Andrew Dury's map of the present seat of war,between the Russians,Poles, and Turks (1769)

Abstract

The chance assembling of a number of different impressions of Andrew Dury's Map of the present Seat of War between the Russians, Poles, and Turks (1769) in the British Library led the authors to examine the map's carto‐bibliographical history. Nine states of the map, two of which were sometimes sold with printed paste‐ons, have been identified to date. The two earliest states of the map are now in the State Historical Museum, Moscow. Although both are best described as proof, or pre‐publication, impressions, each bears evidence of intensive use at the highest levels of the Russian army command. Indeed, the circumstances leading to the creation of the map by Andrew Dury and Peter Bell and to a succession of different versions over the three decades or so of intermittent Russian‐Turkish hostilities highlight the interplay of international politics, individual initiative and commercial factors in late eighteenth‐century map production in London.     

The Secrets of a long life: The Dutch firm of covens & mortier (1685–1866) and their copper plates

Abstract

Commercial map publishing firms between the mid‐sixteenth and mid‐nineteenth centuries needed to prolong the life of their copper plates for as long as possible. In order to avoid the costs of engraving new plates, the famous Dutch publishing house of Covens & Mortier of Amsterdam (1685–1866) amended existing plates for topographical and politico‐administrative changes, engraving errors, imprint alterations and marks resulting from general wear. Not only were the plates altered, but the printed maps themselves were sometimes also modified: a new title cartouche might be pasted on or a date or part of the text scratched away. In these ways the map publishing firm was a master of creative solutions as regards both the re‐use of old copper plates and the ‘renewal’ of old printed maps.     

Professionalising the British film industry: the UK Film Council and public support for film production

This article examines the UK Film Council’s objective to reorganise and reallocate public funding for film from 2000 onwards. I argue that the model adopted by the UKFC was innovative on two levels. First, it separated public funds available for film production into three separate streams and then hired industry professionals to head each individual fund. I also examine how the funds developed over the lifetime of the organisation, with each appointed head shaping the principles of their respective funds in accordance with the wider objectives of the UKFC. Drawing on strategy documents, internal papers and interviews with key personnel, I argue that the UKFC worked to position itself as a ‘vanguard organisation’ seeking to shake up an independent sector seemingly reliant on state handouts and introduce a commercial perspective to the industry. This mission met an abrupt end, however, when the incoming Coalition government closed down the organisation in 2010.     

Political Regulation and the Strategic Production of Space: The European Union as a Post‐Fordist State Spatial Project

This article addresses the spatial differentiation of statehood in the process of European integration, looking at its consequences for the reorganization of political rule. First, we elaborate our theoretical foundations resting in materialist theories of the state. It is argued that hitherto analytical approaches have hardly been able to systematically integrate the societal generation of space. This shortcoming is addressed by drawing on theories of space discussed in radical geography. Second, we trace the spatial transformation of statehood in the EU. Our assertion is that the latter is characterized by the emergence of a multi‐scalar ensemble of state apparatuses. Finally, we discuss the implications of this transformation for the reproduction of domination. We assume that the multi‐scalar form of statehood offers a significant basis for the emergence of authoritarian forms of politics in the EU. At the same time, social conflicts over the political design of the EU are intensifying.     

Early Maya Ritual Practices and Craft Production: Late Middle Preclassic Ritual Deposits Containing Obsidian Artifacts at Ceibal,Guatemala

This article examines Preclassic Maya ritual practices and craft production by means of a study of ritual deposits containing obsidian artifacts dated mostly to the late Middle Preclassic period (700–350 b.c.) at Ceibal, Guatemala. New ritual practices developed at Ceibal during this period, possibly through political interactions and negotiation involving emerging elites and other diverse community members. Common objects in ritual deposits in the public plaza shifted from greenstone celt caches to other artifacts, including those made of obsidian. The inhabitants of Ceibal engaged in various kinds of craft production, including the manufacture of obsidian prismatic blades. They also conducted public rituals in the Central Plaza, depositing exhausted polyhedral obsidian cores and other artifacts with symbolic significance in caches and as offerings in incipient elite burials and interments of sacrificed individuals. These cores clearly demonstrate the use of a sophisticated blade technology. Like greenstone objects, exhausted polyhedral obsidian cores deposited in cruciform arrangements along the east–west axis of the central E-Group plaza were used as symbols and markers of the center and four cardinal directions within the Maya cosmos. Public rituals were important for creating collective identities and for processes of political negotiation within the community. Emerging elites likely came to play an increasingly important role in public rituals as principal performers and organizers, setting the stage for later public events centered on rulers.     

从购买力的变化看土改运动后农民生活水平的提升

土改运动后农民生活水平的提升,可以从农民购买力的变化上得到集中反映。农民生产恢复和发展后,出售的粮食日渐增多。粮食丰收直接导致农民手中资金的增多,从而引发农民购买力的急剧上升。农民的购买力可分为两方面:一是生产资料的购买,是为了增加土地投入;二是生活资料的购买,是为了提高生活水平。翻身农民购买力的提高,首先体现在对农业生产资料的购买上。如果说土改后农民生产资料购买力的增加反映了农民投资土地的生产积极性高涨的话,那么土改后农民对生活资料购买力的增加,则反映了农民在生产恢复后对美好生活的渴望。农民购买力的提高,刺激了城市工商业的发展,加速了城乡物资交流,为新中国的工业化开辟了道路。     

Co‐Producing (a Fearful) Anthropocene

The Anthropocene is not amenable to the senses but, like many modern concepts, must be made visible. We explore the ‘Great Acceleration’ imagery as an immutable mobile to explore how this human‐made geological epoch is constituted through the aggregation of disparate elements of extreme complexity. Our analysis explores how disparate issues such as ‘telephone use’ and ‘coastal zone biogeochemistry’ can be associated and enrolled into the same argument. We write as concerned observers, who are concerned with the way that recognition for phenomena is enrolled into a fear‐based narrative. This risks reproducing the governance structures at the heart of the Great Acceleration and, if so, we ask what this might mean. Using fear is a risky strategy that is as likely to lead to relatively poor behaviours as it is to some ‘awakening’. We make this case as a way of contributing to the Anthropocene debate, challenging those promoting the idea to consider the co‐productive relationship between the knowledge they are proposing and the governance that knowledge entails.     

城市少数民族社区地方认同的消解与重构

在城市空间生产与再生产过程中,城市少数民族社区空间形态及功能的重大改变,需通过地方重构以维系少数民族地方特色及文化传承。开封善义堂回族社区案例研究发现,城市少数民族社区的地方形成以及地方认同建构,依赖于自身独特的居住环境及文化传统。少数民族社区由聚居转变为散居的地方变迁,对居民的地方感知及地方归属感具有重要影响。集中代表地方意义的独特空间,有助于地方及认同的重构。城市少数民族社区中被赋予特殊意义的空间,对地方的建构及文化的传承具有关键作用。