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41.
古砖的烧制温度决定了其物理力学性质。本研究提出基于磁化率来确定古砖烧制温度的方法。通过对古砖重新加温,测量不同温度下古砖的磁化率,得到磁化率差值的平方-温度曲线图。图中第一个较大的偏差对应的横坐标即为古砖的烧制温度。利用上述方法测得实际烧制温度为700℃、800℃和900℃的黏土砖的烧制温度分别为690℃、810℃和870℃。二者误差较小,认为利用该方法确定砖的烧制温度可行。本研究利用该方法确定了平遥古城10块古砖的烧制温度,发现其烧制温度在650~690℃和850~870℃两个区间范围内。据此推测平遥古城古砖是以秸秆和木柴为燃料烧制而成。本研究实验结果可为古建筑修复和保护提供理论参考。  相似文献   
42.
唐开元年间先后在渤海北境、黑水靺鞨地方设置勃利州、黑水军、黑水都督府。从文献与考古材料双重视角入手,可以对与黑水都督府建置有关的勃利州(渤州)、黑水靺鞨道、渤海都督府、安静都督府、黑水靺鞨思慕部等问题进行梳理和考索,又结合渤海与黑水靺鞨军事对抗导致黑水靺鞨自牡丹江中下游不断北移的历史背景,再考黑水都督府的具体地望。研究渤海都督府、安静都督府辖区以及黑水靺鞨思慕部相对位置关系,又考虑其为具有地区战略意义的和扼守渤海上京以北、贯穿南北黑水靺鞨交通孔道的军政重镇,萝北县江岸古城当为唐开元年间设置的黑水都督府治所所在。  相似文献   
43.
Small-scale excavation was undertaken at the Malakai site on the small island of Nimowa, located in the Louisiade Archipelago, Massim region, Papua New Guinea. This is the first excavation to be reported in detail from the archipelago, with the Malakai site providing insight into cultural practices on the island and pottery exchange in the southern Massim region. A stratified deposit was revealed with dense cultural material, first inhabited from 1350 to 1290 cal. BP, with a subsequent period of settlement within the last 460–300 cal. years. Pottery, shell, and stone artifacts were recovered, as well as human skeletal remains in a primary burial context, which contributes to understanding regional patterns of prehistoric mortuary activity. It is argued that Nimowa was already part of an exchange network that encompassed many of the southern Massim islands when the Malakai site was first occupied. There is increased diversity in the number of vessel forms in later prehistory, but with remarkable continuity in the decorative motifs over time, suggesting some degree of regional social cohesion in the southern Massim. It appears that the northern Massim islands were not a major supplier of pottery to Nimowa. The implications for the prehistory of the wider region are subsequently discussed.  相似文献   
44.
The entrepreneurial ecosystem (EE) literature has attracted much attention, especially in policy circles. However, the concept suffers from a number of shortcomings: (1) it lacks a clear analytical framework that makes explicit what is cause and what is effect in an EE; (2) while being a systemic concept, the EE has not yet fully exploited insights from network theory, and it is not always clear in what way the proposed elements are connected in an EE; (3) it remains a challenge what institutions (and at what spatial scale) impact on the structure and performance of EE; (4) studies have often focused on the EE in single regions or clusters, but lack a comparative and multi-scalar perspective and (5) the EE literature tends to provide a static framework taking a snapshot of EE without considering systematically their evolution over time. For each of these shortcomings, we make a number of suggestions to take up in future research on EE.  相似文献   
45.
What makes a book political? This essay takes up this question through analysis of a small network of grassroots publishing projects. In doing so, I suggest that the materiality and mobility of a book can be just as, if not more, significant than its content when considering its political character. Specifically, I examine the interconnected trajectories of a cluster of books published since 2010 that participate in conversations about migration, work, and popular politics in Argentina and Bolivia. By zooming in on two very distinct contexts of book culture (Buenos Aires and La Paz) and especially the connections and tensions that emerge between them, I seek to account for some of the heterogeneous contemporary formations of what Ángel Rama called the ‘lettered city’ in Latin America. As I focus on grassroots publishing projects, I shift my attention away from the usual spaces of book culture, allowing other marginal circuits of production, circulation, and consumption to appear. Combining ethnographic narrative with textual analysis, this essay develops the double concept of political articulation (as expression and connection) to offer a transdisciplinary exploration of how movement is shaping the print book – materially and politically – in Latin America today.  相似文献   
46.
This article offers reflection on how Gramscian theories can be useful for critically analyzing the political significance of the actions and resistances of urban subaltern Africans. It interrogates the potential of subaltern political forms to profoundly transform society and to thus prepare for the African “future city”. It merges a theoretical analysis of Gramsci's concepts relating to the città futura—and its relation to concepts of city, subalternity, political initiative and cittadinanza—with a comparative critique of urban theory applied to Africa and especially relating to the politicization of the city in Mauritania. Our reflections are based on Mauritania and the case of Nouakchott, its capital, where we have carried out our research for over a decade. We will interrogate the re‐appropriations or resistances, as well as the autonomous construction of modes of living and of city‐making, made by marginal inhabitants, in order to consider their political potentialities.  相似文献   
47.
Joe Shaw  Mark Graham 《对极》2017,49(4):907-927
Henri Lefebvre talked of the “right to the city” alongside a right to information. As the urban environment becomes increasingly layered by abstract digital representation, Lefebvre's broader theory warrants application to the digital age. Through considering what is entailed by the urbanization of information, this paper examines the problems and implications of any “informational right to the city”. In directing Tony Benn's five questions of power towards Google, arguably the world's most powerful mediator of information, this paper exposes processes that occur when geographic information is mediated by powerful digital monopolies. We argue that Google currently occupies a dominant share of any informational right to the city. In the spirit of Benn's final question—“How do we get rid of you?”—the paper seeks to apply post‐political theory in exploring a path to the possibility of more just information geographies.  相似文献   
48.
This article takes up the recent interest in assemblage theory in urban geography and considers the potential for art to contribute to our narrations of urban assemblages. In particular, it uses Chris Ware's recent magnum opus, Building Stories, as not only an account of the urban as an assemblage, but to indicate more broadly the way in which comics might be used to narrate urban assemblages in ways that highlight their multiplicity and plurivocality. The article draws out three themes in its analysis of Building Stories: more-than-human subjects, the various temporalities of the city, and the way memory and narrative are emergent from urban assemblages.  相似文献   
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