zimbabwe’s war of self-liberation from the early 1960s to 1980s, this paper shows that the most important aspect of technology and innovation in Africa is not the technology and innovation itself, but the African spirit of creative resilience born of the specificities of struggles its people have endured. By creative resilience is meant a phenomenon whereby, even where death is the outcome, and where the situation is insurmountable, people do not just surrender to fate, but die fighting. As a site of creative resilience, chimurenga is the ultimate site of creative labor and a vast laboratory, not simply a destination for incoming technologies, or a 'user' space but generative of its own insurgent and counter-insurgent innovations. Focusing on the communal war effort involving guerrillas and ordinary Africans in the rear bases of Mozambique and Zambia and on the front inside Zimbabwe, the paper makes its argument through a focus on healthcare innovation.  相似文献   
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