地理的空间与文学的意象——以贾平凹小说创作为例

人地关系对文学创作具有深刻影响。贾平凹其人其文在创作理念、叙事方式、人物形象等方面都具有鲜明的地域性特征。本文以贾平凹代表性小说作品为例,考量了商州的地域文化地理要素对贾平凹小说创作产生影响的机制。论文认为,自然地理环境能够构成文学创作的自然意象,人文地理环境能够生发文学创作的民俗文化意象、丰富其地域文化意象,并促成便于营造意象的艺术风格及其嬗变。     

试论学校德育情境的创设

学校德育情境的创设对提高德育实效性具有重要的意义,我们应对其进行深入地研究,着力创设理想的适宜学生发展的德育情境。德育情境的创设应以科学性和适宜性为前提,以创设宽松和谐的人际情境为基础,以学生主体性的发挥为关键,以教师德育能力的提升为保障。     

新中国社会主义卫生事业和防疫体系的创立与发展

新中国社会主义卫生事业的创立和发展带有鲜明的时代变革特点,在中共中央领导下,党和政府在建国初高度重视发展新中国卫生事业,不仅迅速改变了广大农村医疗卫生事业极度落后的局面,大力开展妇幼卫生保健,而且开创了少数民族地区医疗卫生工作新领域,对促进少数民族地区社会文明进步具有重大意义。与此同时,还建立了面向全民预防为主的新中国卫生防疫体系,对新中国卫生事业的全面进步产生了深远的影响。     

Expected job creation across the cultural industries: a sectoral division and its implications for cultural policy

The cultural industries have come to the forefront as the potential job creators of the future. However, building on the concentric circles model and production system view of the cultural industries, we pose that many young and small organizations in the industries lack the motivation, ability, and opportunity to become job creator. We reason that industry location crucially affects job creation expectations. Evidence from an international sample of early-stage entrepreneurs strongly supports this thesis. We identify a divide between entrepreneurs in the ‘core’ cultural industries vis-à-vis those in the ‘non-core’ cultural industries, where the latter group is indistinguishable from entrepreneurs in non-cultural industries in their job creation expectations. Simultaneously, those in the core cultural industries are distinct from others in their expectations to maintain the same number of jobs, rather than grow. These findings have important implications for cultural policy aimed at promoting employment growth in the cultural industries.     

董邦达《四美具合幅图》的创作、陈设及其意涵

本文以图像、文献和档案为基础,试图藉诸种材料的分析,阐述董邦达奉乾隆皇帝之命绘制《四美具合幅图》的缘由,以及作者对绘画主题、题材、风格、构图的选取,通过分析作品从母本到成品的制作过程,力求揭示出皇帝、词臣和画家在创作中的意愿和互动。作者试图借助个案分析,揭示词臣画家在乾隆宫廷内艺术风格的形及其发展过程中的种种复杂性。此外,作者对绘画史研究     

Radical Political Theology

Abstract

This essay investigates the claim, advanced by a number of contributors to Theology and the Political, that the potential for political transformation requires an analogical ontology. I argue that this is not the case, and that an ontology of immanence, as found primarily in the work of Gilles Deleuze, provides an alternative and superior paradigm for political transformation. This argument is advanced by examining the manner in which immanence enables a novel approach to creation. Such immanent creation is distinct in that it departs from analogy's dependence on the transcendent as well as from capitalism's dependence on communication.     

论儒家文化在中国少数民族文化中的变异

儒家文化以其强大的影响力和辐射力,在长期的文化交流过程中,被少数民族文化吸收,发生融合,同时被赋予民族特色,促进了少数民族的文化再创造。本文从总体上考察儒家文化在少数民族文化中的一系列变异过程和变异类型,即从作为知识,到作为尝试,再到成为习惯的变异过程;既保留内容又保留形式的原初变异类型、保留形式而内容变化或保留内容而形式变化的初步变异类型、内容形式完全本土化民族化的完全内化的变异类型。强调在建设现代文明的今天。应从少数民族文化存留的儒家文化申吸收精华．汲取有效资源．以资借鉴．     

浅析古建筑中以空间处理为中心的陈列艺术

在古建筑中布置现代陈列,目前尚无成熟的模式可以遵循。结合实例研究可知,这类陈列在实际操作中会表现出以空间艺术处理为中心的通常格局,原建筑的室内面积与展线不仅需要经过不同常规的弹性划分,还需适当地借鉴古建筑的造型元素及相关文物器物元素,以求营造出情景交融的现代陈列新意境。而场景创设则时常能够成为盘活陈列和显示设计个性的最灵活、最适宜的选择。     

Cultural Materiality and Spiritual Alienation

Abstract

This article takes its point of departure in Phillip Blond’s Christian criticism of secular materialisms and the failure of modern thought to appreciate the true materiality of creation. He challenges secular thought and returns to a combination of Greek and Christian Trinitarian thought, in order to reach for a new ground for political theology. Blond’s Christian ontological claims are contested, but an aspect of them is brought into the context of cultural creation and related to questions of the spiritual dimension of cultural arte-facts in a secular setting. Against the background of Friedrich Nietzsche’s struggle with the difficulty of singling out a pure secular culture from the old and (in his view) stifling religious heritage in society and culture, this article suggests that a radical notion of human intentional (but finite) creation, analogous to Blond’s idea of God’s infinite creative intention, may be helpful for a construction of a materialistic critical theory about contingent spiritual obstacles to political change.     

蔡其矫诗歌意境的创造和人格涵养

蔡其矫诗歌以传统为骨子,他尊重传统的诗歌创作原理,注重开拓诗的意境,努力寻找景与情的契合,形成其诗歌意境优美灵动、梦幻空灵、苍凉悲壮神奇的三大特色。这些特色又与其人格息息相关,但因其时代的变迁,人生经验和艺术修养的积淀,诗的意境表现呈现阶段性跳跃。