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91.
David Harvey 《Geografiska annaler. Series B, Human geography》2006,88(2):145-158
Neoliberalization has swept across the world like a vast tidal wave of institutional reform and discursive adjustment, entailing much destruction, not only of prior institutional frameworks and powers, but also of divisions of labor, social relations, welfare provisions, technological mixes, ways of life, attachments to the land, habits of the heart, ways of thought, and the like. To turn the neoliberal rhetoric against itself, we may reasonably ask: in whose particular interests is it that the state take a neoliberal stance and in what ways have these particular interests used neoliberalism to benefit themselves rather than, as is claimed, everyone, everywhere? Neoliberalism has spawned a swath of oppositional movements. The more clearly oppositional movements recognize that their central objective must be to confront the class power that has been so effectively restored under neoliberalization, the more they will likely themselves cohere. 相似文献
92.
A highly stratified society had emerged in the Korean peninsula by the beginning of the Christian era. It was expressed symbolically by ownership of valued goods and status burials. Four factors are basic to understanding the emergence of stratification in prehistoric Korea, around 2300–1700 B.P.: autonomous sociocultural evolution within the peninsula since early Chulmun Period, external pressures from more advanced culture spheres in Manchuria and northern China, the existence of elites able to facilitate integrative process, and warfare and conflict. The external pressures, in particular, resulted in a sociocultural process characterized as a secondary formation. For the evidence of emerging social complexity and stratification, the authors examine various archaeological data, with a special focus on differentiated mortuary architecture and its associated objects. Ancient Chinese accounts are considered as complementary evidence. 相似文献
93.
苏州园林文学与园林旅游 总被引:1,自引:0,他引:1
本试图以苏州园林为例,剖析园林学与园林旅游的关系,认为园林学在对园林意境的点示、开拓、再现以及园林旅游的宣传、导游、开发中都起着重要作用,是急需开发的人旅游资源。 相似文献
94.
旅游企业营销策划的创意要求 总被引:2,自引:0,他引:2
现代旅游企业都面临前所未有的压力和挑战。面对这种态势,有创意的营销策划显得尤为重要。本文从分析创意的本质着手,介绍旅游企业营销策划的创意要求和思维要求。 相似文献
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Eglė Rindzevičiūtė Jenny Svensson Klara Tomson 《International Journal of Cultural Policy》2016,22(4):594-610
This article examines the transfer of creative industries as a policy idea to Lithuania. Tracing the stages of the transfer and analysing its consequences in the local cultural policy field, this paper argues for the importance of studying cultural policy process. The findings reveal that the process of the international transfer of creative industries mattered, because it generated wider transformations in cultural policy field by having ambiguous effects on local power relations. The policy idea of creative industries opened the cultural policy field to new actors. As a result, competition for scarce state funding increased, but cultural organisations gained access to the European Union structural funds. In all, creative industries as a policy idea significantly transformed Lithuanian state cultural policy, in that it led to a reassessment of both the practices and identities of cultural organisations. 相似文献
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98.
Piotr Niewiadomski 《Tourism Geographies》2020,22(3):651-656
AbstractThe processes of globalisation and time-space compression, driven mainly by the neoliberal agenda and the advancement of various space-shrinking technologies, have markedly re-shaped the world over the last 75?years in an almost unchallenged manner. Amongst the most significant outcomes of these processes have been the popularisation of international travel and the accompanying global expansion of the tourism industry. As the first major force ever to effectively stop (or even reverse) globalisation and time-space compression, the COVID-19 outbreak has also put on hold the whole travel and tourism industry. In this respect, the tourism as we knew it just a few months ago has ceased to exist. Although the price the world is paying for this is enormous, the temporary processes of de-globalisation offer the tourism industry an unprecedented opportunity for a re-boot – an unrepeatable chance to re-develop in line with the tenets of sustainability and to do away with various ‘dark sides’ of tourism’s growth such as environmental degradation, economic exploitation or overcrowding. However, the path of re-development and transformation which the global tourism production system will follow once the COVID-19 crisis has been resolved is yet to be determined. 相似文献
99.
Claudia Seldin Caio César de Azevedo Barros Pedro Vitor Costa Ribeiro Thomas Ilg Gavinho 《International Journal of Cultural Policy》2020,26(6):771-790
ABSTRACT The article focuses on temporary and improvised cultural spaces in marginalized neighbourhoods of Rio de Janeiro, Brazil. They are presented here as alternatives to current urban and cultural policies, often based on international ‘best practices’ models with exclusionary and segregating consequences. It begins with a brief overview into North American and Western European cultural planning policies. It then analyses the instability of cultural policies in Brazil, highlighting that, after a period of State recognition of bottom-up actions, administrators have turned to a contradictory planning scheme that mixes outdated and recent international trends, leading lower-income inhabitants to self-build their own cultural spaces. Unlike many products of today’s global strand of ‘tactic urbanism’, Rio’s temporary spaces are politically charged territories of resistance. An example is ‘Cine Taquara’ – an improvised cinema and debate forum that illustrates how, in an unequal city, such initiatives can do more towards social inclusion than ready-made models. 相似文献
100.
Hye-Kyung Lee 《International Journal of Cultural Policy》2020,26(4):544-560
ABSTRACT This paper compares creative (content) industries policies in the UK and South Korea, highlighting the coevality in their development. Seeing them as ‘industrial policies’, it focuses on how state intervention is justified and why a certain set of policy options have been chosen. The UK policy-makers prefer passive and decentralised roles of the state that addresses market failures via generic and horizontal policies. Meanwhile, Koreans have consistently believed in the strong, resourceful and ambitious state in developing centralised, sector-specific policies for cultural industries. While demonstrating two contrasting approaches to the nation state’s management of cultural turn in the economy, both cases seem to present a ‘paradox’. Despite its neoliberal undertone, the horizontal and fused approach taken by the UK’s creative industries policy engenders some space for ‘cultural’ policy. On the contrary, the non-liberal and state-driven content industries policy in Korea has shown a stronger tendency of cultural commodification. 相似文献