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41.
美国的政治制度在内战之前的半个多世纪发生了重大变革,其显著标志是废除了选举权和担任官职的财产资格限制,确立了白人男性成人的选举权和担任官职资格,在制度上确立了白人民主制.然而在美国南部蓄奴州,奴隶制的社会整合作用导致政治权力落入奴隶主利益集团的掌控之中.这样,法制上的白人民主制在实际政治世界中就蜕变成了奴隶主统治.在内战前的南部政治世界中,在总体上奴隶主政治人物担当着领导角色,广大非奴隶主大众是奴隶主在政治活动中的附庸.  相似文献   
42.
《国语》方言词研究   总被引:1,自引:0,他引:1  
通过考察,本文认为《国语》中存有部分方言词。联系上古方言词的一些材料我们梳理出了40余个《国语》方言词,并在对它们所在国别和方言区对应关系调查的基础上对《国语》作者、《国语》方言词的历时层次以及战国中前期稚言和方言关系等问题进行了推断和解释。  相似文献   
43.
Since the racially segregated space of the United States operates as a habitat of white supremacy, the vice of white supremacy pervades the church's corporate body and thereby permeates all of its practices, including those of baptism and the Eucharist. Rather than turning to the church's sacraments as an antidote to the vices of a presumed external culture, this paper chronicles the way in which these very practices have been corrupted by it. The church cannot reform itself from within. In order to enable these sacraments to build the body of Christ, the church must work to dismantle regnant patterns of white supremacist racial segregation in the world.  相似文献   
44.
The purpose of this article is to explore the conditions under which the postpositivist interest in rewriting or reinterpreting history could operate legitimately from a historical point of view. The first part of the article outlines and explains some of the key thematic elements of historical postpositivism. The second proceeds to investigate how these elements can be configured and related to each other within Arthur Danto's influential account of the development of contemporary art, and especially the avant‐garde. The intention is to acquire a sense of the working dynamics of postpositivist thought, so as to better understand its possible implications for the writing of history. In the concluding section an argument is proposed to the effect that, although the postpositivist interest in the rewriting of history can in principle be admitted as entirely legitimate, its legitimacy depends on introducing some substantive constraints on content, in addition to the formal considerations that postpositivist discourse generally tends to favor. It is further suggested that this constraint should take the form of a requirement on historical literacy whose meaning is, finally, elucidated by drawing a contrast with historical common sense.  相似文献   
45.
特制绢地书画作品的修复历来是一大难题,因困于材料的特殊性与稀缺性,如寻觅不到同类补绢,就较难实现理想的修复效果。清代莫晋绢本书法立轴的画心材质为一种经过涂布、染色、描绘等工艺制成的特制绢本,因保存不当,画心已出现严重断裂残缺、部分涂层填料脱落等劣化现象,亟需修复保护。但画心用绢的质地和颜色特殊,无法找到与之接近的补绢。本次修复通过对绢的表面涂层进行检测分析,并参阅传统纸张再加工材料的检测报告和研究文献,再结合对材料的老化实验等,确定将瓷土和高岭土按一定比例混合来代替原涂层中的铅白作为本次修复的涂布材料。最后通过对修补涂层的全色,取得较为理想的修复效果。  相似文献   
46.
We present the first full archaeometrical study of Kushan‐Sassanian pottery from the Buddhist monastic complexes at Kara Tepe (Termez, Uzbekistan), recovered both in the pottery workshop and in the monastery, using a combination of analytical methods (XRF, XRD, SEM–EDS and OM). The study allowed the identification of the reference group, the correspondent fabric, the raw materials used for its productions, some of the technological processes involved in manufacture and several weathering processes. All the results confirm that the kiln was supplying the religious community of the monastery with pottery, made using local raw materials, and highlight the possibility that the kiln could have supplied the nearby monastic complexes, where no kilns have been found. Further archaeological evidence indicates the existence of specialized potters working itinerantly at the broader Bactrian area.  相似文献   
47.
Built in the first half of the 13th century on behalf of the Emperor Frederick II, the Maniace Castle of Siracusa focuses its enigma in the hypostyle hall (which was composed of 25 quadripartite rib vaults) and the design criteria adopted for its implementation. Recent research and a careful rereading of the documentary “restoration project” after the earthquake of 1693 have offered new tools to understand the construction techniques and building procedures for the entire organism. It has been possible to demonstrate that the different material (white limestone and volcanic stone) used for the vaults is, in fact, a product of reconstruction. The constructive node, which historiography has taken for granted, is now crucial—the documentary evidence of the restoration after the earthquake compared with the materials found in situ provide interpretive keys to decode genesis and procedures of the huge structure built five centuries before.  相似文献   
48.
This article investigates the context of a side line in Leibniz's critique of Locke on maxims. In an enigmatic and little-explored remark, Leibniz objects that Locke has overlooked some legal maxims that fulfil the function of ‘constituting the law’. I propose to read this remark against the background of the divergence between conceptions of legal maxims in the common law tradition and conceptions of legal maxims in the Roman law tradition. In a few remarks, Locke seems to echo the common law emphasis on customs and conventions expressed by legal maxims. According to such a conception, reason would mainly fulfil the function of subsuming particular norms under more general conventional norms. By contrast, Leibniz uses the Roman law idea that some ‘rules of law’ express demands of natural reason and, thereby, express principles constitutive of natural law. This is why he proposes to reform vague and confused ‘brocards’ used by jurists in order to identify sound maxims that provide a natural-law foundation for legal institutions.  相似文献   
49.
Abstract

This article explores the theological commitments of Red Toryism through an engagement with the work of Phillip Blond and John Milbank. Investigating the notion of the common good in Red Toryism from ecclesiological and ecological perspectives, and making a comparison with the "long revolution" proposed by Raymond Williams, I argue that Red Toryism misses the theological potential of the long revolution. Losing this revolution presses theology without warrant towards an unnecessarily conservative construal of civil society.  相似文献   
50.
《Political Theology》2013,14(1):74-87
Abstract

A variety of impasses continue to weaken our individual and collective moral imaginations and likewise our approach to solidarity. Engagement with the arts, however, renews and focuses this central moral capacity and provides a new praxis for Catholic social ethics: encounter, engage, create.  相似文献   
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